Yea, those who favor Genesis, & claim that the Earth is flat, that the Earth is 6,800 year's old, that the Earth is at the "Center of the Universe", that 2 + 2 really does = 5 & that science has been lying to us all along are never preachy! So, at least their not hypocrite's...
I actually take some issue with the statistical information that this film play's with. It is apparent that they chose to group thing's all together, for example, instead of saying 6.7, 6.8, etc., billion, & stressing approximately, they just round it off to 7 billion. I would have preferred more precise statistical information. They likely didn't want to, & ultimately didn't, bc, of the idea that it would scare off the laypeople who don't want to feel like they are being hit over the head with number's; well, the idiot's need to learn, or they should, eventually!
And while I believe that climate change is obviously real & that global warming is obviously real, what is the precise cause & the idea that human's are the cause of it is pretty shaky; we have only been documenting accurate measurement's for a little over 100 year's or so. We not only need to be doing more to stop putting the garbage into our environment but, we also need to be doing more to develop & turn a profit with the technologies that will allow us to stop putting the garbage into our environment and to do that fast enough, as that would be the best incentive for us to stop being so stupid with our energy production and energy consumption.
Along with the idea that we only have 10 year's, or so, to turn the tied before thing's become irreversible, there are a few different thing's in this film that I found to be fear mongering but, at least it's for a good cause. Sometimes the end's really do justify the mean's. One thing that is irking me currently didn't do so until I got to this webpage; other than Glenn Close as the "Narrator", none of those actor's are even in this damned movie, unless they played some of the tiny little bug-sized ppl that were way down on the ground, far & away from the helicopter's & the jet's that contained the camera's that filmed this movie...
So, either the movie got it wrong and/or Flixster did; & more than likely it is entirely Flixster that screwed that one up!
Home is an independent French film, I usually am prejudiced against French films but this one was excellent. It's about a family living in a house on a quite road in a rural area. Their life is changed for the worse when a highway is built right by their house. A road that used to see one car a day now sees non-stop traffic all day every day.
We follow this family as their mental states go to the dog house. It states lively and cheerful and ends claustrophobic and nauseous. Round the beginning we are greeted with nice scenes like a family game of slider hockey in the middle of the road and a lazy eldest sister relaxing in a bikini in a calm environment and round the end we get these uncomfortable scenes like a hot and sweaty family all trying to sleep in the same room just to get away from the noise and a family members doing random, irrational things like tearing off one's clothes and snapping about how they aren't as pretty as the older sister when simply asked if they have any whites in need of washing.
This is a manipulative film, a good script and good performances make you feel what the family feels. When they are happy you their comfort and ease, when they are stressed you feel their frustration and angst. This isn't a movie for everyone, it can be quite frustrating and uncomfortable at times and if you aren't into that then don't watch it. If you are one to appreciate a film for it's skill to make you empathise then I strongly recommend this.
4 stars from me
I truly loved this eccentric film with its eccentric family. Very entertaining.
NOTE: I have no idea why Rotten Tomatoes lists Glenn Close as a cast member in this movie. She isn't in it!
A family with ten years of peace next to a patch of road that seems to have been forgotten deals with all the elements of a highway project being finished -- construction, then traffic, with emissions, and worst of all noise. When the highway opens, there is an unbearable, omni-present noise they're not used to, not only heard inside the house but felt in the rumble of constant tires echoing as felt vibrations in the floorboards and dinner plates. A parallel story forms in which the highway's noisiness is a reflection of a family that has lost its peace with each other.
Enter the "reverse road movie." It's a weird concept, and a strange little film, but french star Isabelle Huppert (The Piano Teacher,
I Heart Huckabees) and Olivier Gourmet (The Son) combine with three young actors as their children to pull off some memorable scenes about a shut-in mom and family who support her, but they are slowly losing their grip when an unseen force brings havoc to their front door.
With cinematography by Agnès Godard, who lenses too many films to mention (always wonderfully visual), the house at first stands out against an abstract, natural background. There are no other homes, just endless nature -- fields and sky, birds and trees. The opening of the freeway interrupts this setting, and they need to figure out whether or not they continue with normal life on their property. Moving isn't an option when you love and live with your mom, and though it is never explained we can only assume she's a sort of a shut-in. The one great thing she needs to do is the one thing it seems she can't -- get the hell out of dodge. She's a good woman, though they are definitely another strange film family (not as strange as the recent family I described in Dogtooth, but nevertheless strange), and we hope for her like we hope for one in recovery to break through some barriers and leave the home with her family. Huppert is characteristically wonderful, and her scenes with Gourmet and the children are entrancing.
After writing the script, director Meier had to find a landscape with a half-built road, build a house next to it, progress with the narrative in turning the road into a highway, and bring hundreds of cars and trucks and extras to drive the road in front of the home. She found a small landing strip in Bulgaria, and they set off and made the film there. Outdoor scenes are an open-air shoot, and indoors, especially toward the end when the family actually begins to shut themselves fully in with mom, there's tense contrast between the open feel outside and the closed-in family falling apart inside the house.
I can't believe they went to Bulgaria to make the film. I think that is so cool.