14 Blades (2014)
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as General Qinlong
as Qiao Hua
as Judge of the Desert
as Tuo Tuo
as Xuan Wu
as Qiao Yung
as Jia Jingzhong
as Bai Hu
as Prince Qing
as Zhao Shenyan
as Army Officer Yang
as Flag Bearer
as Fa Huang
as Fa Huang
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Critic Reviews for 14 Blades
Director, co-writer and production designer Daniel Lee keeps things moving so quickly, there's little time to worry about such basics as where we are or what's actually going on.
While "14 Blades" grinds on perhaps a half-hour too long, its ambitions and energies show that for a fresh take on the western, go east.
Come for Ku's joyful choreography, stay for Yen's most memorable post-comeback performance.
Stylish package has thesps hitting their marks (and each other), but also keeps the human drama from being swamped by wirework and CGI effects.
Its stylishly retro touch and flashy sets and stunts makes a nice package.
Audience Reviews for 14 Blades
Truly breaktaking martial arts epic film, but it also mixed with a love story. It's about time Donnie Yen made an impact yet again in the fantasy wuxia-pian genre, given the rather recent dismal films with An Empress and the Warriors, and Tsui Hark's Seven Swords. He gives a brilliant performance as the ex-Jinyiwei guard.
Writer-director Daniel Lee managed to create a film consisting of a successful amalgamation of wuxia-pian elements, with iconic fight action sequences set in tea houses, desert duels, forest brawls with abandoned temples and exotic cities enhanced by CG to play host to a film complete with double crosses, a prized possession that everyone is after, and had time to sneak in unrequited romance.
Daniel Lee successfully blends together multiple wuxia-type elements to create the action thriller 14 Blades.The story entails some attention, as it isn't exactly smooth sailing; nevertheless, it is far from troublesome to follow. At just over 1 hour and 50 minutes the early going paces by fairly quickly, as well as the ending. The middle is where it mildly slows down to focus on the characters.The martial arts choreography is superb, with some tolerable effects to spice up the fights, as they move through ample amounts of settings. The camera work and editing is not the best out there; however it is more than satisfactory.Donnie Yen shows that he is one of the greats at martial arts, which definitely outshines his acting. Zhao Wei is extremely adorable and Kate Tsui is pleasingly treacherous. Tsui has one of the more memorable characters of the film. Chun Wu is also notable.14 Blades has a variety of things going for it, which in turn warrants a viewing.
It's about time Donnie Yen made an impact yet again in the fantasy wuxia-pian genre, given the rather recent dismal movies with Painted Skin, An Empress and the Warriors and Tsui Hark's Seven Swords back in 2005. Writer-director Daniel Lee managed to create a movie consisting of a successful amalgamation of wuxia-pian elements, with iconic fight action sequences set in tea houses, desert duels, forest brawls with abandoned temples and exotic cities enhanced by CG to play host to a movie complete with double crosses, a prized possession that everyone is after and had time to sneak in unrequited romance. The story though gave way at the midway mark, where it clearly became nothing more than a stringing together of battles and one on one duels, which thankfully were still exciting to sit through, with none of the fast cut edits or crazy closeups. With the introduction of Wu Chun as Judge, the leader of a brigade of bandits who has this cool boomerang double blade and Kate Tsui in a role where she only grunts, ample time got dedicated for one to mirror Qing Long's transformation and road to redemption, while the other, well, just serves to grunt a lot and armed with a serpent sword-like-whip, and powers of CG stealth. But underneath the fights, the flimsy storyline and gorgeous costumes, 14 Blades turns out to have an incredibly strong romance instead. The movie is far from being the perfect film, especially with unbelievably incoherent flashbacks and the going overboard with explosions, but Donnie Yen once again shows that when it comes to the fisticuffs, he still has a lot to offer, despite the story's potential that had it go off the blocks strongly, only to fizzle out before the end in a case of severe narrative burn-out.
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