Total Recall: Worst-Reviewed Best Picture Nominees

With Extremely Loud & Incredibly Close in contention for Hollywood's top prize this weekend, we run down the most critically derided Best Picture noms.

Bad Oscar Noms

Much has been made of the fact that when this year's Best Picture Oscar nominees were announced, Extremely Loud & Incredibly Close -- currently sporting a rather sad 45 percent on the Tomatometer -- ended up making the cut. All that consternation got us to thinking about previous Best Picture nominees that ended up on the Rotten end of the spectrum -- and made us wonder where Extremely fit on the list of movies that the Academy enjoyed more than the critics. So is it the worst Best Picture nominee of all time? Read on to find out -- it's time for an all-rotten, all-Oscar Total Recall!

Anthony Adverse

13%

Released during an epic-friendly era and adapted from a massive 1,200-plus page novel, Anthony Adverse brought all the trappings of a sweeping costume melodrama (globetrotting storyline, life-and-death duels, hidden identities, characters with last names like Bonnyfeather) and a suitably inflated 141-minute running time. It worked, sort of -- Adverse was nominated for seven Academy Awards, winning four -- but critics were mostly unimpressed, including Frank S. Nugent of the New York Times, who dismissed it as "a bulky, rambling and indecisive photoplay which has not merely taken liberties with the letter of the original but with its spirit."

Blossoms in the Dust

25%

A drama based on the true story of a woman who battled back against sneering high-society types to help orphaned children find better homes, 1941's Blossoms in the Dust is essentially the definition of a "worthy film." Sadly, the end result -- starring Greer Garson as the noble Edna Gladney -- failed to resonate with pretty much anyone outside the Academy, where it was nominated for four Oscars (and took home the trophy for Best Art Direction). Bemoaning its "sentimentally sugary flavor which also extends over the romantic portions of the film," Variety grumbled, "There is no comedy relief."

Doctor Dolittle

32%

More than 30 years before Eddie Murphy and a cast of CGI-assisted animals launched a new Dr. Dolittle franchise, Rex Harrison conversed in polar bear and python (and cursed in fluent kangaroo) in this notoriously troubled adaptation of Hugh Lofting's classic book. Though a fervent studio campaign eventually netted Dolittle seven Oscar nominations, the movie was an unmitigated disaster -- both at the box office, where it recouped only half of its $18 million budget, and among critics. "It will put the kids to sleep," cautioned TV Guide, "but it may kill you."

The Robe

35%

The first CinemaScope release, The Robe filled up its increased aspect ratio with a Biblical epic that imagines the fate of the Roman soldier who wins Christ's robe in a dice game at the crucifixion. Needless to say, it isn't the cheeriest fate -- and while The Robe earned enough money to justify a sequel, and was nominated for five Academy Awards (winning two in the bargain), the movie's critical destiny was pretty gloomy too. While some scribes enjoyed the production's sheer spectacle, most reviews echoed the sentiments written by Empire's Kim Newman, who dismissed it as "Overblown melodramatic biblical nonsense."

Cleopatra

38%

The only film in history to top the annual box office and still lose money, Cleopatra was a sprawling, hugely expensive all-in investment for 20th Century Fox -- and there's no denying that all that cash ended up on the screen, where a veritable Who's Who of big-name stars (including Elizabeth Taylor, Richard Burton, Rex Harrison, Roddy McDowall, and Martin Landau) lined up for a leisurely running time that, depending on which cut you see, offers between 192 and 320 minutes of huge sets, elaborate costumes, and epic drama. After nearly bankrupting the studio, Cleopatra came away with a whopping nine Oscar nominations (and four wins) -- as well as rotten reviews from publications like TIME, whose critic grumbled, "As drama and as cinema, Cleopatra is riddled with flaws. It lacks style both in image and in action."

Comments

Dave J

Dave J

I dunno, I kind of liked "Anthony Adverse" for what it is, starring two-time Oscar winner Fredric March and Oscar winning actress Olivia De Havilland and perhaps "Blossoms In the Dust" with critism is that "There is no comedy relief." is it supposed to be a comedy, I've always thought it's a drama if it's based on a true story!

Haven't seen the other films as of yet!

Feb 22 - 05:17 PM

Dave J

Dave J

I also remember there were other nominees that had less than favorable critisms than the ones listed for I can't think about them right now!

Feb 22 - 05:20 PM

NTROST

Anthony W.

I think this "total recall" list is extremely misguided especially since the films on the list have limited reviews which just makes this list inadequate really in it's assumption.

Feb 24 - 12:01 AM

Eduardo Tobias

Eduardo Tobias

"The non-stop laughs overshadow any flaw." This is what the critics said about The Hangover. They are saying that The Hangover isn't as good but they gave it a high score because it made them laugh. So why can't critics give Extremely Loud & Incredibly Close a good score just for the marvelous performances. "The marvelous performances overshadow any flaw." Let go of all the bias critics.

Feb 22 - 05:26 PM

ransom r.

ransom ransom

....and how many Oscars was The Hangover nominated for? and which critics claimed that, by the way? Oh I'm guessing one critic said that...so now you lump them all together. And also, who said there were "marvelous performances?" in the 911 movie? No one that I can recall. You're unbelievably sad...making up ridiculous things that, even if they were true, wouldn't have ANY bearing on anything else. Never post again.

Feb 22 - 05:56 PM

Nick Castronuova

Nick Castronuova

seconded

Feb 22 - 06:04 PM

G_man

Galen Mountfort

Actually it's the RT critical consensus about the Hangover, which says about the "non-stop laughs overshadowing any flaw." Not what an individual critic said but RTs interpretation of the general critical opinion.

Feb 22 - 06:50 PM

Brad and Netflix

Bradly Martin

Also I doubt that Sandra Bullock and Tom Hanks gave poor performances. In Addition Thomas Horn the star of the film and face of the poster won the Critics Choice Awards. I think it's odd so much praise can go towards performances and a film can still get a horrid rating. The Help is a good example, that script was awful and dialogue was so one dimensional but the cast was superb. No Rotten Rating there.

Feb 22 - 09:33 PM

Orchy Sulejmani

Orchy Sulejmani

Well even as someone who liked Extremely Loud and Incredibly Close way more than The Help, I can't really agree with what you're saying. The script was weak at best, not awful, and I don't see how one makes dialogue multidimensional, except probably through the deliverance of it, which as anyone who saw The Help and liked the performances in it, will agree was good. On the other hand in a 9 nominee year having The Help up for best picture isn't that much of a stretch, in my honest opinion.

Feb 22 - 11:59 PM

whyookeno

wyatt s

Way too be far too mad lmao Holy f**k

Feb 23 - 01:49 PM

Danny  S.

Danny Scott

lol, its funny how your getting so upset over someones opinion in the comment section on a rotten tomatoes site...

Feb 23 - 05:22 PM

Eric I.

Eric Irvan

Well, for one, Ebert said that there were marvelous performances in Extremely Loud and Incredibly Close. In fact, the marvelous performance of that particular film is one of the few things the critics actually liked about it. Say what you want about the film itself, but the performances by the actors involved is NOT a reason it was panned by the critics. Quite the contrary, most critics found the performances to be top notch.

Feb 25 - 01:26 PM

Manuel G.

Manuel Granados

You win this week's dumbass award.

Feb 22 - 10:22 PM

Edward Rowe

Edward Rowe


Marvelous performances?? The boy was annoying, maybe the most annoying character since Home Alone...

Feb 23 - 10:10 AM

Eddy Brereton

Eddy Brereton

yes. yeeeesss.

Feb 24 - 02:37 PM

Ryan M

Ryan Marshall

At least The Hangover wasn't out to emotionally manipulate its audience by presenting a national tragedy as a major plot element (and selling point). The Hangover might have offended some with its content, but Extremely Loud and Incredibly Close offends with its ignorance. Tell me, which is worse: to be crude, but funny (and intentionally so) or stupid, but melodramatic (and intentionally so)?

Feb 23 - 12:48 PM

Stepping Razor

Stepping Razor

"Let go of all the bias critics." ---- It seems that you don't know what critics are supposed to do. They're supposed to be biased, as they're presenting their own personal opinions on movies. And, not all critics present the same opinions on movies.

Feb 24 - 01:53 AM

Janson Jinnistan

Janson Jinnistan

Critics are 'supposed' to have the comprehensive skills to break down the qualities, both narrative and aesthetic, of why movies work when audiences find them truly inspiring and entertaining. Many critics are, however, clerks for whatever the studios stock on the shelves.

Feb 24 - 11:45 AM

Grounder At the Movies

TVB Robotnik

I may not be a Christian, but I liked The Robe. I really did, and I also liked Doctor Dolittle. I'm surprised that both of these movies are rotten.

Feb 22 - 05:29 PM

RedTuna

Dr. Gonzo

I would wager a guess that if everyone re-rated movies today, Best Picture winner Crash would receive a FAR lower score.

Feb 22 - 05:32 PM

Manuel G.

Manuel Granados

Hell even back when it won the Oscar I was wondering why that crap was even nominated. It's an entertaining popcorn flick that opens your eyes to "oh, racism has consequences, so, racism bad bad" but all in all, it's a shitty movie (a clear sign of a shitty movie is when Brendan Fraser is one of the solid performances)

Feb 22 - 10:27 PM

staindslaved

Matthew Younker

I luckily saw Crash before it was nominated for a damn thing and loved it. In fact every film I saw during awards season that year I compared to Crash and surprisingly I didn't see any film that I personally felt eclipsed it. I was surprised and happy to see it win best picture but because of all the backlash and hatred it has gotten just because Brokeback didn't win, I'd really prefer that it hadn't won. I think 90% of the people who critizie it would like it if they watched it with unbiased eyes.

Feb 23 - 01:57 PM

Janson Jinnistan

Janson Jinnistan

"Crash" was stupid as catshit. Unless you happened to believe that everyone is pretty much what they appear to be, then I suppose the film offers a theoretical revelation. But, unfortunately, all the characters are still pretty much as they seem. Shallow as bath water. "Syriana" was far more mature, complex, involving and intriguing, and had more profound performances.

Feb 23 - 03:00 PM

Manuel Granados Vargas

Manuel Granados Vargas

I watched Crash before it was nominated, I thought it was a simplistic movie with a really dumbed down and watered down plot. Matt Dillon's cop I did like, but every other story I hated. The kid with the protection cape was the cherry on top of a shitcake

Feb 23 - 03:52 PM

Dave J

Dave J

I disagree, "Crash" was the best film about racial intolerance since alot of the situations that happpend in the film, happens in real life in one form or another, especially if it regards a car accident.

Feb 23 - 04:31 PM

Dave J

Dave J

Actually Syriana was quite painful to watch since whatever they showed was something someone can get on newspapers!

Feb 23 - 04:34 PM

Mark Hamstra

Mark Hamstra

I liked CRASH. It wasn't great cinema, but I was entertained. Best picture? No way. BROKEBACK MOUNTAIN should have won I guess. The nominations list was very weak that year.

Feb 23 - 05:32 PM

Dave J

Dave J

If you were to take out the "gay" themes out of "Brokeback Mountain" it'd be just be another movie, unless someone were to tell me otherwise! But in "Crash" one of many issues the film points out is whether people of other races can tell between a Sikh or an East Indian or other, between a Chinese and a Japanese or other or between a Muslim and an African! I mean if people didn't know who legendary basketball player Kareem Abdul-Jabbar is and just see him walking on the street, would they be able to know whether he's a Muslim and not an African American, and the role of Terence Howard's role as a movie director can also be a reflection about the annoying Jar Jar Binks character in "The Phantom Menace"' in which other ethnic minorities can be degraded in a film to this kind of level! Are police more harsh of people of other "ethnics" than they're to Caucasions! If a car crash were to happen, do people of the same race favor more to the other person who're the same race as them than to other ethnics! There are just so many 'racial' themes and ideas regarding "Crash" that an essay may even be required to disect every single frame!

Feb 24 - 01:34 PM

Janson Jinnistan

Janson Jinnistan

It's so frustrating that we're still asking these obvious questions about race rather than asking ourselves how we can start treating each other like human beings. The problem (and "Crash" does exemplify this) is that people are still so ignorant about social prejudice that they think it's ground-breaking to even acknowledge it! All of the 'post-Racial' BS after Obama's win, and the success of "The Help" are part of this problem. People are so invested in ignoring the very clear facts of discrimination in our society, and "Crash" manages to slip the subject down like a spoonful of sugar. Well, good for you.

Feb 24 - 02:15 PM

Dave J

Dave J

"Crash manages to slip the subject down like a spoonful of sugar" I totally disagree because I remember reading some of Ebert's followers after watching "Crash" and some had said that they can relate to alot of it's characters as well as it's situtations at hand, successful or not, people are also mistaken for who they are and where they originally from. For instance. "You embarrass me" quoted by Terence Howard to Ludacris when he leaves his car, the fact that the Ludacris character steals cars for a living adds more stereotypication to respected law abiding African Americans who're striving to be succesful for instance which is probably why a good percentage of less ethnics get hired for responsible high paying jobs, African Americans mostly hire African Americans, Chinese living in Chinatown mostly hire Chinese people etc... this is just the way it is as of right now!

Feb 24 - 03:00 PM

Jason Heiser

Jason Heiser

I still think Crash was the clear winner over Brokeback Mountain, Brokeback Mountain, in my opinion, was far over hyped only because of controversy, and when compared to other great films that focus on gay themes and relationships, Brokeback Mountain is far from great.

Feb 23 - 08:41 PM

Manuel G.

Manuel Granados

Brokeback Mountain was ok, it's a good movie and it has some pretty solid performances, but in my opinion it's overrated to no end because the gay cowboy think was unthinkable or something. I can't remember a movie from that year that made me think "wow this deserves the Oscar"

Feb 23 - 10:22 PM

Dave J

Dave J

I hadn't seen "Brokeback Mountain" nor do I really want to but one of the critisms was that it was similar to "Stand By Me" and that alone doesn't even make it an original!

Feb 24 - 12:42 PM

Sean Geary

Sean Geary

Not really sure how it even remotely is similar to Stand By Me. Nothing to do with traveling across a state to find a dead body, terrorized by bullies, or even a Lardass storyline. I think part of what appealed to me was that it was at its heart an unrequited love story. Two people (gay or not) that couldn't be together for any number of reasons. I think it was bleak, well-shot, and the characters were compelling. Though, I think Jack Twist was more of a heartbreaking character than Ennis. I saw both and enjoyed them for different reasons. I think that year they were two "message" movies, but the story at the heart of Brokeback Mountain was more powerful. You should see it, and really there are only two scenes that might "offend" the delicate senses of those watching two men kiss.

Feb 24 - 01:11 PM

Dave J

Dave J

Not on that aspect of it, but at the beginning when the Dreyfuss character receives a letter that his friend had died and he reavluates his time with him which is similar to Brokeback Mountain! Am I right about this!

And this kind of 'idea' about "Two people (gay or not) that couldn't be together for any number of reasons" was similar to alot of films made already and done before including "Blue Valentine", 1927 "The Student Prince in Old Heidelberg", "The Bridges of Madison County" between Eastwood and Meryl Streep, "The Swan" starring Grace Kelly,"Casablanca" with Humphrey bogart and Ingrid Bergman "My Best Friend's Wedding" and these are just the ones on the top of my head! And if you want to include Westerns "Shane" between Alan Ladd and Jean Arthur umm I know there are more!

Feb 24 - 02:00 PM

Janson Jinnistan

Janson Jinnistan

I don't see the "Stand By Me" comparison either, but since we're originally talking about "Crash", I might as well point out that it's similarly discouraging how many people refuse to see homosexuals as actual human beings, just as they find it revelatory that a movie like "Crash" points out that maybe there's really only one Race on this planet, we're all susceptible to genius and corruption and we're all in this thing together. Your family and your tribe will not make you any more valuable than another human being. Only your actions toward one another demonstrate value.

Feb 24 - 02:14 PM

Lauren Sternhagen

Lauren Sternhagen

Crash wasn't about just racism but the fact that racism is within us even if we don't know it. Not to mention the many different manifestations of racism. As if there hasn't been a good movie that recycles ideas.

Feb 24 - 12:46 PM

Janson Jinnistan

Janson Jinnistan

These aren't exactly complex issues, unless you've managed to be somewhat socially sheltered.

Feb 24 - 02:04 PM

Dave J

Dave J

You took the words right out of my mouth, Lauren S- also add that racism is totally unavoidable that everyone should be careful whenever we open our mouths. We should avoid saying things like "those people" or "you people"! And I don't think "socially sheltered" is really the right words, it's that theirs a lack of communication within people with other ethnics in general!

Feb 24 - 02:13 PM

Janson Jinnistan

Janson Jinnistan

What would then be the right words for someone who lacks the social knowledgege of discrimination?

Feb 24 - 02:20 PM

Dave J

Dave J

Well you can't, that's the whole point! I mean how can anyone tell whether s/he meant everything s/he said because we don't, when we're angry we say things we don't mean and some words we do mean, people can't think when they're angry. Radio host Don Imus was wrongly crucified for quoting something some other African Americans had said to other African American girls and then quoted those same things to a basketball team- how does Imus know that those words (that he doesn't mean) was going to get him in hot water! Had he known it was going to hurt his reputation, would he still say those same words- of course not! Does that make him a racist for listening and then quoting what other African Americans say to other African Americans, which is often quoted in movies and in hip hop music! I mean if someone is "not" an African American and s/he quoted some of the same things said in "Do The Right Thing" to some other African Americans, African Americans would be offended, so the solution is to make sure none of those things are said at all! As much as I respect Spike Lee as a director, he's sometimes a hypocrite because wasn't he the one who was offened about Tarantino's written script of Jackie Brown because of the word, just wondering!

Feb 24 - 03:48 PM

Janson Jinnistan

Janson Jinnistan

Imus? Is this now the standard for misunderstood bigotry? I should first point out that Imus is doing just fine barely 4 years out from his 'mistake'. And actually I do agree that I think rather than being deliberately racist or sexist, Imus was under the impression that he was being "down" or "street" in some kind of way, in which his racism would involve some of the more distasteful presumptions he has about those issues. But all that is to ignore the very many other distasteful things his advertisers have put up with over the years, like having an Irish Catholic character frequently using the 'n' word, comparing Serena Williams on the cover of the SI Swimsuit issue to National Geographic, or calling Simon & Shuster "thieving Jews", for which he apologized because, he claimed, those two words are redundant.

It all comes down to a person's intent and inclination. Some people want to forge a humane understanding of those from different backgrounds, and there are others who are quick to file people into simple, stereotypical catagories. "Crash" seems tailor-made for the latter's worldview. If it's helpful, who am I to complain? But it's still very disheartening that we are where we are, "the way it is", as you say.

Feb 24 - 05:19 PM

King  S.

King Simba

I don't know. I actually think the film might be better remembered once the rage over it winning the oscar dies down. That's basically the biggest reason why this film is so hated (though what is particularly amusing is that when it comes to actual ratinsg, the film was ranked in the IMDB Top 250 for like 5 years before dropping out and even now I think it's rated higher than Brokeback Mountain) Had the film not won the oscar, it probably wouldn't be as well known but at the same time it would be much more fondly remmembered.

Feb 23 - 03:48 AM

Sasin Varnarat

Sasin Varnarat

IMDB is RIDICULOUS!, full of shitty teenage brain people.

and yall white olds guys thinks that "TRACH" oscar winner is about racism issues, re-think again. it's nothing but make white guys who saws it feel like on the top of the race of mandkind (and they thinks they're "THE HELP").

the 4 other nominees deserves to win. Crash not deserves to nominee in any categories.

ps. i'm COLOUR

Feb 24 - 11:43 PM

stargateguardian

Matt K

Wow. Way to go.

Feb 26 - 12:50 PM

Lenny M.

Lenny Monroe

From one Black man to, ahem, another, I must say "Nigga, shut the fuck up."

Feb 26 - 03:47 PM

Austin Griffith

Austin Griffith

We're talking about racism and you post this... C'mon dude.

Feb 27 - 09:57 AM

Superzone

Link O'Fett

I liked Crash, but it winning Best Picture was laughable.

Feb 25 - 09:41 PM

Vince Johnson

Vince Johnson

Both nominations "Extremely Loud & Incredibly Close" got, should have went to "Drive". Best supporting actor (Albert Brooks), best picture.

Feb 22 - 06:12 PM

sunBAKED

J Margo

Couldn't agree more.

Feb 22 - 08:13 PM

Robert Dyson

Robert Dyson

"Drive" to me was the best picture of the year. Albert Brooks definitely deserved an Oscar nomination. The fact that he wasn't nominated is a travesty. He stole the movie. Also...the movie was just super cool. Ryan Gosling was also awesome as was the entire cast. This movie reminded me of "Miami Vice" (the series) and the movie "Thief".

Feb 22 - 09:44 PM

Gregg Mitchell

Gregg Mitchell

Yes!

Feb 23 - 12:42 AM

bamb0o-stick

Jonathan Y

I judge a movie based on how memorable it was for me. Although I have seen a lot of good movies last year, Drive by far was the one I thought of the most. The action sequences were just so awesome that I couldn't stop thinking about them until I bought Drive on Bluray. Best $15 I ever spent.

Feb 23 - 05:24 AM

Superzone

Link O'Fett

Agreed. WTF were they thinking nominating Extremely Loud over Drive?

Feb 23 - 01:28 PM

Stepping Razor

Stepping Razor

Everyone should know that median age of Academy members is 62, and that those under 50 only make up 14 percent of members. It's not so much relevant in the case of "Drive," but the Academy is also 94 percent white and 77 percent male. They often go for the tried and true, and also the melodramatic and sentimental. "Drive" is just too edgy for most Academy members.

Feb 24 - 02:05 AM

Lenny M.

Lenny Monroe

Agreed, which is why The King's Speech won over everything last year. It was a good film, but it only won because it was the safest movie out of all the nominees. It was a period drama, dealt with royalty, and had great performances by the 2 lead actors, which all added up to it winning Best Picture. Peronally I would have picked Inception, Black Swan, 127 Hours or The Social Network over King's Speech.

Feb 26 - 04:28 PM

lfrankbaum

john ruth

bang on

Feb 23 - 05:20 PM

Stepping Razor

Stepping Razor

I agree with everyone praising "Drive." It was my top movie of 2011. I understand that it's a polarizing movie, but there's this mesmerizing quality to it, and thankfully it doesn't hold our hands as viewers throughout the movie. It gives us things to really think about. It doesn't tell us who the Driver is, or where he's been, but it gives us just enough to give us an idea. I've found that most people who hated it either weren't paying attention or they're more the casually minded moviegoer who likes everything fast, loud and obvious.

Feb 24 - 02:00 AM

Devin Stevens

Devin Stevens

Extremely Loud was not just bad, it was one of the worst movies of the year.

Feb 22 - 06:28 PM

John Mclaughlin

John Mclaughlin

50/50 the film was acclaimed and nominated for 2 golden globes, that was perfect for oscar contention and instead it was screwed over with extremely loud and incredibly close? what the hell people need to open their eyes and see where the true talent of acting lies!!!

Feb 22 - 06:35 PM

CFM

'schak Attack

Bullock and Hanks are the darlings of the Academy.

Feb 23 - 08:33 AM

Janson Jinnistan

Janson Jinnistan

I can't believe "Doctor Doolittle" was nominated for Best Picture over "Cool Hand Luke", "Wait Until Dark", "Chimes At Midnight", "Blow Up". Is "Barbarella" really that much WORSE?

Feb 22 - 06:40 PM

Janson Jinnistan

Janson Jinnistan

AH! "Barbarella" is at a volumptious 74%. My inner Duran Duran is bubbling like Matmos!

Feb 22 - 06:47 PM

IrreducibleKoan

Sean Pak

Finally, a fun Total Recall with a different spin. It definitely makes you think twice about the credibility of the Oscars (well, if you somehow haven't already). Sure, every top award for every organization/festival will have its weaker nominees, but the Oscars take the cake for worst and most often.

Feb 22 - 07:14 PM

sunsaz

Chris Moore

I've seen most of these, and they're fairly "meh" at best.

Feb 22 - 07:31 PM

mikespsych

Michael Van Zanten

It's beyond me how some people enjoyed Extremely Loud and Incredibly Close. I absolutely hated the kid, and the tone of the film made me uncomfortable in my seat.

Feb 22 - 08:52 PM

Brad and Netflix

Bradly Martin

I think the unanimous hate for the kid was suppose to help the audience understand just how unconditionally the father loved his Son and in turn how unconditionally loved the father was by his Son who clearly was suffering major feats of Movie autism. Much like Ally suffered Movie Alzheimer's in The Notebook.

This is just a theory and even if it's true it doesn't help the movie any. I'm just saying I don't think you were ever suppose to like the kid.

Feb 22 - 09:39 PM

Manuel G.

Manuel Granados

Kind of like Demian in The Omen then? You are supposed to not root for the kid but his performance as a total creep is pretty damn good

Feb 22 - 10:35 PM

Silverbonn Cunningham

Silverbonn Cunningham

"...Much like Ally suffered Movie Alzheimer's in The Notebook."
NOTE: The "on again/off again" nature of Ally's autism, as portrayed in the movie "The Notebook" (from which, I assume, you derived your term, "movie autism" -- or am I wrg?), is factually-based.
Many Alzheimer's patients experience what is called, "sundowner's syndrome," where the afflicted, who may seem perfectly "normal," during the day, become suddenly combative, disoriented & "unmanageable."
Thought I'd chime in here w/ am opp'ty to mention this much known but little spoken of syndrome that despite major advances in the field, medicine is still unable to explain....

Apr 27 - 09:05 AM

Manuel G.

Manuel Granados

Never knew the original Doctor Dolittle had such a low rating. I assumed it had been remade cause, as an Oscar nominee, it was at least good.
Out of this list I have only seen Alibi and as a movie it sucks, but technically it was probably a pioneer in its time.
And well I have seen bits of Cleopatra but it's so horrendous that I have never been able to sit through the whole mess.

Feb 22 - 10:25 PM

King  S.

King Simba

I honestly liked the remake better than the original Dr Dolittle. I love Rex Harrison, but the film was just basically a series of different adventures that felt like they were just there to show off the high production values of the film, which haven't aged well at all. Worst of all, it was a musical with bland songs, meaning for half of the film's running time you're going to be checking your watch waiting for them to stop singing. The remake wasn't a classic by any standards, but at least it had a lot more fun with the premises.

Feb 23 - 03:22 AM

Andrew Hitchcock

Andrew Hitchcock

lol, I remember Dr. Doolittle when I was a little kid. I loved the heck out of that movie. Some movies you love(d) are ones with bad reviews.

Feb 22 - 10:57 PM

DJ Salisbury

DJ Salisbury

I, too, loved Dr. Doolittle as a child...but when I watched it as an adult i relayed just how bad a movie it really is....slow, tedious ...almost plotless. But the IDEA of a man who talks to animals is very appealing and worthy of film treatment...they just didn't make it into a good film.

Feb 24 - 07:20 AM

Susanne Thomas

Susanne Thomas

I, too, saw Dr. Dolittle as a kid and loved it! Back then it seemed clever, stylish, and funny.

Feb 28 - 06:12 PM

Patty Cowden

Patty Cowden

Extremely Loud & Incredibly Close bored me to dead. I got nothing out of it except that obnoxious kids running around like nuts. NEXT!

Feb 22 - 11:22 PM

daftfunk

Mircea M

Movies that got screwed this year in one way or another :

Drive- for best picture, original score, albert brooks( Best support actore instead jonah hill)
The ides of march- Ryan Gosling best supporting actor(instead of jonah hill), really anyone instead of jonah hill.
50/50- best picture instead of war horse.



Feb 23 - 12:16 AM

Mehretab Getachew

Mehretab Getachew

It is known that the oscars nominate non deserving films, but it is nothing compared to the Grammys for album of the year.

Feb 23 - 01:07 AM

CFM

'schak Attack

They all suck.

Feb 23 - 08:35 AM

King  S.

King Simba

Wow...and I thought some of the films they nominate nowadays are weak. They're nothing compared to some of the stuff they nominated in the past. Then again the films of the 1920s to 1940s were mostly a case of quantity over quality (the classics that have survived to this day were the exception not the rule) so I don't think they had as many great films to chose from as they did from the 70s and onwards.

Feb 23 - 03:30 AM

NTROST

Anthony W.

@King S. - Dude not to offend you but you couldn't be more inaccurate about your assumption of the 1920s to 1940s. The 1940s alone was one of the greatest decades in film history. Go ask any real film historian, critic or guru around. The amount of classics & semi-classic films in that decade out ways almost any of the post-decades after. The mid-to-late 1930s were better then most decades. Hell, the year of 1939 ALONE out ways most decades by itself. I think you really need to do significant & extensive research of those years. Why do I get the impression you don't watch many films before the 1970s not unless if it's a pop-culture known film (I guess those would be the "survived" films?) since that would be the only explaination for your misguided & truly inaccurate assumption of the 1920s to 1940s. Actually, from 1970s to today their are actually more cases of quantity then quality in film today (that's a simple fact for many industry reasons). The Academy Awards didn't have less to choose from back then...it's just they simply didn't choose properly let alone the Academy was still learning about film in general. I would say the Academy didn't get a grasp on things until the late 1930s on it's Awards & it's selections.

Feb 23 - 09:17 PM

Janson Jinnistan

Janson Jinnistan

The problem with the above films from the early era is that the Academy has always been soft for Broadway/musical type films conforming to their sense of 'true' theater at the time. I'd argue that the greatest stretch of Best Picture films is from 1974-1976 and it's pretty hard to find a more consistent bunch than these: "Godfather II", "Chinatown", "The Conversation", "Lenny", "Towering Inferno", "One Flew Over the Cukoo's Nest", "Barry Lyndon", "Dog Day Afternoon", "Jaws", "Nashville", "Rocky", "All the President's Men", "Bound For Glory", "Network" and "Taxi Driver". Obviously one or two in there are less than classic (they know who they are), but I dare anyone to find a better concentration of greatness.

Feb 24 - 12:12 AM

King  S.

King Simba

I think the 70s in general was a great period for filmaking. And NTROST, my appologies for my ignorrance. I always viewed the 20s and 30s as a peroid where filmaking was still evolving, and yes I have indeed only seen the well known classics of that period.

Feb 24 - 08:27 AM

NTROST

Anthony W.

@Janson J. - I don't think anyone is saying the 70's was a bad decade by any means as actually, it was an excellent decade without question & you named just a few classic/semi-classic films that came from that year. But if you look at the decade of the 40's it's unbelievable the amount of classic & semi-classic films. Just to name a exceedingly small portion here: "Casablanca", "Citizen Kane", "The Grapes Of Wrath", "Double Indemnity", "The Treasure Of The Sierra Madre", "It's A Wonderful Life", "The Maltese Falcon", "Rebecca", "The Best Years Of Our Lives", "The Big Sleep", "The Heiress", "White Heat", "Laura", "Brief Encounter", "The Philadelphia Story", "To Be Or Not To Be", "Notorious", "Rope", "Out Of The Past", "The Little Foxes", "The Red Shoes", "I Remember Mama" & so on. I could keep going here as I haven't even begun with the amount of bonafide classics & that's not even including semi-classics. The 40's is without question one of the greatest decades ever in film history & probably produced more classics then any other decade. Many film historians, critics, gurus & such would have a exceedingly hard time to argue that.

Feb 24 - 05:29 PM

NTROST

Anthony W.

@King S. - The 1920's & even into the early 30's the industry was still figuring itself out but by the mid-30's the industry found it's ground though. But even in the early 30's films like "City Lights", "M", "Modern Times", "Trouble In Paradise", "Duck Soup", "I'm A Fugitive From A Chain Gang", "Freaks", "Scarface" & such have stood the test of time greatly as these are just solid films that are now classic films (few are more semi-classic but still). But also don't doubt there are many classic & semi-classic films from the 20's as well. Every decade has their strong films & weak films but I think anyone should know that really (it's common sense you know?) My advice, just open yourself up a bit more & you will surprise yourself on how great these films truly are. I'm just saying.

Feb 24 - 05:41 PM

Janson Jinnistan

Janson Jinnistan

NTROST - You may see on my profile that I have extensive lists of favorite films broken down by decade, so I'm aware that quality films have been made throughout the history of motion picture, including many foreign movements. But keeping with the thread of Best Picture nominees, I'll still take the period I mentioned over any similar stretch during the 30s-40s.

Feb 24 - 06:17 PM

Vonne Barnes

Vonne Barnes

Good point. Those films were superior and it looked like films were on their way to great heights until
Star Wars ruined it all in 1977. "Special effects" were the worst thing that ever happened to films and Star Wars
launched the special effects movement. Before Star Wars plot & characters dominated. Now special effects ruin
many films are not films at all but just characters that you care nothing about and puerile plots wrapped around
special effects.

Feb 25 - 08:17 PM

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