Wong Kar-wai's expensive, mysterious 2046 finally emerges as a fully-formed and astoundingly beautiful masterpiece.
2046 (2005)
Tomatometer
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Reviews Counted:106
Fresh:89
Rotten:17
Average Rating:7.4/10
Consensus: Director Wong Kar-Wai has created in 2046 another visually stunning, atmospheric, and melancholy movie about unrequited love and loneliness.
Theatrical Release:Aug 5, 2005 Limited
Box Office: $1,237,566
Synopsis: Director Wong Kar-Wai's style reaches its fullest expression in his stunning film 2046. Picture-perfect period sets and costuming, finely wrought atmosphere, languid shots, glamorous cigarette... Director Wong Kar-Wai's style reaches its fullest expression in his stunning film 2046. Picture-perfect period sets and costuming, finely wrought atmosphere, languid shots, glamorous cigarette smoke, amber lamplight, and allusions to film noir. 2046 is a meditation on memory, eroticism, love, loss, and longing which surpasses the director's beautiful, widely acclaimed IN THE MOOD FOR LOVE (2000) in terms of formal ambition and visual sumptuousness. With its intriguing, layered structure, the film follows the adventures of Chow Wo Man (Tony Leung), a womanizer who is writing a science fiction novel about a future year in which all memories are suspended. The film shuttles between the BLADE RUNNER-like world of Chow's futuristic novel (complete with androids and other metaphors of emotional disconnection) and late-'60s Hong Kong--where Chow writes from a hotel room, and engages in relationships with a series of beautiful, complex women (including the luminous trio of Gong Li, Zhang Ziyi, and Faye Wong). The film also journeys to Singapore and through the increasingly mysterious corridors of the protagonist's memory. 2046 resists tidy plot summaries with its disjointed, zigzagging construction. Yet, coupled with Wong's rich cinematography and dazzling formal techniques, it is as fluid, associative, and labyrinthine as memory itself. Sliding between keenly detailed realism (Wong's camera can capture the subtlest flicker of emotion in a characters' eyes) and lavish, expressionistic metaphor, the film is a deeply entrancing experience. Even given its jumbled, sometimes chaotic narrative, 2046 creates a poignant, emotionally charged, and richly rewarding experience. [More]
Starring: Tony Leung, Gong Li, Zhang Ziyi, Faye Wong
Starring: Tony Leung, Gong Li, Zhang Ziyi, Faye Wong, Maggie Cheung, Dong Jie, Carina Lau
Director: Wong Kar-Wai
Director: Wong Kar-Wai
Screenwriter: Wong Kar-Wai
Studio: Sony Pictures Classics
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Reviews for 2046
It may help if you grasp the many allusions to Wong’s earlier films (including, notably, Days of Being Wild), but it’s far from necessary. This, after all, is undeniably real cinema.
I suspect promises made to the several prominent actors and pop stars who appear in the film are what kept Wong Kar-Wai from releasing the film he clearly could have.
the ultimate expression of Wong's sinuous vision and perhaps a goodbye to it
Wong composes shots as if he were squeezing drops of liquid narcotic into the viewer's eyes.
The camera achieves striking beauty... Each smile, each tear, each lit cigarette achieves a sort of luminescent stature unmatched by even Wong’s previous films.
This intriguing blend of nostalgia, science fiction, and timeless melancholy will still be haunting viewers in 2046 and beyond.
Another achingly evocative and melancholy near-masterpiece from Wong Kar-Wai...blessed with vivid, visceral performances that burst at the seams with reserved passion.
What we seem to have here in 2046 is a meditation on past loves, not to mention missed communication, bad love affairs, bad timing, roads not taken and the passage of time itself. It all sucks, doesn't it? Great soundtrack, though.
An atmospheric romance about dark-edged romance--sometimes skin deep; sometimes throbbing with physical and visual sensation.
Wong Kar-wai confirma, por si hacía falta, que es uno de los cineastas más precisos e integrales de la actualidad.
It's a gorgeous abstraction-- an epically sustained 129-minute sigh of heartache and regret.
Long, enigmatic, rapturously beautiful meditation on romance and remembrance.
Be prepared for a movie that unfolds with painstaking slowness and deliberation. But if you can hook into its peculiar wavelength, it’s a small masterpiece.
Rapturous cinema of the senses...proves once again that nobody does swoony romantic longing, and heartache, like Wong Kar-Wai.
Wong might be making a stab at illustrating self-destruction as the only possible aftermath of arriving late at the station to greet the love of your life.
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May 26, 2006:
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