As memorable and emotionally intense as any of Wong's films. It's a mood as much as a movie.
2046 (2005)
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Reviews Counted:106
Fresh:89
Rotten:17
Average Rating:7.4/10
Consensus: Director Wong Kar-Wai has created in 2046 another visually stunning, atmospheric, and melancholy movie about unrequited love and loneliness.
Theatrical Release:Aug 5, 2005 Limited
Box Office: $1,237,566
Synopsis: Director Wong Kar-Wai's style reaches its fullest expression in his stunning film 2046. Picture-perfect period sets and costuming, finely wrought atmosphere, languid shots, glamorous cigarette... Director Wong Kar-Wai's style reaches its fullest expression in his stunning film 2046. Picture-perfect period sets and costuming, finely wrought atmosphere, languid shots, glamorous cigarette smoke, amber lamplight, and allusions to film noir. 2046 is a meditation on memory, eroticism, love, loss, and longing which surpasses the director's beautiful, widely acclaimed IN THE MOOD FOR LOVE (2000) in terms of formal ambition and visual sumptuousness. With its intriguing, layered structure, the film follows the adventures of Chow Wo Man (Tony Leung), a womanizer who is writing a science fiction novel about a future year in which all memories are suspended. The film shuttles between the BLADE RUNNER-like world of Chow's futuristic novel (complete with androids and other metaphors of emotional disconnection) and late-'60s Hong Kong--where Chow writes from a hotel room, and engages in relationships with a series of beautiful, complex women (including the luminous trio of Gong Li, Zhang Ziyi, and Faye Wong). The film also journeys to Singapore and through the increasingly mysterious corridors of the protagonist's memory. 2046 resists tidy plot summaries with its disjointed, zigzagging construction. Yet, coupled with Wong's rich cinematography and dazzling formal techniques, it is as fluid, associative, and labyrinthine as memory itself. Sliding between keenly detailed realism (Wong's camera can capture the subtlest flicker of emotion in a characters' eyes) and lavish, expressionistic metaphor, the film is a deeply entrancing experience. Even given its jumbled, sometimes chaotic narrative, 2046 creates a poignant, emotionally charged, and richly rewarding experience. [More]
Starring: Tony Leung, Gong Li, Zhang Ziyi, Faye Wong
Starring: Tony Leung, Gong Li, Zhang Ziyi, Faye Wong, Maggie Cheung, Dong Jie, Carina Lau
Director: Wong Kar-Wai
Director: Wong Kar-Wai
Screenwriter: Wong Kar-Wai
Studio: Sony Pictures Classics
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Reviews for 2046
A riot of sight and sound that, however baffling, has an irresistible, elemental pull.
Be prepared for a movie that unfolds with painstaking slowness and deliberation. But if you can hook into its peculiar wavelength, it’s a small masterpiece.
Sometimes muddled and confusing but beautiful-looking follow-up effort.
The film combines the sublime and the mundane in ways that previously went unimagined.
The result is almost fetishistic, come-hither doodling of Wong's own making. He is a craftsman mumbling to himself in a language only he understands.
[Zhang's] identity is so strong that it seems to hold the story together most of the time; it really should have been only about her.
Wong...is a naïf stylist, a director who always stays on the lush surface of things.
... demands to be seen if only because no film -- no film this reviewer has seen -- captures the beauty of its actresses so artfully, with such spectacular style and light.
The cinema hasn't witnessed such a magical effort to make its leading ladies look so gorgeous since Josef Von Sternberg invented new lighting techniques to capture Marlene Dietrich.
This long, gorgeous, occasionally maddening movie is the work of a hopeless romantic who knows there is no pain as bittersweet -- or as haunting -- as the pain of a broken heart.
As someone who admires Wong's ambition and skill, I'm able to give 2046 only a halfhearted recommendation.
In a film that likes teasing mysteries, the greatest revelation is Ziyi Zhang.
I suppose it was only a matter of time before Hong Kong director Wong Kar Wai fell into self-parody.
An engaging drama and character study, but without much to rally behind
It's all terribly atmospheric, and if you're in the mood for atmosphere, 2046 delivers.
It's like a sketchbook. These are images, tones, dialogue and characters that Wong is sure of, and he practices them, but he does not seem very sure why he is making the movie, or where it should end.
At its best, it drenches the screen with sensuous poetry and touches a core of sadness.
Latest News for 2046
September 11, 2007:
Toronto Film Fest: Ang Lee's Lust, Caution Reviewed
Among the higher profile entries in Toronto, Ang Lee's Lust, Caution had a particular notoriety coming in; not only were fest-watchers waiting to confirm or contradict the early... More...
November 01, 2006:
Fantastic New Pics from Yimou's "Golden Flower"
I'll keep this short and sweet: If you're a fan of movies like "Hero" and "House of Flying Daggers," you probably have a rather large interest in seeing... More...
September 05, 2006:
Trailer Bulletin: Zhang Yimou's "Curse of the Golden Flower"
Yimou Zhang, the man who brought you "Hero" and "House of Flying Daggers," has another epic adventure in the works. The new one is called "Curse of the... More...
May 26, 2006:
Wong Kar Wai to Make English-Language Debut with Solid Ensemble
Seems like a lot of high-end actors are lining up to star in Wong Kar Wai's "My Blueberry Nights," a romantic drama that's attracted names like Kevin Spacey, Ed... More...
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