"Weeks" abandons any trace of hope it has in characters prevailing for the better. It is cynical, nihilistic and unflinching.
28 Weeks Later (2007)
Tomatometer
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Reviews Counted:179
Fresh:128
Rotten:51
Average Rating:6.6/10
Consensus: While 28 Weeks Later lacks the humanism that made 28 Days Later a classic, it's made up with fantastic atmosphere and punchy direction.
Rated: R [See Full Rating] for strong violence and gore, language and some sexuality/nudity
Runtime: 1 hr 53 mins
Genre: Horror/Suspense
Theatrical Release:May 11, 2007 Wide
Box Office: $28,586,503
Synopsis: Danny Boyle's surprise 2003 hit, 28 DAYS LATER, gets the sequel treatment here. Few elements from the first film remain--actor Cilian Murphy doesn't return, and Boyle and screenwriter/novelist Alex... Danny Boyle's surprise 2003 hit, 28 DAYS LATER, gets the sequel treatment here. Few elements from the first film remain--actor Cilian Murphy doesn't return, and Boyle and screenwriter/novelist Alex Garland take producer credits this time out. In their places step director/co-writer Juan Carlos Fresnadillo (INTACTO) and actor Robert Carlyle (TRAINSPOTTING), who bring the original story to its next logical step. The zombies (again referred to as "the infected") from the first film have died out and England is ready for repopulation. The American military are slowly bringing British citizens back to London, where a heavily guarded community is picking up the pieces and trying to return to normal life. Carlyle plays Don, a man who has lost his wife but is reunited with his children, Andy (Mackintosh Muggleton) and Tammy (Imogen Poots), near the start of Fresnadillo's film. The two kids soon escape from the heavily guarded community, go off searching for their childhood home, and discover that mom might not be quite as dead as they originally thought. Chaos follows, with the sadistic military and the forlorn survivors battling both each other and "the infected." Fresnadillo apes much of Boyle's style from the original film, shooting in rapidly edited sequences that cause plenty of blink-and-you'll-miss-it moments. A pounding soundtrack helps enliven the scenes with "the infected," and an abundance of swooping aerial shots highlight the desolate London landscape. A few minor sub-plots emerge, Fresnadillo offers sly commentary on the military's trigger-happy tendencies, and the film ends up somewhere in between zombie fare such as George A. Romero's LAND OF THE DEAD and dystopian visions of the future such as Alfonso Cuaron's CHILDREN OF MEN. [More]
Starring: Robert Carlyle, Imogen Poots, Mackintosh Muggleton, Catherine McCormack
Starring: Robert Carlyle, Imogen Poots, Mackintosh Muggleton, Catherine McCormack, Rose Byrne, Jeremy Renner, Harold Perrineau, Idris Elba
Director: Juan Carlos Fresnadillo
Director: Juan Carlos Fresnadillo
Screenwriter: Juan Carlos Fresnadillo, Roland Joffe, Jesus Olmo
Producer: Andrew MacDonald, Danny Boyle, Alex Garland
Composer: John Murphy
Screenwriter: Jesús Olmo, Rowan Joffe, Juan Carlos Fresnadillo
Studio: Fox Atomic
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Reviews for 28 Weeks Later
works not just because of its visual and thematic resonance with current global traumas, but because it grips you on an emotional level
Against all odds, Weeks proves to be a jarring and effective follow-up to its equally-shocking predecessor.
It’s a worthy follow-up, and I’ll surely be waiting for 28 Months Later.
Thanks to its direction, cast and political subtext, 28 Weeks Later is a horror sequel that's actually worth seeing and improves upon (in some areas) its predecessor.
There isn’t much acting here, but there is entirely too much vomiting, and the prose turns laughably purple, too.
If had been in junior high school when I saw this movie, I would have had two words for "28 Weeks Later."Ew, gross.
It's a mindless, occasionally entertaining entry into the genre but it brings nothing fresh or innovative to the table. It's too bad because the first film was so good and Fresnadillo looked like a promising choice to take over.
It falls prey to the usual pessimism-as-realism crutch (most notable in its silly final 10 second coda), but director Juan Carlos Fresnadillo works in some real ideas along the way.
While the theme of soldiers as lethal and relentless as the infecteds repeats Boyle's film, here the uniformed threat is specifically U.S.
A tense and terrifying trip through urban chaos, 28 Weeks Later is Juan Carlos Fresnadillo's respectable follow-up to Danny's Boyle's original.
Even though I knew the scares were coming, I jumped out of my seat a few times.
The movie is an adrenaline-pumping ride, which is marred by repetition and by sometimes excessive use of its signature blurry pan.
Apparently it takes 'Weeks', rather than 'Days', to enjoy a sprightly-paced, finely-acted, and surprisingly intelligent apocalyptic zombie horror.
A good deal better than the average Hollywood horror film, but 28 Weeks Later doesn't have the inventiveness, originality or intelligence that made its predecessor one of the top horror pictures of the past five years.
This film desperately needs a Cillian Murphy look; a Brendan Gleeson heart; a Naomie Harris spirit.
Confirms that a Fox Atomic-produced horror sequel need not be technically clumsy, stupid, crass and fright-free.
Moviegoers can take or leave the message beneath the mayhem, but what's on the surface for everyone to enjoy is an expertly crafted terror tale that's heavy on the jolts.
Latest News for 28 Weeks Later
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September 12, 2008:
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