• 3 Women
    2 minutes 35 seconds
    Added: Feb 21, 2014


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3 Women Reviews

Page 1 of 2
Dan Jardine

Insinuates itself into your skull, and earwig-like proceeds to consume all you thought you knew of ontological security

Full Review Source: Cinemania | Original Score: 78/100

May 20, 2013
Eric Melin

3 Women is definitely a slow burn of a movie, but it's also amazing how well it taps into and visualizes the subconscious. Nothing is spelled out by Altman, who wants the audience to interpret the film's meaning for themselves.

Full Review Source: Scene-Stealers.com | Original Score: 3.5/4

October 27, 2011
Dennis Schwartz
Ozus' World Movie Reviews

Absorbing until it crashes in a tiresome manner trying to be too inexplicably symbolic.

Full Review Source: Ozus' World Movie Reviews | Original Score: B

January 16, 2011
Jay Antani
Cinema Writer

The first half...is some of Altman's best stuff. The second half downgrades into rather pretentious and dithering malarkey

Full Review Source: Cinema Writer | Original Score: 3/4

September 6, 2010
Ken Hanke
Mountain Xpress (Asheville, NC)

Either a maddening essay in pointlessness, or a deeply involving work that leaves the viewer unnerved and off-balance. Which response occurs depends entirely on the viewer.

Full Review Source: Mountain Xpress (Asheville, NC) | Original Score: 4/5

April 28, 2010
Vincent Canby
New York Times
Top Critic IconTop Critic

Like a dream, it is most mysterious and allusive when it appears to be most precise and direct, when its images are of the recognizable world unretouched (as happens in the film from time to time) by camera filters or lab technicians.

Full Review Source: New York Times | Original Score: 4/5

May 9, 2005
Nick Schager
Lessons of Darkness

An incisive portrait of psychological alienation.

Full Review Source: Lessons of Darkness

May 3, 2005
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

I have seen it many times, been through it twice in shot-by-shot analysis, and yet it always seems to be happening as I watch it. Recurring dreams are like that.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

March 5, 2005
Carol Cling
Las Vegas Review-Journal

Fascinating, elliptical and enigmantic ... authentic Altman. Altman.

| Original Score: 5/5

February 18, 2005
Jeffrey M. Anderson
Combustible Celluloid

[A] strange, beautiful and funny film.

Full Review Source: Combustible Celluloid | Original Score: 4/4

June 7, 2004
Douglas Pratt
Hollywood Reporter
Top Critic IconTop Critic

A spectacular artistic success.

June 4, 2004
Mark Palermo
Coast (Halifax, Nova Scotia)

Drawing similarities to the central relationship in Persona, Altman's impressionist work is difficult but, in its own way, sort of perfect.

Full Review

May 5, 2004
Matt Brunson
Creative Loafing

[Altman] pushed even harder against the envelope and in the process created a highly unusual and wholly original picture.

Full Review Source: Creative Loafing | Original Score: 3.5/4

April 28, 2004
Eric Henderson
Slant Magazine

3 Women is a daring piece of cinema that glides along the edge of weirdness and somehow manages not to fall off.

Full Review Source: Slant Magazine | Original Score: 4/4

April 22, 2004
Christopher Null

The end result is a film far more reminiscent of Polanski than Altman and stands as one of his most underseen but most compelling works.

Full Review Source: Filmcritic.com | Original Score: 4/5

April 15, 2004
Frederic and Mary Ann Brussat
Spirituality and Practice

3 Women is an intriguing film by Robert Altman that resides in the netherworld between dreaming and waking.

Full Review Source: Spirituality and Practice

January 23, 2004
Jeremy Heilman

It ranks in the pantheon of great films about dreams.

Full Review Source: MovieMartyr.com | Original Score: 4/4

July 3, 2002
Michael Atkinson
Village Voice
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A gauzy, perfectly executed vacation in Doppelgänger-burg.

Full Review Source: Village Voice

June 25, 2002
Dave Kehr
Chicago Reader
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Robert Altman's would-be American art film (1977) is murky, snide, and sloppy.

Full Review Source: Chicago Reader

January 1, 2000
Emanuel Levy

| Original Score: 4/5

July 4, 2005
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