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Movies / On DVD / The 400 Blows
The 400 Blows

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The 400 Blows (1959)

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Reviews Counted:48

Fresh:48

Rotten:0

Average Rating:9.3/10

Consensus: A seminal French New Wave film that offers an honest, sympathetic, and wholly heartbreaking observation of adolescence without trite nostalgia.

Runtime: 1 hr 39 mins

Genre: Foreign Films

Synopsis: Director François Truffaut's first feature film, THE 400 BLOWS, is a landmark in French cinema. Antoine Doinel (Jean-Pierre Léaud) is a 13-year-old boy who can't seem to do anything right. His... Director François Truffaut's first feature film, THE 400 BLOWS, is a landmark in French cinema. Antoine Doinel (Jean-Pierre Léaud) is a 13-year-old boy who can't seem to do anything right. His parents yell at him and then bribe him for his love and his promises to work harder in school. Meanwhile, his schoolteacher is out to get him and blames Antoine for everything--turning him into the class clown. As a result, Antoine runs away from school and his difficult family, living on the streets of Paris and committing petty crimes. While his life on the street is tough, it's much better than dealing with his preoccupied parents and his accusatory teacher. Nonetheless, things only go downhill for Antoine, descending to a simultaneously painful and beautiful conclusion. A truly impressive film, THE 400 BLOWS is raw, honest, and intensely emotional. Imbued with a strong and complex personality, Antoine maintains his poise and self-confidence, even as he endures abusive treatment from every adult he encounters. René Simonet (Patrick Auffray) is Antoine's one pal, and the unspoken dialogues between the boys, depicted by Truffaut through the boys' facial expressions and with masterful roving photography, allow the viewer to see through Antoine's eyes and understand his unflinching tenacity. Few films have captured the difficulties of childhood as well as this acclaimed French masterpiece. Essentially the start of the French New Wave movement, THE 400 BLOWS is also the beginning of Truffaut's Antoine Doinel cycle, which follows Léaud as Antoine in five additional films over the course of 20 years. [More]

Starring: Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Guy Decomble

Starring: Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Guy Decomble, Patrick Auffray

Director: Francois Truffaut

Director: Francois Truffaut

[See More Credits]

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Release:

Mar 24, 1998

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Reviews for The 400 Blows

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1 - 20 (sorted by critic A-Z)
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Still one of the cinema's most perceptive forays into childhood.

Full Review Source: Time Out | comment Comment
01/26/06
Derek Adams
Derek Adams
Time Out

One of the best movies about childhood ever made because it's really a movie for adults. Without sentiment, it looks at the fears, doubts, and anxieties of childhood.

Full Review Source: Combustible Celluloid | comment Comment
06/13/05
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Perhaps Truffaut's most affecting film.

Full Review Source: Austin Chronicle | comment Comment
01/01/00
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

For all of Truffaut's mastery of the behind-the-camera aspects of The 400 Blows, an equal share of the credit must go to lead actor Jean-Pierre Léaud.

Full Review Source: ReelViews | comment Comment
08/01/02
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

it informs everything we know today about watching movies.

Full Review Source: Filmcritic.com | comment Comment
04/15/06
Keith Breese
Keith Breese
Filmcritic.com

An enduring masterpiece...Truffaut's autobiographical fiction shows an admirable equanimity by depicting the highs and lows of boyhood. [Blu-ray]

Full Review Source: Groucho Reviews | comment Comment
03/22/09
Peter Canavese
Peter Canavese
Groucho Reviews

One of the first glistening droplets of the French New Wave.

Full Review Source: Time Out | comment Comment
04/09/09
Nina Caplan
Nina Caplan
Time Out

Amazingly, this vigorous effort is the first feature film of M. Truffaut, who had previously been (of all things!) the movie critic for a French magazine.

Full Review Source: New York Times | comment Comment
05/20/03
Bosley Crowther
Bosley Crowther
New York Times
Top Critic Icon Top Critic

Vibrant, visually exciting and emotionally resonant.

Full Review Source: Empire Magazine | comment Comment
04/09/09
Nick Dawson
Nick Dawson
Empire Magazine

The later films have their own merits, and Stolen Kisses is one of Truffaut's best, but The 400 Blows, with all its simplicity and feeling, is in a class by itself.

Full Review Source: Chicago Sun-Times | comment Comment
01/01/00
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

François Truffaut's iconoclastic feature debut and one of the most enduring examples of the French New Wave.

Full Review Source: Channel 4 Film | comment Comment
04/23/09
Jon Fortgang
Jon Fortgang
Channel 4 Film

Alive with the joy of filmmaking for its own sake.

Full Review Source: Mountain Xpress (Asheville, NC) | comment Comment
04/07/09
Ken Hanke
Ken Hanke
Mountain Xpress (Asheville, NC)

It's streetwise stuff, shot in a vigorous on-the-hoof style, but also full of joy, both in its blissfully comic moments and in Doinel's telling passion for moviegoing.

Full Review Source: Total Film | comment Comment
04/09/09
Kevin Harley
Kevin Harley
Total Film

The 400 Blows, one of the initiating sparks of the French New Wave, ultimately boils down to the film's trendsetting coda, perhaps the most exclamatory question mark in movies.

Full Review Source: Slant Magazine | comment Comment
03/27/09
Eric Henderson
Eric Henderson
Slant Magazine

Distinguished by its naturalistic, quasi-documentary approach and an extraordinary central performance from the 12-year-old Jean-Pierre Léaud, this is a blisteringly authentic story.

Full Review Source: Times [UK] | comment Comment
04/09/09
Wendy Ide
Wendy Ide
Times [UK]

Truffault's masterpiece. Timeless and true, heartbreakingly sad.

Full Review Source: Apollo Guide | comment Comment
08/25/09
Dan Jardine
Dan Jardine
Apollo Guide

Distinguished by its intensity of feeling and freewheeling use of the wide-screen frame, the film ranks among Truffaut's best.

Full Review Source: Chicago Reader | comment Comment
07/09/07
Dave Kehr
Dave Kehr
Chicago Reader
Top Critic Icon Top Critic

Léaud's performance is a marvel in the way he conveys Antoine's frustration with the world around him and the inability of adults to understand him.

Full Review Source: Q Network Film Desk | comment Comment
05/30/03
James Kendrick
James Kendrick
Q Network Film Desk

This should be required viewing for today’s droves of would-be memoirsts in film or any other medium, and otherwise is simply a must for anybody who likes great movies.

Full Review Source: Sacramento News & Review | comment Comment
08/07/08
Jonathan Kiefer
Jonathan Kiefer
Sacramento News & Review

A landmark in modern cinema.

Full Review Source: BBC | comment Comment
04/17/01
Jason Korsner
Jason Korsner
BBC
 
 
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