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Movies / On DVD / The 400 Blows
The 400 Blows

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The 400 Blows (1959)

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Reviews Counted:48

Fresh:48

Rotten:0

Average Rating:9.3/10

Consensus: A seminal French New Wave film that offers an honest, sympathetic, and wholly heartbreaking observation of adolescence without trite nostalgia.

Runtime: 1 hr 39 mins

Genre: Foreign Films

Synopsis: Director François Truffaut's first feature film, THE 400 BLOWS, is a landmark in French cinema. Antoine Doinel (Jean-Pierre Léaud) is a 13-year-old boy who can't seem to do anything right. His... Director François Truffaut's first feature film, THE 400 BLOWS, is a landmark in French cinema. Antoine Doinel (Jean-Pierre Léaud) is a 13-year-old boy who can't seem to do anything right. His parents yell at him and then bribe him for his love and his promises to work harder in school. Meanwhile, his schoolteacher is out to get him and blames Antoine for everything--turning him into the class clown. As a result, Antoine runs away from school and his difficult family, living on the streets of Paris and committing petty crimes. While his life on the street is tough, it's much better than dealing with his preoccupied parents and his accusatory teacher. Nonetheless, things only go downhill for Antoine, descending to a simultaneously painful and beautiful conclusion. A truly impressive film, THE 400 BLOWS is raw, honest, and intensely emotional. Imbued with a strong and complex personality, Antoine maintains his poise and self-confidence, even as he endures abusive treatment from every adult he encounters. René Simonet (Patrick Auffray) is Antoine's one pal, and the unspoken dialogues between the boys, depicted by Truffaut through the boys' facial expressions and with masterful roving photography, allow the viewer to see through Antoine's eyes and understand his unflinching tenacity. Few films have captured the difficulties of childhood as well as this acclaimed French masterpiece. Essentially the start of the French New Wave movement, THE 400 BLOWS is also the beginning of Truffaut's Antoine Doinel cycle, which follows Léaud as Antoine in five additional films over the course of 20 years. [More]

Starring: Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Guy Decomble

Starring: Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Guy Decomble, Patrick Auffray

Director: Francois Truffaut

Director: Francois Truffaut

[See More Credits]

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Release:

Mar 24, 1998

No Details Exist
 
 

Reviews for The 400 Blows

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1 - 20 (sorted by rotten rating)
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Henri Decae’s black and white photography helped Truffaut enormously but what the director himself provides is a sense that though there is no easy answer to the problems of growing up, there is a hope that will never be wholly denied.

Full Review Source: This is London | comment Comment
04/17/09
This is London

Extraordinary.

Full Review Source: TV Guide's Movie Guide | comment Comment
01/01/00
TV Guide's Movie Guide

Forget my curmudgeonly attitude and see it -- again, or for the first time -- for yourself.

Full Review Source: Salon.com | comment Comment
09/27/07
Andrew O'Hehir
Andrew O'Hehir
Salon.com
Top Critic Icon Top Critic

It's a cornerstone of the French New Wave, and one of the greatest movies about childhood, from anywhere, ever.

Full Review Source: Independent | comment Comment
04/17/09
Anthony Quinn
Anthony Quinn
Independent

[Truffaut's} eye for telling detail is unrivaled...

Full Review Source: culturevulture.net | comment Comment
01/01/00
Arthur Lazere
Arthur Lazere
culturevulture.net

Amazingly, this vigorous effort is the first feature film of M. Truffaut, who had previously been (of all things!) the movie critic for a French magazine.

Full Review Source: New York Times | comment Comment
05/20/03
Bosley Crowther
Bosley Crowther
New York Times

No review available.

comment Comment
08/22/03
Carol Cling
Carol Cling
Las Vegas Review-Journal

Francois Truffaut's debut film not only galvanized the Nouvelle Vague (New Wave) movement of French cinema, but also generated a personal language of cinema that Truffaut would elaborate on for the rest of his career.

Full Review Source: ColeSmithey.com | comment Comment
10/20/07
Cole Smithey
Cole Smithey
ColeSmithey.com

Truffault's masterpiece. Timeless and true, heartbreakingly sad.

Full Review Source: Apollo Guide | comment Comment
08/25/09
Dan Jardine
Dan Jardine
Apollo Guide

Distinguished by its intensity of feeling and freewheeling use of the wide-screen frame, the film ranks among Truffaut's best.

Full Review Source: Chicago Reader | comment Comment
07/09/07
Dave Kehr
Dave Kehr
Chicago Reader
Top Critic Icon Top Critic

A movingly sympathetic and perceptive portrayal about an unwanted rebellious adolescent.

Full Review Source: Ozus' World Movie Reviews | comment Comment
06/07/05
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Still one of the cinema's most perceptive forays into childhood.

Full Review Source: Time Out | comment Comment
01/26/06
Derek Adams
Derek Adams
Time Out

Truffaut's brilliant debut, one of the seminal works of the New Wave, is a captivating autobiographical chronicle of a troubled youth, played by Jean-Pierre Leaud, Truffaut's alter-ego who will star in four more segments of the Antoine Doinel's saga.

Full Review Source: EmanuelLevy.Com | comment Comment
12/18/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

The 400 Blows, one of the initiating sparks of the French New Wave, ultimately boils down to the film's trendsetting coda, perhaps the most exclamatory question mark in movies.

Full Review Source: Slant Magazine | comment Comment
03/27/09
Eric Henderson
Eric Henderson
Slant Magazine

No review available.

comment Comment
07/08/04
Frank Swietek
Frank Swietek
One Guy's Opinion

No review available.

comment Comment
03/27/04
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

No review available.

comment Comment
08/24/05
Jake Euker
Jake Euker
F5 (Wichita, KS)

For all of Truffaut's mastery of the behind-the-camera aspects of The 400 Blows, an equal share of the credit must go to lead actor Jean-Pierre Léaud.

Full Review Source: ReelViews | comment Comment
08/01/02
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

Léaud's performance is a marvel in the way he conveys Antoine's frustration with the world around him and the inability of adults to understand him.

Full Review Source: Q Network Film Desk | comment Comment
05/30/03
James Kendrick
James Kendrick
Q Network Film Desk

A landmark in modern cinema.

Full Review Source: BBC | comment Comment
04/17/01
Jason Korsner
Jason Korsner
BBC
 
 
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