Opening

78% Fast & Furious 6 May 24
—— The Hangover Part III May 23
—— Epic May 24
95% Before Midnight May 24
83% We Steal Secrets: The Story Of Wikileaks May 24
—— Fill the Void May 24
—— A Green Story May 24
—— Alyce Kills May 24

Top Box Office

86% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
49% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
56% Oblivion $2.3M
98% Mud $2.2M
37% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
88% The East May 31
100% The Kings of Summer May 31

4:44 Last Day on Earth Reviews

Walter V. Addiego
San Francisco Chronicle
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Though it gains traction toward the end, viewers may finally feel puzzled or indifferent. You expect a bit more from the end of the world.

Full Review Source: San Francisco Chronicle | Original Score: 2/4

April 20, 2012
Scott Tobias
NPR
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Rehashing old arguments in the hours before certain death is a tedious waste of time - theirs, and ours.

Full Review Source: NPR

March 23, 2012
V.A. Musetto
New York Post
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If the end of the world was just hours away, would New Yorkers still be able to get takeout? Yes, if Abel Ferrara's mind-bending "4:44 Last Day on Earth'' is any indication.

Full Review Source: New York Post | Original Score: 3/4

March 23, 2012
Mark Olsen
Los Angeles Times
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Ferrara movingly celebrates connection, cooking life down to just its barest essence: a man, a woman and a need.

Full Review Source: Los Angeles Times | Original Score: 3.5/5

March 22, 2012
Scott Bowles
USA Today
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Ferrara doesn't give his protagonists room to do much beyond have arguments and sex (though the intimacy is shot well).

Full Review Source: USA Today | Original Score: 2/4

March 22, 2012
A.O. Scott
New York Times
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Your last day - or, as it happens, the whole planet's last day - will be just like every other one. Mr. Ferrara makes this point with ingenuity and characteristic thrift by using found news footage to provide images of apocalypse.

Full Review Source: New York Times | Original Score: 3.5/5

March 22, 2012
Joe Neumaier
New York Daily News
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Dafoe, with his angular, ever-watchable Edvard Munch features, plays well off the impish Leigh, but sadly, they have little to do besides a "Last Tango at Armageddon" riff, albeit with a genuinely moving finale.

Full Review Source: New York Daily News | Original Score: 2/5

March 22, 2012
Lisa Schwarzbaum
Entertainment Weekly
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Ferrara's thin idea for a movie - life goes on, even when it's about to stop - would have been a lot better had he given his characters more to do.

Full Review Source: Entertainment Weekly | Original Score: C

March 21, 2012
Karina Longworth
Village Voice
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It's both chamber drama and experimental found-footage film, relying heavily on appropriated media to provide context and subtext to its disaster fiction.

Full Review Source: Village Voice

March 20, 2012
Joshua Rothkopf
Time Out New York
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The film lacks any serious attempt to grapple with mortality.

Full Review Source: Time Out New York | Original Score: 2/5

March 20, 2012
Glenn Kenny
MSN Movies
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This is pretty standard not-with-a-bang-but-with-a-whimper-punctuated-by-an-occasional-blowup stuff.

Full Review Source: MSN Movies | Original Score: 2/5

March 19, 2012
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