4 Months, 3 Weeks and 2 Days (2007)
Critic Consensus: Featuring gut-wrenching performances from Anamaria Marinca and Laura Vasiliu, 4 Months is a gripping portrayal of life in Communist Romania.
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as Mr. Bebe
as Adi's Mother Gina
as Adi's Father Grigore
as Night Receptionist
as Unireal Hotel Recept...
as Receptionist Tineret...
as Bebe's Mother
as Dr. Rusu
as Marie-Jeanne Rusu
as Adela Racoviceanu
as Dr. Racoviceanu
as Mrs. Aldea
as Dr. Aldea
as Tatal Gabitei
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Critic Reviews for 4 Months, 3 Weeks and 2 Days
[A] brilliant, suspenseful, absolutely riveting film.
How it makes you feel depends little, if at all, about your position on abortion. The procedure acts as a MacGuffin for caustic commentary about Communist clampdowns and a friendship's annihilative death spiral through loyalty, desperation and sacrifice.
No one in Bucharest gives a damn about anything. And he takes 113 long, drawn-out minutes to send this bit of news.
Director Cristian Mungiu makes effective use of fairly static camera setups, in addition to some hand-held shots, to give the film a documentary feel.
Audience Reviews for 4 Months, 3 Weeks and 2 Days
A startlingly realistic and painfully minimalistic Romanian film that succeeds at making audiences care just as much about what could be happening in the off-screen world of these characters as what we are shown on-screen.
A good, realistic movie that, for my money, is a bit over-rated, and one that takes a long time to get you into the story. It's clinical for the first half-hour or more, but eventually, the stakes do rise, and through one gut-wrenchingly long dinner scene, you start to feel the urgency of the whole affair: Gabi needs an abortion, and no one can find out, no matter what it takes. Romanian neo-realism, exactly as advertised, sarcastically included in what director Mungiu calls his Tales of the Golden Age, documenting life under Ceaucescu's regime. I'm excited to see more from him, I think he's just ramping up to the global stage.
A visceral, unrelentingly grim tale concerning an intense friendship between two roommates and how one of them (Laura Vasiliu) coaxes the other (Anamaria Marinca) into helping her get an illegal abortion in 1980's Romania. This is one of the 00's finer pictures, thanks to impeccable acting and a rough, incredibly realistic look at the seedy underground of Europe. This is a film not so much concentrated on the moral issue of abortion, for which I found to be a nice surprise, but instead it is more focused on friendship and how far one is willing to go for one's best friend. The last shot of this movie features one of the more haunting gazes I can recall in a movie. It is never easy to watch, but it is certainly informative and truly unforgettable.
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