...despite Sandler's usual crutch of going way over the top -- 50 First Dates is still a pretty watchable and funny movie.
50 First Dates (2004)
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Reviews Counted:169
Fresh:75
Rotten:94
Average Rating:5.4/10
Consensus: Gross-out humor overwhelms the easy chemistry between Sandler and Barrymore.
Rated: PG-13 [See Full Rating] for crude sexual humor and drug references
Runtime: 1 hr 39 mins
Genre: Comedies
Theatrical Release:Feb 13, 2004 Wide
Box Office: $120,776,832
Synopsis: Scatological and sentimental, satirical and sincere, 50 FIRST DATES pairs Adam Sandler with Drew Barrymore in this romantic comedy about the power of love and short-term memory loss in Hawaii.... Scatological and sentimental, satirical and sincere, 50 FIRST DATES pairs Adam Sandler with Drew Barrymore in this romantic comedy about the power of love and short-term memory loss in Hawaii. Henry Roth (Sandler), the local marina veterinarian, only dates tourists because he's afraid of commitment--that is, until he meets Lucy (Barrymore). Unfortunately, Lucy lost her short-term memory months ago in a car accident, and for her, each day is October the 13th. She follows the same routine every day--breakfast at the same restaurant, pineapple-picking with her dad, and eventually bed time, where sleep wipes away her short-term memory. Henry, however, refuses to be forgotten, and as his puppy love matures, he embarks on a quest to restore her memory, or at least be a part of her everyday routine. But vying for Lucy's attention isn't always easy. Sandler explores various neophytic approaches before making a video for Lucy to watch every morning, reminding her of who she is and what she's doing. The film includes a trademark Sandler ballad as Henry serenades Lucy with his ukulele and a series of familiar salacious puns. Rob Schneider plays Henry's best friend, a goofy native stoner whose physical hijinks earn numerous laughs, and a cameo by Dan Akroyd as Lucy's doctor rounds out the cast. [More]
Starring: Drew Barrymore, Adam Sandler, Rob Schneider, Sean Astin
Starring: Drew Barrymore, Adam Sandler, Rob Schneider, Sean Astin, Dan Aykroyd, Amy Hill, Missi Pyle, Blake Clark, Luisa Strus
Director: Peter Segal
Director: Peter Segal
Screenwriter: George Wing
Producer: Jack Giarruputo, Steve Golin, Nancy Juvonen, Daniel Lupi, Adam Sandler, Larry Kennan
Composer: Teddy Castellucci
Studio: Columbia Pictures
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Reviews for 50 First Dates
A misogynist comedy obsessed with penis length, bashing sexually ambiguous people and letting a stunted, dopey male snare his ditzy dream babe. . . . cheap, slumming comedy.
Lucy wakes up every morning with no memory of anything that happened the day before. For the rest of us, everything in this movie is just too, too familiar.
Sandler wants to be charming and still fill his movie with gross comedy, to have his cake and puke it up, too.
When Rob Schneider is the best thing about your movie, you know you have a problem.
While it's not his best work, it's certainly not the worst thing Sandler has made.
50 First Dates is the perfect date movie, one that should appeal to teens into Sandler's mean-spirited shtick, while drawing coos and oohs from those traditionalists drawn to something softer and dreamier.
I don't think 50 First Dates is a great movie, or a particularly funny one, but I admired its romanticism and its gentle plea for the acceptance of difference.
Sandler and Barrymore have some kind of romantic-comedy alchemy together that makes him seem like a genuine catch of a lovable man-boy and makes her flightiness seem cute.
Where Singer had playful angst and skinny-tie nostalgia, Dates has sophomoric locker-room humor.
This pedestrian pic starring Adam Sandler and Drew Barrymore never gets out of neutral, and should have been left in park -- back in the junkyard.
Sandler's movies always have combined juvenile humor with sentimentality, but the two rarely have seemed so out of synch.
Despite its absurdist premise, and the danger of falling into Groundhog Day repetitiveness, 50 First Dates is convincing and works remarkably well.
Decidedly a mixed bag--still, it has enough laughs and charm to be moderately engaging, a definite cut above the usual run of gross-out studio farces released nowadays.
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