Average Rating: 4.1/10
Reviews Counted: 62
Fresh: 8 | Rotten: 54
Poor plot development and slow pacing keep 54 from capturing the energy of it's legendary namesake.
Average Rating: 3.4/10
Critic Reviews: 14
Fresh: 1 | Rotten: 13
Poor plot development and slow pacing keep 54 from capturing the energy of it's legendary namesake.
liked it
Average Rating: 2.8/5
User Ratings: 30,126
Mark Christopher wrote and directed this look back at the Disco Era when the popular Studio 54 was at its apogee in the late '70s. With obvious comparisons to Paul Thomas Anderson's Boogie Nights (1997) and Whit Stillman's The Last Days of Disco (1998), the story introduces working-class 19-year-old Irish-American Shane O'Shea (Ryan Phillippe), who has lived with his father and siblings since the death of his mother when he was 12. Shane quickly rises from busboy to bartender at Studio 54,
Aug 28, 1998 Wide
Apr 3, 2001
Miramax Films
All Critics (64) | Top Critics (15) | Fresh (8) | Rotten (54) | DVD (5)
A more critical and resonant Hollywood movie about the glorious disco culture screams to be made.
The triteness comes thick and fast.
It's a flat, clumsy piece of filmmaking.
Decadence has rarely looked so pathetic, lethargic and dispiriting as it does in this listless film.
The party never gets started.
You see garbage bags filled with cash, a lot of avid cocaine snorting and fleeting glimpses of Warhol and Truman Capote, but it all feels ho-hum.
A shapeless homage to the glory that was Studio 54 in its decadent heyday...
Neither a great night out nor a great night in.
Let me pause for a minute to think of a more boring subject for a movie ... Sorry. I give up.
Myers shining moment. Too bad nobody saw it.
Myers exploits every vicious, self-hating line that comes his way.
Just as disappointing as Whit Stillman's Last Days of Disco, Marc Christopher's 54 suffers from a formulaic script that feels like a reworking of Saturday Night Fever and Boogie Nights, both superior and more entertaining pictures.
The writer seems helpless in finding a way to wrap up the story beyond the arrest of Rubell.
A mish-mash of bad writing, poor acting (except Myers), amateur directing and mediocre production credits.
... a wasted opportunity
The 1970s were great times, but most viewers could hardly come to that conclusion based on this film.
One can only hope "54" will hammer the final nail in disco's coffin. It's music that I don't want stayin' alive.
54 is mediocre on almost all counts: acting (with a couple of exceptions), writing, direction and cinematography are uniformly bland, inoffensive and completely unmemorable.
a nostalgic whitewash. With its sterling beat-heavy soundtrack and non-stop glitz, the movie captures the look and sound of its inspiration much more convincingly than it conjures up the Studio 54 atmosphere.
Qualifies as one of the more entertaining bad movies of the year.
I was hoping to be able to recommend 54 from a camp point of view, possibly the next Showgirls. But it's not. The fact is it's so uninvolving, it's not even interesting enough to be bad.
Every conversation seems punctuated with awkward silences and dull stares.
The film is entertaining, and it's worth seeing if only for Mike Myers' amazing performance.
The decadence and debauchery of disco's palace comes off as only dull. Myers is good and Hayek --- she's always easy on the eyes.
June 12, 2011Super Reviewer
Light soap opera story, Summer of Sam captured better the mood of the time. Mike Myers is surprisingly not that bad in this role, probably the only passable performance the man has ever done. Also, somebody has any idea of why Hayek has a career in hollywood? She can't act and just because she has big fake boobs.....oh
November 28, 2008
Super Reviewer
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