|Rating:||R (for strong graphic sexuality, language and some drug content.)|
|Genre:||Drama, Romance, Art House & International|
|Directed By:||François Ozon|
|Written By:||Emmanuelle Bernheim, François Ozon, Emmanuèle Bernheim|
|In Theaters:||Jun 10, 2004 Wide|
|On DVD:||Oct 25, 2005|
as American man
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Critic Reviews for 5x2
Gilles and Marion may be more than the sum of their regrets, but because their creator hasn't done the math, they remain touching stick figures.
Stripping away the extraneous details that etch great screen characters in our minds forever, Mr. Ozon pinpoints key moments in the life of a pair of married Parisians that leave the viewer paralyzed with boredom and confusion.
Ozon, as he's shown in his many recent films (particularly Under the Sand), knows a thing or two about love and loss; 5x2 achingly demonstrates both.
Unwinds with absolute clarity and sure style, and Freiss and Bruni-Tedeschi make an interesting couple, if not a truly memorable one.
Audience Reviews for 5x2
Moving study of a relationship in reverse which highlights the inherent fragility of emotional bonds
Average French drama-little romance movie at the present backward to the past story of a couple - Marion and Gilles.
A difficult film made more so by these completely self-absorbed, unlikeable characters. When first we see Marion (Valeria Bruni-Tedeschi) and Gilles (Stephane Freiss), they are in a judgeâ??s chambers as he reads the divorce decree that will terminate their short, mercurial marriage. In a series of scenes that march time backwards, we see the seeds of this breakup as they are sown, but not until the final scene, which is first in the sequence of events, do we realize how doomed this relationship was from the beginning. The methodology employed is certainly interesting and keeps one going, looking for the point at which hope was still alive, but the desolate answer is not the one we had wished for. The scenery, in some of the earlier (story-wise) locales, was quite lovely and the viewer is treated to some wonderful cinematography. The film certainly benefited from strong direction from Francois Ozon. But one ultimately wishes that these people were more sympathetic so that one could sense the tragedy more honestly. Not a lot of fun, and a whole lot of bad choices.
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