And Now Ladies and Gentlemen (2003)
Runtime: 2 hrs 8 mins
Theatrical Release: Aug 1, 2003 Limited
Box Office: $595,954
Synopsis: "Life is a deep sleep, of which love is the dream" - Alfred de Musset A thief on the run from a life of crime. A nightclub singer hoping to escape from the blues of heartache. Two lost souls who have become fugitives from the past. . . but now, fate is about to bring them together in the... "Life is a deep sleep, of which love is the dream" - Alfred de Musset A thief on the run from a life of crime. A nightclub singer hoping to escape from the blues of heartache. Two lost souls who have become fugitives from the past. . . but now, fate is about to bring them together in the unfolding present. Half way around the world, in a mysterious and enchanted village, they will each seek a way to literally save their endangered lives, while discovering a love that will radically change them. Academy Award® winner Jeremy Irons and renowned international recording artist Patricia Kaas star in And Now Ladies & Gentlemen, directed by Claude Lelouch, who returns to the territory of his internationally acclaimed hit A Man and a Woman with a story that celebrates life, love, adventure, music and companionship. Shot in five vibrant locations around the world including London, Paris, the French seaport of Fecamp, and the cities of Fez and Essaouira in Morocco, the film is a comic-tinged, kaleidoscopic journey that Lelouch hopes will allow audiences "to see the things you cannot see with the naked eye." Valentin (Jeremy Irons) is an English jewel thief and master of disguise who has managed to pull off heists from the greatest gem shops of Europe using only two weapons: humorous bluff and charming deceit. And yet Valentin’s most secret, driving dream is to start a new life, and perhaps one day, to reimburse those from whom he has stolen. For now, however, the wearied Valentin desperately needs to escape. So he sets sail on a luxury yacht from the French port city of Fecamp and heads for the solace of the deep blue sea. Meanwhile, Jane Lester (Patricia Kaas) is a jazz chanteuse reeling from a bad love affair with a philandering trumpet player. She too sets sail, landing in Morocco, where she takes a gig singing in a grand Fez hotel, and looks for her own form of peace in the sand dunes and mysteries of the desert. Their fates collide when Valentin’s yacht (which is named "Ladies and Gentlemen") crashes off the coast of Morocco. Both he and Jane wind up in a medical office suffering from memory lapses – she has been forgetting lyrics; he can’t remember merchandise he has stolen, or frequently, that he has stolen at all. But in each other, they find no need for recollections of the past. As they head for the tomb of a legendary Moroccan healer, rumored to be able to cure any malady, they start down the path of an adventurous, if indeterminate, future. [More]
Genre: Foreign Films
Starring: Jeremy Irons, Patricia Kaas, Thierry Lhermitte, Alessandra Martines, Jean-Marie Bigard
Screenwriter: Claude Lelouch
Producer: Claude Lelouch, Paul Hichcock, Rick Senat
Composer: Michel Legrand
Buy It On DVD
Reviews
A good-looking but slim confection that's short on the multi-characterisation and sense of entwined destinies that mark the great Lelouch sagas.
According to common usage, the French word stupide comes closer to silly than to dumb, which is how I might rationalize my affection for this harebrained, obvious, but euphoric tale.
Lelouch isn't interested in anything so pedestrian as plausible narrative.... some people want to fill the world with silly love songs.
Lelouch's wink at the viewer, his gentle undermining of the illusion of the dramatic unity of time and place, playfully tweaks the film's fundamental project of connection.
Because the majority of scenes are drawn out and obviously improvised, this disjointed and rambling confection will have limited appeal to others.
Lelouch ... assuring he doesn’t fully lose his audience by the convolutions of the mind, still actively takes part in putting up a fog screen as to avoid total comprehension.
This is like a collection of the best moments from Claude Lelouch's filmography -- with bits and pieces joyously borrowed from his films from the 1970s and '80s, when he was at his most prolific and ingenious.
The most sophisticated love story since In the Mood for Love, The House of Mirth and The English Patient.
... simply abstract, substituting romantic gesture for romance and gluing scenes together with vague emotional logic and silky style.
You'll either like this soaringly daft confection, even as it aggravates you with its self-absorption, or you won't. I did.
This drowsy caper comes on like a fun-house mirror of layered pretensions.
The movie is overcrowded with ideas, any one of which might have made a fun premise. Put them all together and the result is just plain silly.
Few, if any, other actors could match Irons' stiff-lipped exterior sealing an internal combustion engine of mischief and passion.
May not be entirely successful, but there are worse ways to spend an afternoon.
...plays like your neighbors' two-hour vacation slideshow that they insist on showing every time you come over.
It's two-plus hours of trinkets and baubles and clever repartée beneath a perfect summer sun and beside the whitewashed walls of Fez.
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by: REEL_REVIEWER 5/25/05


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