This unglamorous approach has the odd effect of making them seem more glamorous -- we’re free to soak up their star quality because there’s no hard sell to fight off.

A light caper movie, with heavy emphasis on the word 'light' -- light plot, light action, light violence, light sex, light humor, light acting.

... workmanlike heist flick with some funny lines and some good (if brief) chases ...

The Italian Job might have been an enjoyable ride if it had even an ounce of creative intelligence.

Memories of the 1960s caper classic are obliterated by this pointless remake, which uncomprehendingly salvages a few elements from the original, while behaving as if no one involved cared or liked it much anyway.

Uma Saída de Mestre faz jus ao original – principalmente por não limitar-se a copiá-lo.

This is a good ole heist film and worth the price of admission.

Go in expecting nothing and you'll end up with more than Caine and his onscreen crew did 34 years ago.

"Wahlberg once again demonstrates his unique ability to suck the colour out of a character like some bloated charisma mosquito."

Peter Collinson's The Italian Job (1969) is not a great film -- it's an average film with a great finale. Oh, and another thing: F Gary Gray's remake blows the bloody doors off it.