Given all the filmed memory pieces about screaming, violent Italian-American families in New York boroughs, I'm not especially thrilled by even a well-made example.
A Guide to Recognizing Your Saints (2006)
Tomatometer
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Reviews Counted:93
Fresh:70
Rotten:23
Average Rating:6.6/10
Consensus: A Guide to Recognizing Your Saints is a lively, powerful coming-of-age tale with winning performances and sharp direction from first-timer Dito Montiel.
Rated: R [See Full Rating] for pervasive language, some violence, sexuality, and drug use.
Runtime: 1 hr 38 mins
Genre: Dramas
Theatrical Release:Sep 29, 2006 Limited
Box Office: $420,603
Synopsis: Writer Dito Montiel's highly cinematic memoir of his childhood in Queens, New York, makes the leap to the big screen, with the author himself getting behind the camera to helm this powerful, and at... Writer Dito Montiel's highly cinematic memoir of his childhood in Queens, New York, makes the leap to the big screen, with the author himself getting behind the camera to helm this powerful, and at times gut-wrenching, adaptation. The film flits back and forth between the adult Montiel's (Robert Downey Jr.) emotional return to the neighborhood after a 15-year gap, and the childhood antics that led to his younger self (played by Shia LeBouf) fleeing to Los Angeles in 1986. Downey's older brother Montiel is an introspective, quietly successful author who comes home after he is informed of his father's (Chazz Palminteri) life-threatening illness. LeBouf's teenage Montiel is a young tearaway who runs into constant trouble with his gang of friends, falls in love with local looker Laurie (Rosario Dawson), and dreams of an escape from the city with his Scottish friend, Mike (Martin Compston). The balance of the film tilts in favor of the kids, with most of the action taking place in 1986. These scenes acutely capture the punishing heat of the New York City summer, with the teenage gang soaked in sweat and dirt as they trample through their crumbling Queens ghetto. Channing Tatum gives a terrifying performance as Montiel's violent young friend, Antonio, and Palminteri is equally intimidating, filling the screen with palpable rage as he barks at the older and younger versions of his son. The skittish narrative makes frequent lurches through the decades, and also sees characters frequently breaking the fourth wall by directly addressing the audience, recalling the work of writer-director team Guillermo Arriaga and Alejandro González Iñárritu (21 GRAMS, AMORES PERROS). Montiel couples this with the gritty stylistic verve of classic New York movies such as MEAN STREETS and SATURDAY NIGHT FEVER, ultimately transforming SAINTS into the perfect distillation of two separate eras in an ever-evolving city. [More]
Starring: Robert Downey, Rosario Dawson, Shia LaBeouf, Chazz Palminteri
Starring: Robert Downey, Rosario Dawson, Shia LaBeouf, Chazz Palminteri, Dianne Wiest, Eric Roberts, Channing Tatum
Director: Dito Montiel
Director: Dito Montiel
Screenwriter: Dito Montiel
Producer: René Bastian, Lucy Cooper
Composer: Jonathan Elias
Studio: First Look
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Reviews for A Guide to Recognizing Your Saints
The movie never answers the question of why, exactly, the audience should care about these characters.
The first-time filmmaker aspires to show us what caused him to leave his neighborhood and stay gone for 20 years. All I can really glean is that the place was too loud.
Dito Montiel's autobiographical tale is so full of life and feeling that the screen can hardly contain it.
The praise heaped upon A Guide to Recognizing Your Saints is way too much, way too soon.
Feels less like an honest memoir and more like a jacked-up memory of cool movies past. Now that [Montiel's] written what he knows, let's go ahead and see what he's got.
Pulses with the honesty and spontaneity of early films by Martin Scorsese and Spike Lee.
Superb performances and a gripping retrospective plotline make this tough cookie an entertaining one, even if its adult story strand is weighed down with vagaries.
the adult scenes, though providing the film with structural ballast, also weigh it down.
The plot itself might not break much new ground, but the telling, by both cast and crew, makes this a memoir to remember.
Chaos, grit, and bravado run rampant through the streets of 1986 Queens in writer/director Dito Montiel's well-acted ... adaptation of his own memoir.
Populated with actors who know their characters so intimately they seem to spring to life from the screen.
All in all, Saints is a good, tough memory piece and an above-average directing debut.
It is its very autobiographical roots that make Saints an emotional wallop, a raw, authentic work that is, at its defiant core, violently and unrestrainedly alive.
After the first 20 minutes, Saints smoothes out the kinks and starts to resemble the open wound collection of memories it was intended to be.
It's a poignant look at some boys who could use some saints preserving them.
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