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A Guide to Recognizing Your Saints (2006)
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Reviews Counted:93
Fresh:70
Rotten:23
Average Rating:6.6/10
Consensus: A Guide to Recognizing Your Saints is a lively, powerful coming-of-age tale with winning performances and sharp direction from first-timer Dito Montiel.
Rated: R [See Full Rating] for pervasive language, some violence, sexuality, and drug use.
Runtime: 1 hr 38 mins
Genre: Dramas
Theatrical Release:Sep 29, 2006 Limited
Box Office: $420,603
Synopsis: Writer Dito Montiel's highly cinematic memoir of his childhood in Queens, New York, makes the leap to the big screen, with the author himself getting behind the camera to helm this powerful, and at... Writer Dito Montiel's highly cinematic memoir of his childhood in Queens, New York, makes the leap to the big screen, with the author himself getting behind the camera to helm this powerful, and at times gut-wrenching, adaptation. The film flits back and forth between the adult Montiel's (Robert Downey Jr.) emotional return to the neighborhood after a 15-year gap, and the childhood antics that led to his younger self (played by Shia LeBouf) fleeing to Los Angeles in 1986. Downey's older brother Montiel is an introspective, quietly successful author who comes home after he is informed of his father's (Chazz Palminteri) life-threatening illness. LeBouf's teenage Montiel is a young tearaway who runs into constant trouble with his gang of friends, falls in love with local looker Laurie (Rosario Dawson), and dreams of an escape from the city with his Scottish friend, Mike (Martin Compston). The balance of the film tilts in favor of the kids, with most of the action taking place in 1986. These scenes acutely capture the punishing heat of the New York City summer, with the teenage gang soaked in sweat and dirt as they trample through their crumbling Queens ghetto. Channing Tatum gives a terrifying performance as Montiel's violent young friend, Antonio, and Palminteri is equally intimidating, filling the screen with palpable rage as he barks at the older and younger versions of his son. The skittish narrative makes frequent lurches through the decades, and also sees characters frequently breaking the fourth wall by directly addressing the audience, recalling the work of writer-director team Guillermo Arriaga and Alejandro González Iñárritu (21 GRAMS, AMORES PERROS). Montiel couples this with the gritty stylistic verve of classic New York movies such as MEAN STREETS and SATURDAY NIGHT FEVER, ultimately transforming SAINTS into the perfect distillation of two separate eras in an ever-evolving city. [More]
Starring: Robert Downey, Rosario Dawson, Shia LaBeouf, Chazz Palminteri
Starring: Robert Downey, Rosario Dawson, Shia LaBeouf, Chazz Palminteri, Dianne Wiest, Eric Roberts, Channing Tatum
Director: Dito Montiel
Director: Dito Montiel
Screenwriter: Dito Montiel
Producer: René Bastian, Lucy Cooper
Composer: Jonathan Elias
Studio: First Look
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Reviews for A Guide to Recognizing Your Saints
The praise heaped upon A Guide to Recognizing Your Saints is way too much, way too soon.
Feels less like an honest memoir and more like a jacked-up memory of cool movies past. Now that [Montiel's] written what he knows, let's go ahead and see what he's got.
the adult scenes, though providing the film with structural ballast, also weigh it down.
I think we can agree there's a problem with a movie that pretends to be gritty realism but also asks us to believe Rosario Dawson and Robert Downey Jr. are the same age, even though she's 27 and he's 41.
...ultimately undone by Montiel's relentlessly ostentatious sense of style...
After a while, the crudeness and venality of the central characters proves as stifling as the incessant Queens summer heat does to our dubious protagonists.
Montiel's first effort remains episodic and inward, failing to build a bridge to the viewer.
A picture of some generalized power that's nonetheless unfocused and awfully high-pitched...too florid and messy to succeed as a whole.
For just about every bit that throbs convincingly with the pain of an open wound or the thrill of a newfound love, there's some arty or self-serving flourish that doesn't achieve Montiel's desired effect.
'Stick to the book' isn't always the best advice for a screenwriter adapting a best- seller, but when it's his own memoir, it would lend a more certain authenticity.
Martin Scorsese made his ode to Little Italy, Mean Streets, back in 1973, which seems like an long time ago. But it hasn't been so long that it's acceptable for another film to cop its vibe.
Why is this a movie, when it almost certainly works better as a novel with more time for all of its characters and atmosphere?
Given all the filmed memory pieces about screaming, violent Italian-American families in New York boroughs, I'm not especially thrilled by even a well-made example.
The movie never answers the question of why, exactly, the audience should care about these characters.
Montiel constantly inserts the kind of “look at me, I’m a director!” touches that only remind viewers that he’s an amateur.
Former hard-core punk rocker Dito Montiel's directorial debut, based on his memoir of the same name, has a raw street authenticity to it, but frequently runs into trouble when real life fails to follow a good story arc.
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