A Room With a View (1985)
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Set during the Edwardian era of England, A Room With a View finds Lucy, a proper young British lady, facing a dilemma -- should she marry the safe, nerdish Cecil, or opt for the unpredictability of the charismatic George whom she met while on a tour of the continent?
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Critic Reviews for A Room With a View
A Room With a View is not only uncharacteristically benign for Forster, but also blithely, elegantly funny, which is a fit description of [this]first-rate film adaptation...
It is an intellectual film, but intellectual about emotions: It encourages us to think about how we feel, instead of simply acting on our feelings.
Merchant Ivory's first artistic and commercial hit is a light, well-acted, nicely mounted comedy of manners based on Forster's classic novel; Daniel Day-Lewis steals all of his scenes
James Ivory directs this gentle, poetic, comic film with grace and passion for its characters in this adaptation of the E.M. Forster novel.
t's hard to believe A Room with a View cost so little; the costumes and sets are dazzling and the acting is superb -- from two-time Oscar-winner Smith to the smallest role, there's not a false note.
This is a movie about having the courage to face one's feelings, and to risk intimacy, fully knowing and being known by another person.
A lovely-looking film that captures Forster's scorn for individuals tethered by class distinctions and conformity.
Audience Reviews for A Room With a View
Lovely movie. Saw it this time on DVD and it was a splendid way to pass a dreary Sunday afternoon. I love Mr. B, the preacher, the best. Helena Bonham Carter is, of course, the coolest with Maggie Smith a close second.More
A young woman falls for a man during her vacation in Italy, but social pressures and his passionate nature make a fop the more socially acceptable choice.
Daniel Day-Lewis can play tough, gruff, evil characters like Bill the Butcher and Daniel Plainview and even the sexually voracious Tomas, but can he play an upper-class fop? Yes, he can. The man's range is extraordinary.
This film is everything that is good and bad about a Merchant/Ivory production. It's opulent, classic, and essentially British, but it's also occasionally boring, making the most of the most trifling conflicts. Part of this is film's inability as a medium to make compelling commonplace disagreements in a way that is unique to books, but Ivory's direction, distant shots of four or more characters, accentuates the germane nature of the film's tiny conflicts -- about a room with a view, the settling of accounts, and a writer's fictionalizing of a character's dalliance.
Overall, if you like Merchant/Ivory films, then you've probably already seen this one, and if you don't, this isn't much different from the rest.
My very first Merchant/Ivory film, A Room with a View has been this foreboding slot in my to do list for the past three years. The reasons I didn't want to see it are probably the same that some people use to dislike it: it's schmaltzy, none too original, and labors to use all these romantic clichés to drive the point home. What I think these people lack is an ability to be wrapped up in the lurid charm of this cute little tale of two people who are both strong willed and challenge the ideals of the times they live in. While Lucy (portrayed by an unrecognizable Helena Bonham Carter) passionately plays piano, bickers with her cousin Charlotte, and doesn't like being taken advantage of by any man, George (Julian Sands) is a fascinating oddity who works on impulse and yet never steps out of bounds with the outcome to hurt her. The start of the film is in Venice, then the English countryside. Most Merchant/Ivory films have lavish set designs, costumes, and tragic heroes. The sets and principal photography are entrancing. The actual view from the room with a view is justifiably gorgeous, and every shot of the film is impeccable. The editing and timing of each scene is quick, but not harried, which leads to some great scenes between the two leads. A large amount of the film is simply filler so the young ingénue can cripple her dandy of a fiancé (played by a very...indescribable Daniel Day-Lewis). Because that character is neither evil, nor unforgivably droll, the fact that they're together or apart doesn't matter. No one cares one way or the other whether she marries one or the other. The "affair" is two sets of kisses, both surprises, and instead of dealing with it solemnly, George runs away from her. The ending plays back into the title which came off pretty cutesy. Overall it was a decent film about two very strange people who show their affection in fairly crazed ways. That, and there is an entire scene of full frontal male nudity, in no way abbreviated for us females and our waspish sensibilities. It's quite torrid to say the least. Anyway, it's about love, and all the insecurities which keep us from being with the person who we deserve.More
A Room With a View Quotes
- Mr. Beebe:
- If she ever takes to living as she plays, it will be very exciting-both for us and for her.
- Mr. Emerson:
- But you have been lying to everyone... including yourself.
- Charlotte Bartlet:
- I shall never forgive myself.
- Lucy Honeychurch:
- You always say that, Charlotte. And then you always do forgive yourself.
- Lucy Honeychurch:
- I dont want to be a Leonardo I want to be myself!
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