Comedy, even tragicomedy, should not feel like such hard work.
A Serious Man (2009)
Tomatometer
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Reviews Counted:159
Fresh:138
Rotten:21
Average Rating:7.8/10
Consensus: Blending dark humor with profoundly personal themes, the Coen brothers deliver what might be their most mature -- if not their best -- film to date.
Rated: R [See Full Rating] for language, some sexuality/nudity and brief violence
Genre: Comedies
Theatrical Release:Oct 2, 2009 Limited
Box Office: $7,476,004
Synopsis:
Imaginatively exploring questions of faith, familial responsibility, delinquent behavior, dental phenomena, academia, mortality, and Judaism - and intersections thereof - A Serious Man is the new...
Imaginatively exploring questions of faith, familial responsibility, delinquent behavior, dental phenomena, academia, mortality, and Judaism - and intersections thereof - A Serious Man is the new film from Academy Award-winning writer/directors Joel and Ethan Coen.
A Serious Man is the story of an ordinary man's search for clarity in a universe where Jefferson Airplane is on the radio and F-Troop is on TV. It is 1967, and Larry Gopnik (Tony Award nominee Michael Stuhlbarg), a physics professor at a quiet Midwestern university, has just been informed by his wife Judith (Sari Lennick) that she is leaving him. She has fallen in love with one of his more pompous acquaintances, Sy Ableman (Fred Melamed), who seems to her a more substantial person than the feckless Larry. Larry's unemployable brother Arthur (Richard Kind) is sleeping on the couch, his son Danny (Aaron Wolff) is a discipline problem and a shirker at Hebrew school, and his daughter Sarah (Jessica McManus) is filching money from his wallet in order to save up for a nose job.
While his wife and Sy Ableman blithely make new domestic arrangements, and his brother becomes more and more of a burden, an anonymous hostile letter-writer is trying to sabotage Larry's chances for tenure at the university. Also, a graduate student seems to be trying to bribe him for a passing grade while at the same time threatening to sue him for defamation. Plus, the beautiful woman next door torments him by sunbathing nude. Struggling for equilibrium, Larry seeks advice from three different rabbis. Can anyone help him cope with his afflictions and become a righteous person - a mensch - a serious man? --© Focus films
Starring: Michael Stuhlbarg, Fred Melamed, Richard Kind, Aaron Wolf
Starring: Michael Stuhlbarg, Fred Melamed, Richard Kind, Aaron Wolf, Sari Wagner, Jessica McManus
Director: Joel Coen, Ethan Coen
Director: Joel Coen, Ethan Coen
Screenwriter: Joel Coen, Ethan Coen
Producer: Joel Coen, Ethan Coen
Composer: Carter Burwell
Studio: Focus Features
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Reviews for A Serious Man
Humor and empathy alike have trouble flourishing in the grim narrative soil the Coens provide, in which every cosmic joke is a black one.
To me, and I suspect the mass of the cinema-going public, it feels nasty and pointlessly vindictive. There's a hole in the middle of this movie, where a modicum of empathy and humanity ought to be.
It's not so much that "A Serious Man" isn't accessible--it is that. But the film never sets down parameters.
It's fair to ask - even beyond the gargoyles and caricatures who pass for Jewish people in the film - what the point of it all was.
As a piece of moviemaking craft, A Serious Man is fascinating; in every other way, it’s intolerable.
A faint promising shadow of the potential masterwork it should have been.
Since everyone is turned into such a caricature, the answers feel optional. It's hard to forget that Larry's fate is being controlled not by God or luck or even his own worst instincts, but by the Coens.
The production notes are larded with the Coen Brothers' disclaiming protestations of affection for their hapless characters, but make no mistake: We're being invited to share in their disgust.
What do the Coen brothers want of us? More specifically, what do they want us to think of the repellent people in this pitilessly bleak movie?
Takes the concept of the self-loathing Jew to an arguably loathsome new level...
The bemusements of family turmoil, ambition in academia, three rabbis and one lawyer, and the universality of self-absorption demonstrate that the Coen's love of satire is intact, but with a guy to whom you're too unattached for a warm hug.
One might put up with the insufferable sense of superiority of the Coen brothers if this movie had some laughs.
Larry's spiritual crisis doesn't attain its demanded empathy, leaving A Serious Man as a lesser work by great artists.
All the Coens come up with is a movie about bad things happening to limited people.
Bleak and tedious, it's an ambivalent memoir about Biblical adversity, filled with edgy, alienating angst.
Sort of a modern day setting for the Book of Job, although the acting is exceptional this is probably too esoteric to appeal to a wide audience.
Every character is ugly and repulsive except the shiksa next door. What does this say about the Coen Brothers?
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