A refreshingly small, delicate picture.
A Thousand Years of Good Prayers (2007)
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Reviews Counted:35
Fresh:27
Rotten:8
Average Rating:6.7/10
Consensus: Though it may not be as profound as its pacing would suggest, A Thousand Years of Good Prayers delicately examines familial issues in an earnest fashion.
Theatrical Release:Sep 19, 2008 Limited
Synopsis: After working on mainstream Hollywood comedies such as MAID IN MANHATTAN and THE LAST HOLIDAY, director Wayne Wang returns to independent dramas with A THOUSAND YEARS OF GOOD PRAYERS. In this film,... After working on mainstream Hollywood comedies such as MAID IN MANHATTAN and THE LAST HOLIDAY, director Wayne Wang returns to independent dramas with A THOUSAND YEARS OF GOOD PRAYERS. In this film, Mr. Shi (Henry O) comes to the United States to see his divorced daughter, Yilan (Faye Yu). Mr. Shi soon discovers that it wasn't just age and the distance separating him from his daughter, and he tries to learn more about Yilan, despite her best efforts. [More]
Starring: Faye Yu, Henry O, Vida Ghahremani, Pasha Lychnikoff
Starring: Faye Yu, Henry O, Vida Ghahremani, Pasha Lychnikoff
Director: Wayne Wang
Director: Wayne Wang
Screenwriter: Yiyun Li
Producer: Yukie Kito, Rich Cowan, Wayne Wang
Composer: Lesley Barber
Studio: Magnolia Pictures
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Reviews for A Thousand Years of Good Prayers
Sensitively explores the chilly reunion of a Chinese father and his American daughter who dance around a divisive family secret.
A Thousand Years of Good Prayers feels like a fragile wafer of a movie, but it fills you like a three-course meal.
Wang's approach is measured and restrained, his shots simple and immaculate, the emotional stakes deepening scene by scene. It's a miniature gem.
Both a departure and a welcome return to form for Wang as an indie auteur, a beautiful and incredibly moving story of real life relationships that exudes subtlety and self-control in a refreshing way.
An intensely observed, small-scale family drama involving disagreement between generations.
A Chinese father visiting his Americanized daughter in Washington finds communication difficult, but the film offers rewards for the patient.
Wang's new film suggests not only a return to form but also the revival of an old theme from his early Asian-American dramedies: the different ways that certain generations translate and adapt their cultural heritage
This modest and lovely film is a welcome reprieve after the explosion-filled slate of summer movies.
It's a short story of a movie: delicate, modest, beautifully observed.
There's nothing earth-shattering going on here, but it's a film you'll want to befriend.
As in most of Wang's films, a memorable cast of characters compensates for a serviceable plot.
This is a nice, quietly heartwarming film. The tone really got through to me. I never laughed out loud, but always had a steady grin. Charming.
[Wayne] Wang's A Thousand Years of Good Prayers gives the impression of a director reborn, or at least a director who has his mojo back after closely studying the masterpieces of family life by Edward Yang and Yasujiro Ozu.
Both culturally specific and achingly universal, Wayne Wang’s A Thousand Years of Good Prayers contemplates the ravages of time and distance -- physical, emotional and cultural -- on a parent-child relationship.
A Thousand Years of Good Prayers is a gentle, pleasantly unrushed piece of moviemaking.
Touching look at a father's and daughter's strained relationship as they struggle through gaps of culture, language, gender, and historical context.
A quiet work with Ozu-like structure and concerns, but remains more an intellectual exercise than one from the heart.
Sincere and dignified to a fault, it feels like a shrink-wrapped version of a more penetrating study.
The minor key and quietly observational work is not earth-shattering or particularly urgent, though it enables a talented filmmaker to work through personal ideas about assimilation and family conflict in an open, smart and gracious way.
Latest News for A Thousand Years of Good Prayers
September 16, 2008:
Wayne Wang Gets Personal With New Films ![]()
After making a detour into middle-of-the-road studio fare, director Wayne Wang has moved back into what he calls "smaller, more personal" films, including the just-released "A... More...
August 20, 2008:
Trailer & Poster Review ![]()
More...
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