Abandon is a damn good movie.
Abandon (2002)
Tomatometer
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Reviews Counted:108
Fresh:18
Rotten:90
Average Rating:4.3/10
Consensus: The plotline for Abandon is too disjointed and muddled to offer much in the way of thrills.
Rated: PG-13 [See Full Rating] for drug and alcohol content, sexuality, some violence and language
Runtime: 1 hr 39 mins
Genre: Dramas
Theatrical Release:Oct 18, 2002 Wide
Box Office: $10,684,049
Synopsis: Oscar-winning screenwriter Stephen Gaghan (TRAFFIC) makes his directorial debut with ABANDON, a dense, moody psychological thriller. Loosely based on the book ADAM'S FALL by Sean Desmond, ABANDON... Oscar-winning screenwriter Stephen Gaghan (TRAFFIC) makes his directorial debut with ABANDON, a dense, moody psychological thriller. Loosely based on the book ADAM'S FALL by Sean Desmond, ABANDON tells the troubled story of Katie (Katie Holmes), a college senior who's having a tough time keeping herself focused. She is still struggling with memories of her boyfriend Embry (Charlie Hunnam), who disappeared two years earlier. Her past comes back to haunt her when recovering alcoholic detective Wade Handler (Benjamin Bratt) is assigned to Embry's case. As Katie struggles to finish her thesis and secure a job with a prestigious firm in the city, she must contend with the reappearance of Embry, who seems intent on destroying her life. Gaghan's stylish picture, shot by acclaimed cinematographer Matthew Libatique, owes an obvious debt to classic thrillers from the 1970s (he even goes so far as to have Holmes sing a rendition of the theme to ROSEMARY'S BABY, ala Roman Polanski and his starlet, Mia Farrow). Zooey Deschanel (MUMFORD, THE GOOD GIRL) delivers yet another scene-stealing performance as Katie's snide, sarcastic friend. The film dwells in the murky territory between realistic college drama and abstract psychological thriller, making it an unsettling and suspenseful experience. [More]
Starring: Katie Holmes, Charlie Hunnam, Benjamin Bratt, Zooey Deschanel
Starring: Katie Holmes, Charlie Hunnam, Benjamin Bratt, Zooey Deschanel, Melanie Lynskey, Gabriel Mann, Gabrielle Union, Fred Ward, Will McCormack
Director: Stephen Gaghan, Edward Zwick
Director: Stephen Gaghan
Screenwriter: Stephen Gaghan
Director: Edward Zwick
Producer: Lynda Obst, Gary Barber, Roger Birnbaum
Composer: Clint Mansell
Studio: Paramount Pictures
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Reviews for Abandon
Challenging, intermittently engrossing and unflaggingly creative. But it's too long and too convoluted and it ends in a muddle.
You've convinced yourself it's a drama just before the story twists, after which the throwaway 'filler' scenes become conversation points you'll decipher on the way home.
A psychological thriller that doesn't thrill much and whose ending we can guess halfway through; but if you're a lover of smart dialogue and intelligent characters, you won't be disappointed.
The twist ending ... becomes discernible around the midway point, but Gaghan makes up for it ...
Not terribly original but a well-made psychological thriller with fine performances.
[Gaghan] successfully illustrates that if a filmmaker is capable and intelligent -- and assumes that his audience is the same -- he can transcend the limitations of even so lowly a genre.
For what I suppose must be classified as a 'teen thriller,' this film has a surprising amount of substance.
... an otherwise intense, twist-and-turn thriller that certainly shouldn’t hurt talented young Gaghan’s resume.
Easily the most manipulative thriller since Brian De Palma retired to a career of spectacular irrelevance. That’s why it’s so effective — and fiendishly satisfying.
What begins as yet another school-set thriller gradually evolves into something more psychologically layered.
Gaghan would rather make you think than jump. You might prefer to do both, but idea-driven thrillers are in short supply, and the troubled Katie earns the right to haunt your mind.
Once I realized that Abandon was going down a different path, I really started to admire it.
In the end, the film is less the cheap thriller you’d expect than it is a fairly revealing study of its two main characters — damaged-goods people whose orbits will inevitably and dangerously collide.
It's light on the chills and heavy on the atmospheric weirdness, and there are moments of jaw-droppingly odd behavior -- yet I found it weirdly appealing.
Credit this picture with an ambitious effort to dramatize an ineffable yet recognizable mood -- even if its ambition isn't quite fulfilled.
... expands the horizons of boredom to the point of collapse, turning into a black hole of dullness, from which no interesting concept can escape.
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