What begins as yet another school-set thriller gradually evolves into something more psychologically layered.
Abandon (2002)
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Reviews Counted:108
Fresh:18
Rotten:90
Average Rating:4.3/10
Consensus: The plotline for Abandon is too disjointed and muddled to offer much in the way of thrills.
Rated: PG-13 [See Full Rating] for drug and alcohol content, sexuality, some violence and language
Runtime: 1 hr 39 mins
Genre: Dramas
Theatrical Release:Oct 18, 2002 Wide
Box Office: $10,684,049
Synopsis: Oscar-winning screenwriter Stephen Gaghan (TRAFFIC) makes his directorial debut with ABANDON, a dense, moody psychological thriller. Loosely based on the book ADAM'S FALL by Sean Desmond, ABANDON... Oscar-winning screenwriter Stephen Gaghan (TRAFFIC) makes his directorial debut with ABANDON, a dense, moody psychological thriller. Loosely based on the book ADAM'S FALL by Sean Desmond, ABANDON tells the troubled story of Katie (Katie Holmes), a college senior who's having a tough time keeping herself focused. She is still struggling with memories of her boyfriend Embry (Charlie Hunnam), who disappeared two years earlier. Her past comes back to haunt her when recovering alcoholic detective Wade Handler (Benjamin Bratt) is assigned to Embry's case. As Katie struggles to finish her thesis and secure a job with a prestigious firm in the city, she must contend with the reappearance of Embry, who seems intent on destroying her life. Gaghan's stylish picture, shot by acclaimed cinematographer Matthew Libatique, owes an obvious debt to classic thrillers from the 1970s (he even goes so far as to have Holmes sing a rendition of the theme to ROSEMARY'S BABY, ala Roman Polanski and his starlet, Mia Farrow). Zooey Deschanel (MUMFORD, THE GOOD GIRL) delivers yet another scene-stealing performance as Katie's snide, sarcastic friend. The film dwells in the murky territory between realistic college drama and abstract psychological thriller, making it an unsettling and suspenseful experience. [More]
Starring: Katie Holmes, Charlie Hunnam, Benjamin Bratt, Zooey Deschanel
Starring: Katie Holmes, Charlie Hunnam, Benjamin Bratt, Zooey Deschanel, Melanie Lynskey, Gabriel Mann, Gabrielle Union, Fred Ward, Will McCormack
Director: Stephen Gaghan, Edward Zwick
Director: Stephen Gaghan
Screenwriter: Stephen Gaghan
Director: Edward Zwick
Producer: Lynda Obst, Gary Barber, Roger Birnbaum
Composer: Clint Mansell
Studio: Paramount Pictures
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Reviews for Abandon
A puppy dog so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks.
I don't see why a movie was made out of so banal a story, or why Gaghan works in such a portentious style.
...the last time I saw a theater full of people constantly checking their watches was during my SATs.
Abandon is such a schizophrenic picture (or is that giving away too much?) that you’ll either appreciate what Gaghan was trying to do or scoff at how silly its earnestness is.
[The title's] unintentional effect is to presage the sense of torment the viewer experiences as he or she is buried deep inside the movie's unrewarding ramblings.
A plodding and overly ambitious psychological thriller that's all build up and no pay-off.
There's so little going on in the film that its title seems to suggest an action that audiences may be driven to take before the movie ends.
Consider the title your best advice. These 99 minutes roll by like 99 years.
The film gets so bogged down in style that its lack of substance is all the more apparent.
This is one of those movies that depends heavily on bonehead plot twists in which people behave inconsistently and idiotically.
shows Holmes has the screen presence to become a major-league leading lady, (but) the movie itself is an underachiever, a psychological mystery that takes its sweet time building to a climax that's scarcely a surprise by the time it arrives.
A trite psychological thriller designed to keep the audience guessing and guessing -- which is not to be confused with suspecting -- until it comes time to wrap things up and send the viewers home.
We get the sneaking suspicion that internal logic and a credible ending have left the building.
Gaghan captures the half-lit, sometimes creepy intimacy of college dorm rooms, a subtlety that makes the silly, over-the-top coda especially disappointing.
Too much of this well-acted but dangerously slow thriller feels like a preamble to a bigger, more complicated story, one that never materializes.
| Tomatometer Percentage | Movie |
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