Adoration is a delicate rumination on how innocence and truth evolve in the aftermath of catastrophe, as people stake emotional ownership in tragedy.
Adoration (2009)
Tomatometer
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Reviews Counted:72
Fresh:50
Rotten:22
Average Rating:6.5/10
Consensus: A complex and thought-provoking work, Atom Egoyan's Adoration works well as both mystery and engaging drama.
Theatrical Release:May 8, 2009 Limited
Box Office: $93,518
Synopsis: Canadian filmmaker Atom Egoyan has spent most of his career exploring themes of identity and perception, and he returns to this territory again in ADORATION. Simon (Devon Bostick) is a bright... Canadian filmmaker Atom Egoyan has spent most of his career exploring themes of identity and perception, and he returns to this territory again in ADORATION. Simon (Devon Bostick) is a bright high-school student who lives with his uncle, Tom (Scott Speedman), following the death of his parents, Rachel (Rachel Blanchard) and Sami (Noam Jenkins). When Simon visits Rachel’s dying father, he learns that Sami may have killed himself and Rachel by deliberately crashing their car. In Simon’s high school, his French and drama teacher, Sabine (Arsinee Khanjian), reads a story about a terrorist who tried to blow up an airplane by planting a bomb in his girlfriend’s luggage. Simon claims the story is about his parents, telling the whole school that his father placed a bomb that failed to detonate in his mother’s carry-on. Sabine suddenly becomes close to Simon, while debate about his father’s actions lights up the school, with Egoyan carefully steering his film in several unexpected directions. Egoyan is a master storyteller who knows exactly how to subtly manipulate the timeline of ADORATION to keep his audience on their toes. The truth behind the death of Simon’s parents slowly unravels as the film progresses, and the juxtaposition in values between Simon and Tom is thoroughly examined. Egoyan cleverly uses Simon’s obsession with Internet chatrooms to give insight into the escalation of interest in his false declaration about his parents’ past, but he is always painted as a sympathetic character whose fantasy life has toppled over into reality as he struggles to come to terms with a terrible tragedy. Bostick’s performance as Simon is exceptional and thoroughly convincing, and pushes ADORATION toward the heady heights of Egoyan’s best work in EXOTICA (1994) and THE SWEET HEREAFTER (1997). [More]
Starring: Devon Bostick, Arsinee Khanjian, Scott Speedman, Rachel Blanchard
Starring: Devon Bostick, Arsinee Khanjian, Scott Speedman, Rachel Blanchard, Noam Jenkins, Yuval Daniel, Jeremy Wright, Thomas Hauff
Director: Atom Egoyan
Director: Atom Egoyan
Screenwriter: Atom Egoyan
Producer: Atom Egoyan
Composer: Mychael Danna
Studio: Sony Pictures Classics
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Reviews for Adoration
Egoyan's pacing is careful, deliberate, as it must be, because he's pulling together a complex tale, playing with time to reveal details piece by piece.
Those who make an effort to respond to its challenges will find it an absorbing and haunting experience.
Egoyan is always in complete control of the material, letting us know details only when he chooses to reveal them and only when it serves the right purpose in the timeline of his story.
Once all the pieces of the story are assembled, the whole thing turns out to be not that big of a deal.
When all is revealed at the end, it becomes obvious Egoyan has cheated audiences with a batch of fake clues and false paths.
Adoration's ending may feel a little too artificial, a little too idealistic, but there is still something lovely about where these people end up.
I'm always going to be something of an apologist for a filmmaker like Egoyan, someone so true to his characters and his concepts that he sometimes doesn't know how to manage them into a completely successful screenplay.
Why does Egoyan weave a tangled web? Because his characters are caught in it.
Because of the allegorical nature of its people, "Adoration" never fully brings them to life – especially, and most crucially, Simon and Sabine. They are mouthpieces before they are human beings.
Takes a powerful, simple subject and mucks up its exploration with elaborate stylistic complications and moments of pure over direction.
Whatever mystery is here is not a function of the story but of how Egoyan chooses to tell the story. Once all is revealed, the reaction is, 'So what?'
Writer and director Atom Egoyan is a cinematic master at creating incredibly sad and affecting tone poems to life's morose moments.
This is one of those films that isn't nearly as interesting as the conversations that it may inspire.
Watching Adoration is like juggling three tennis balls, a porcupine, and a graduate thesis, but eventually it finds a unifying theme, that of tolerance melting away racial and intergenerational hatreds.
Under the violin swells of Mychael Danna’s enveloping score, Egoyan weaves the personal, the political, and the technological into an immense yet intimate comment on our troubled times. In doing so, he stumbles back into relevance again.
...the epitome of an Atom Egoyan movie, with its themes of technological influences on human communication and finding the truth amidst family secrets.
After arty flashbacks and brouhaha around larger social issues, slowly, quietly comes down to one family touchingly healing. Fine acting surmounts didactic plot construction.
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