An intelligent, well-nuanced and provocative drama that maintains its gradual suspense and intrigue throughout.
Adoration (2009)
Tomatometer
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Reviews Counted:72
Fresh:50
Rotten:22
Average Rating:6.5/10
Consensus: A complex and thought-provoking work, Atom Egoyan's Adoration works well as both mystery and engaging drama.
Theatrical Release:May 8, 2009 Limited
Box Office: $93,518
Synopsis: Canadian filmmaker Atom Egoyan has spent most of his career exploring themes of identity and perception, and he returns to this territory again in ADORATION. Simon (Devon Bostick) is a bright... Canadian filmmaker Atom Egoyan has spent most of his career exploring themes of identity and perception, and he returns to this territory again in ADORATION. Simon (Devon Bostick) is a bright high-school student who lives with his uncle, Tom (Scott Speedman), following the death of his parents, Rachel (Rachel Blanchard) and Sami (Noam Jenkins). When Simon visits Rachel’s dying father, he learns that Sami may have killed himself and Rachel by deliberately crashing their car. In Simon’s high school, his French and drama teacher, Sabine (Arsinee Khanjian), reads a story about a terrorist who tried to blow up an airplane by planting a bomb in his girlfriend’s luggage. Simon claims the story is about his parents, telling the whole school that his father placed a bomb that failed to detonate in his mother’s carry-on. Sabine suddenly becomes close to Simon, while debate about his father’s actions lights up the school, with Egoyan carefully steering his film in several unexpected directions. Egoyan is a master storyteller who knows exactly how to subtly manipulate the timeline of ADORATION to keep his audience on their toes. The truth behind the death of Simon’s parents slowly unravels as the film progresses, and the juxtaposition in values between Simon and Tom is thoroughly examined. Egoyan cleverly uses Simon’s obsession with Internet chatrooms to give insight into the escalation of interest in his false declaration about his parents’ past, but he is always painted as a sympathetic character whose fantasy life has toppled over into reality as he struggles to come to terms with a terrible tragedy. Bostick’s performance as Simon is exceptional and thoroughly convincing, and pushes ADORATION toward the heady heights of Egoyan’s best work in EXOTICA (1994) and THE SWEET HEREAFTER (1997). [More]
Starring: Devon Bostick, Arsinee Khanjian, Scott Speedman, Rachel Blanchard
Starring: Devon Bostick, Arsinee Khanjian, Scott Speedman, Rachel Blanchard, Noam Jenkins, Yuval Daniel, Jeremy Wright, Thomas Hauff
Director: Atom Egoyan
Director: Atom Egoyan
Screenwriter: Atom Egoyan
Producer: Atom Egoyan
Composer: Mychael Danna
Studio: Sony Pictures Classics
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Reviews for Adoration
The ideas Egoyan explores test dangerous waters of cowardice and courage, prejudice and forgiveness, and unknowable truths that divide and devastate.
Adoration, which hinges on a number of coincidences, contains some really fine performances, including a surprising one from Canadian utility player Scott Speedman as the student's rough-hewn uncle and guardian.
Although the intent is clearly to keep us off balance as to what's real, it also unbalances the movie, hampering its ability to build suspense or involve us in its characters.
Best you "feel" the film as it presents itself. Then engage it intellectually. That is what an Egoyan film is all about.
Once again, Egoyan has created a film that descends from ideas rather than experience, driven by theme rather than character, and he does both very well.
Egoyan draws strong performances from the entire cast, including a solid performance from Scott Speedman, sporting a heavy beard, as the uncle raising the orphaned Simon, a sort of everyman embodying Western liberalism who is flawed by his own insularity.
Adoration is a profound and provocative exploration of cultural inheritance.
A compelling character-driven drama about family secrets, imagination, and the technological toys of modern society.
Moody, provocative and intellectually ambitious, Adoration is primed to elicit impassioned discussion among audiences.
With his usual themes of memory and technology, Egoyan tells a provocative and deeply emotional story that centres on current issues. It's a little heavy handed, but still thoroughly involving.
Egoyan will continue to make some of this generation's most provocative and enduring films; Adoration just isn't one of them.
Atom Egoyan's latest glum puzzle is a meditation on post-9/11 hysteria, but it's too much 'What's the meaning of terrorism?' cud chewing too late.
The time-jumping narrative and self-consciously somnambulant mood undermine the writer-director’s zeitgeist-inspired thesis.
As for Mr. Egoyan, he remains an auteur at the highest level of cinematic creation, and even one of his lesser films, like Adoration, deserves to be seen.
As with all of Egoyan's films, "Adoration" is a forward-thinking exploratory work of cinema meant to invigorate audiences into social discussions beyond its narrative structure.
A movie considerably more absorbing to talk, write, and think about afterward than it is to actually watch.
If Egoyan's elliptical narrative flirts with pretentiousness, the director nonetheless encases his action in an affecting mood of regret and longing.
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