Egoyan's finest in years.
Adoration (2009)
Tomatometer
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Reviews Counted:72
Fresh:50
Rotten:22
Average Rating:6.5/10
Consensus: A complex and thought-provoking work, Atom Egoyan's Adoration works well as both mystery and engaging drama.
Theatrical Release:May 8, 2009 Limited
Box Office: $93,518
Synopsis: Canadian filmmaker Atom Egoyan has spent most of his career exploring themes of identity and perception, and he returns to this territory again in ADORATION. Simon (Devon Bostick) is a bright... Canadian filmmaker Atom Egoyan has spent most of his career exploring themes of identity and perception, and he returns to this territory again in ADORATION. Simon (Devon Bostick) is a bright high-school student who lives with his uncle, Tom (Scott Speedman), following the death of his parents, Rachel (Rachel Blanchard) and Sami (Noam Jenkins). When Simon visits Rachel’s dying father, he learns that Sami may have killed himself and Rachel by deliberately crashing their car. In Simon’s high school, his French and drama teacher, Sabine (Arsinee Khanjian), reads a story about a terrorist who tried to blow up an airplane by planting a bomb in his girlfriend’s luggage. Simon claims the story is about his parents, telling the whole school that his father placed a bomb that failed to detonate in his mother’s carry-on. Sabine suddenly becomes close to Simon, while debate about his father’s actions lights up the school, with Egoyan carefully steering his film in several unexpected directions. Egoyan is a master storyteller who knows exactly how to subtly manipulate the timeline of ADORATION to keep his audience on their toes. The truth behind the death of Simon’s parents slowly unravels as the film progresses, and the juxtaposition in values between Simon and Tom is thoroughly examined. Egoyan cleverly uses Simon’s obsession with Internet chatrooms to give insight into the escalation of interest in his false declaration about his parents’ past, but he is always painted as a sympathetic character whose fantasy life has toppled over into reality as he struggles to come to terms with a terrible tragedy. Bostick’s performance as Simon is exceptional and thoroughly convincing, and pushes ADORATION toward the heady heights of Egoyan’s best work in EXOTICA (1994) and THE SWEET HEREAFTER (1997). [More]
Starring: Devon Bostick, Arsinee Khanjian, Scott Speedman, Rachel Blanchard
Starring: Devon Bostick, Arsinee Khanjian, Scott Speedman, Rachel Blanchard, Noam Jenkins, Yuval Daniel, Jeremy Wright, Thomas Hauff
Director: Atom Egoyan
Director: Atom Egoyan
Screenwriter: Atom Egoyan
Producer: Atom Egoyan
Composer: Mychael Danna
Studio: Sony Pictures Classics
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Reviews for Adoration
Celebrated Canadian filmmaker Atom Egoyan ingeniously merges themes of family history, human psychology, politics, prejudice, terrorism and technology into an intriguing and intelligent drama that also works as a mystery.
After some artistic and commercial flops, Egoyan is back on terra firma with a film that explores a central theme of his work, the impact of the media and technology on our interpersonal communication and formation of identities that are always frail.
Effectively combines themes of coming of age, technology's effects, and political friction in a cerebral, wistful work of art.
Typically dense and complex drama from Atom Egoyan that's as satisfying as completing a jigsaw puzzle.
The stories here are thin, unnecessarily complicated and glibly cryptic; some sections are difficult to follow, even annoying in their self-consciousness.
A fascinating muddle. Folding all sorts of post-9/11 questions into a very Egoyanesque miasma of elegantly fractured chronology and provocative ideas.
Some find [Egoyan] obtuse and overly intellectual; I like the chances he takes with his films, and his unique way of examining the mundane and tying it to larger issues, and he does that very well in Adoration.
Though the plot borders on the abstruse, it's also the director's best film in a decade.
A haunting meditation on the nature of received wisdom and how it can warp individuals, damage families and even threaten society.
Moody, gliding filmmaking and ripples of quizzical humor save it from being a lugubrious game of therapeutic musical chairs.
...ultimately overcomes an almost disastrously plodding opening half hour to become a slight yet somewhat engaging piece of work.
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