At least half is brilliant and inspired; frustratingly, the rest frequently lets it down
Aeon Flux (2005)
Tomatometer
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Reviews Counted:98
Fresh:10
Rotten:88
Average Rating:3.3/10
Consensus: Aeon Flux lacks the gravity-defying pace of its animated predecessor, and, despite some flash, is largely a dull affair.
Rated: PG-13 [See Full Rating] for sequences of violence and sexual content
Runtime: 1 hr 33 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:Dec 2, 2005 Wide
Box Office: $25,857,987
Synopsis: Karyn Kusama, the writer-director of GIRLFIGHT, the story of a tough female boxer, turns her attentions to a tough female superhero in AEON FLUX. Based on a series of animated shorts that aired on... Karyn Kusama, the writer-director of GIRLFIGHT, the story of a tough female boxer, turns her attentions to a tough female superhero in AEON FLUX. Based on a series of animated shorts that aired on MTV, the live-action feature film version stars Charlize Theron, in jet black hair, as the secret agent of the title. Aeon Flux is a Monican who has been ordered to assassinate Trevor Goodchild (Martin Csokas), the leader of Bregna--a futuristic walled city that is the last vestige of humanity on 25th-century earth. But a long-buried memory prevents her from killing him, ultimately making both of them targets. As Trevor battles his brother, Oren (Jonny Lee Miller), for control of Bregna, Aeon seeks revenge for the murder of her sister (Amelia Warner) while also being hunted down by her former partner, Sithandra (Sophie Okonedo). At the center of it all is a secret that threatens to tear everything apart. Theron, who performed most of her own stunts, glides through the film in barely-there outfits, while also jumping, running, slinking, diving, and cartwheeling her way through dangerous situations, recalling the gorgeous movements made by the animated version. The film alternates between stark gray-and-white sets and brilliant splashes of red, green, and yellow, adding a vibrancy that befits a cartoon adaptation. The taut script, by Phil Hay and Matt Manfredi (who previously teamed up on CRAZY/BEAUTIFUL), delves deep into the relationships of siblings that often border between love and hate. Graeme Revell's smart score never overwhelms the action, which involves a lot of automatic weapons, and Oscar winner Frances McDormand and Oscar nominee Pete Postlethwaite feature in small roles. [More]
Starring: Charlize Theron, Marton Csokas, Jonny Lee Miller, Sophie Okonedo
Starring: Charlize Theron, Marton Csokas, Jonny Lee Miller, Sophie Okonedo, Frances McDormand, Pete Postlethwaite, Amelia Warner, Caroline Chikezie, Nikolai Kinski
Director: Karyn Kusama
Director: Karyn Kusama
Screenwriter: Matt Manfredi, Phil Hay
Composer: Reinhold Heil, Johnny Klimek
Studio: Paramount Pictures
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Reviews for Aeon Flux
Portray(s) the future in a monotone drone, forcing the poor actors to murmur their flat, lifeless dialogue.
"Aeon Flux" is thoroughly ridiculous, all but begging to be laughed out of the multiplex and into the second-run theaters.
The tag line is, 'The Future Is Flux.' Personally, I think they left the 'ed' off that last word, and it's not only the future that's in this state, but the movie itself.
An impersonal slab of sci-fi sameness, Aeon Flux wears its lethargy like a badge of honor.
It's as if someone just swept up the floor at the Sci-Fi Factory, and instead of tossing the junk into the garbage, they glued it together and called it a movie.
99% of the world has been killed by a fatal virus, and the remaining 1% probably smoked like chimneys, with my luck.
isn’t as bad as I feared it might be, but it’s certainly nothing more than a run-of-the-mill action flick that just happens to have some cool set designs
In the dystopian future, apparently, women will be bendable Barbies in leather scanties, and everyone will speak like brain-dead robots.
Aeon Flux is best appreciated for the costumes, the sets and Charlize Theron's haughty athleticism.
We know it's the future because everyone has the most ridiculous hairdos.
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