One particularly brilliant achievement of Belvaux's is the intimate access it affords to every character's story as bit players and central figures change roles.
After the Life (2002)
Tomatometer
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Reviews Counted:32
Fresh:30
Rotten:2
Average Rating:7.2/10
Theatrical Release:Feb 13, 2004 Limited
Synopsis: A cinematic gamble without precedent, this ambitious project comprises three films, in three disparate genres, that provide not so much the same action from different perspectives, but rather,... A cinematic gamble without precedent, this ambitious project comprises three films, in three disparate genres, that provide not so much the same action from different perspectives, but rather, different pieces, consequences, and results of the combined actions of all the films. Structurally reminiscent in certain ways to Krzystzof Kieslowski's Three Colors Trilogy and Akira Kurosawa's Rashomon, (its literary inspiration was Lawrence Durrell's Alexandria Quartet) it takes the idea of ever-expanding narrative webs to an exciting new level. The first film is a fast-paced thriller, the second a romantic comedy, and the third a melodrama; each of the feature length films can be seen alone, but each feature narrative gaps that can only be filled by viewing the other films. Seen together they're a remarkably cohesive and satisfying achievement that has the effect of creating a fourth film that exists only in the viewer's mind. Director Lucas Belvaux himself plays one of the lead roles, accompanied brilliantly by Dominique Blanc, Catherine Frot, Ornella Muti, Gilbert Melki, and François Morel AFTER THE LIFE (APRÈS LA VIE) - The final installment in Belvaux's masterful trilogy is a melodrama that follows Pascal, a cop who seeks a redemption of credibility in the capture of escaped convict Bruno, who in turn is harbored by Pascal's morphine-addicted wife Agnes. Pascal's already precarious ties to Agnes are strained further when he meets and falls for her fellow schoolteacher friend Cecile. With Pascal focused on Bruno and Cecile, Agnes is forced to find a fix on her own. -- © Magnolia Pictures [More]
Starring: Lucas Belvaux, Ornella Muti, Francois Morel, Catherine Frot
Starring: Lucas Belvaux, Ornella Muti, Francois Morel, Catherine Frot, Dominique Blanc
Director: Lucas Belvaux
Director: Lucas Belvaux
Screenwriter: Lucas Belvaux
Composer: Ricardo del Fra
Studio: Magnolia Pictures
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Reviews for After the Life
A rich and compelling work in its own right, as well as an integral part of Belvaux's grander project, this brings the trilogy to a moving conclusion.
If you have committed to the entire project ... this chapter leaves you not only with a sense of completion but of an ascension to a hard-won grace.
Works well on its own, but it makes the other two films better still by filling in their gaps and thus making the overall series a good deal more interesting.
If I had to recommend just one film out of the three, it would be this one.
If On the Run is the most riveting and shocking of the three, and An Amazing Couple the funniest and most engaging, After the Life is the most touching and dramatic.
The Trilogy's amazing partnership is Agnès and Pascal's. With After the Life's tango of enabler and addict, Belvaux finally delivers emotional resonance.
Each film stands satisfyingly on its own as a genre piece, but the triplex provides added understanding of character and consequence.
The Trilogy’s narrative structure may be considered a gimmick, but it’s one that is thoroughly compelling... as all the pieces of the puzzle fall into place.
The most intimate and moving of the three films. What’s most compelling about this installment is its frank exploration of a couple mired in co-dependency.
Watching junkies screaming for their fix tends to get very tired very quickly, but Blanc holds the screen with furtive intensity.
A compelling drama which forms an essential part of Lucas Belvaux's audacious series.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 90% 90% | The White Ribbon | 12/30 |
| 100% 100% | Daybreakers | 1/8 |
| | Leap Year | 1/8 |
| 83% 83% | Youth in Revolt | 1/8 |
| | The Book of Eli | 1/15 |
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