Opening

91% Dawn Of The Planet Of The Apes Jul 11
100% Boyhood Jul 11
15% Rage Jul 11
21% A Long Way Down Jul 11
—— The Class Of '92 Jul 08

Top Box Office

17% Transformers: Age of Extinction $37.1M
23% Tammy $21.6M
85% 22 Jump Street $9.8M
30% Deliver Us from Evil $9.7M
92% How to Train Your Dragon 2 $9.0M
47% Earth to Echo $8.4M
49% Maleficent $6.2M
53% Jersey Boys $5.2M
24% Think Like a Man Too $4.9M
90% Edge of Tomorrow $3.7M

Coming Soon

—— The Purge: Anarchy Jul 18
—— Sex Tape Jul 18
42% Wish I Was Here Jul 18
—— Hercules Jul 25
—— Lucy Jul 25

Premieres Tonight

100% Masters of Sex: Season 2
60% Ray Donovan: Season 2
79% The Strain: Season 1

New Episodes Tonight

—— Devious Maids: Season 2
—— Endeavour: Season 2
100% Falling Skies: Season 4
79% Halt and Catch Fire: Season 1
64% The Last Ship: Season 1
100% Last Tango in Halifax: Season 2
69% The Leftovers: Season 1
50% The Musketeers: Season 1
46% Reckless: Season 1
54% Salem: Season 1
50% True Blood: Season 7
—— Unforgettable: Season 2
80% Vicious: Season 1
—— Witches of East End: Season 2

Certified Fresh TV

—— 24: Live Another Day: Season 9
84% Extant: Season 1
79% Halt and Catch Fire: Season 1
73% Murder in the First: Season 1
97% Orange is the New Black: Season 2
97% Orphan Black: Season 2
79% Penny Dreadful: Season 1
84% Welcome to Sweden: Season 1

After the Life: Trilogy 3 Reviews

Geoff Andrew
Time Out
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June 24, 2006

Houston Chronicle
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July 21, 2005
Anthony Lane
New Yorker
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August 1, 2004
Desson Thomson
Washington Post
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Each movie casts light on the others. And after watching all three, a profound blending of the stories percolates in your head.

Full Review Source: Washington Post

June 18, 2004
Michael Wilmington
Chicago Tribune
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If On the Run is the most riveting and shocking of the three, and An Amazing Couple the funniest and most engaging, After the Life is the most touching and dramatic.

Full Review Source: Chicago Tribune | Original Score: 4/4

June 3, 2004
Ruthe Stein
San Francisco Chronicle
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[Blanc's] performance is as chilling as Lee Remick's in Days of Wine and Roses.

Full Review Source: San Francisco Chronicle | Original Score: 3/4

May 28, 2004
Jeff Shannon
Seattle Times
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While it functions independently as a sad, ultimately moving portrait of a deeply codependent couple, the film also emerges as the most richly resonant of The Trilogy.

Full Review Source: Seattle Times | Original Score: 3/4

May 7, 2004
Lisa Kennedy
Denver Post
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The Trilogy's amazing partnership is Agnès and Pascal's. With After the Life's tango of enabler and addict, Belvaux finally delivers emotional resonance.

Full Review Source: Denver Post

May 7, 2004
Ty Burr
Boston Globe
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If you have committed to the entire project ... this chapter leaves you not only with a sense of completion but of an ascension to a hard-won grace.

Full Review Source: Boston Globe | Original Score: 3.5/4

April 23, 2004
Manohla Dargis
Los Angeles Times
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Watching junkies screaming for their fix tends to get very tired very quickly, but Blanc holds the screen with furtive intensity.

Full Review Source: Los Angeles Times | Original Score: 3.5/5

April 1, 2004
Jonathan Foreman
New York Post
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The fine performances by Blanc and Melki give Belvaux' whole clever undertaking some needed weight.

| Original Score: 2.5/4

February 13, 2004
A.O. Scott
New York Times
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The most somber installment in Lucas Belvaux's Trilogy, this melodrama of addiction and marital malaise is also the most successful.

Full Review Source: New York Times | Original Score: 3.5/5

February 12, 2004
Richard James Havis
Hollywood Reporter
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The strongest film [of the trilogy].

February 8, 2004
Jack Mathews
New York Daily News
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We're treated to two smashing performances from Morel and Blanc.

Full Review Source: New York Daily News | Original Score: 3.5/4

January 30, 2004
Lisa Schwarzbaum
Entertainment Weekly
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Each film stands satisfyingly on its own as a genre piece, but the triplex provides added understanding of character and consequence.

Full Review Source: Entertainment Weekly

January 29, 2004
Michael Atkinson
Village Voice
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Movies, particularly post-Spielbergian Hollywood product, tend to steer your frame of reference with fascistic discipline. Here, delivered in a shiftable tripartite sequence, is a movie experience you can shape yourself.

Full Review Source: Village Voice

January 27, 2004
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