A paradoxical, if ultimately plausible portrait of a fractured family which deals with baby-daddy drama in a way which puts similar, relatively-flip Hollywood fare to shame.
After The Wedding (2007)
Tomatometer
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Reviews Counted:99
Fresh:86
Rotten:13
Average Rating:7.4/10
Consensus: The cast brings After the Wedding's melodramatic script to life, creating a movie that is emotionally raw and satisfying.
Rated: R [See Full Rating] for some language and a scene of sexuality
Runtime: 2 hrs
Genre: Foreign Films
Theatrical Release:Mar 30, 2007 Limited
Box Office: $1,504,179
Synopsis: Danish director Susanne Bier continues her tradition of finely crafted emotional films with this Oscar-nominated drama. In AFTER THE WEDDING, a businessman (Rolf Lassgard) offers to make a huge... Danish director Susanne Bier continues her tradition of finely crafted emotional films with this Oscar-nominated drama. In AFTER THE WEDDING, a businessman (Rolf Lassgard) offers to make a huge donation to an Indian orphanage. Unfortunately he makes some unreasonable demands on the owner of the orphanage (CASINO ROYALE's Mads Mikkelsen), including a bizarre request to return to his native Denmark to participate in a wedding. Once he arrives, he realizes that he is caught in the middle of an event that is far more than it appears. Biers's film was so highly praised that it led to her making her English-language film debut, the Halle Berry film THINGS WE LOST IN THE FIRE. [More]
Starring: Mads Mikkelsen, Sidse Babett Knudsen, Rolf Lassgard, Mona Malm
Starring: Mads Mikkelsen, Sidse Babett Knudsen, Rolf Lassgard, Mona Malm, Christen Tafdrup, Stine Fischer, Nels Anders Thorn
Director: Susanne Bier
Director: Susanne Bier
Screenwriter: Susanne Bier, Anders Thomas Jensen
Producer: Gillian Berrie
Composer: Johan Soderqvist
Studio: IFC Films
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Reviews for After The Wedding
Bier’s insistence on adding even more melodramatics into the mix feels like a mistake.
After The Wedding could be the cinematic equivalent of a Coldplay song. And while that isn't necessarily a slam, it isn't a recommendation either.
A thoughtful exploration of paternity and responsibility. Much of the film's success lies in Bier's sensitive direction, but credit is also due to the fine cast, particularly Mikkelsen.
A thrilling -- and harrowing, and beautiful -- celebration of the unpredictability of life.
It speaks the universal language of high romance in the distinctly unromantic Danish tongue. But don't be put off by that. It is a kind of treat we are only rarely offered these days.
A deceptively unadorned movie that ends in huge, untidy and enormously satisfying emotions.
[Director] Bier has lots [of] surprises up her sleeve to keep After the Wedding humming for two solid hours.
The characters may suffer once the bride walks down the aisle, but [director] Bier, [writer] Jensen and their first-rate cast work together like a match made in heaven.
The filmmakers pile on a heap of life's complications but for all the recriminations, the movie remains involving because of its convincing compassion for its characters.
Script takes one melodramatic turn too many, ultimately pushing the film’s characters around like so many pieces on a chessboard. What begins so promisingly ends on a decidedly soapy note.
A substantive film about an idealistic Danish aid worker who is forced to stretch his own capacities for love and compassion, directing them in new channels that surprise and challenge him.
Dark secrets eat away from within, but after 120 minutes of self-loathing this soapy tale fails to engage with either genuine mystery or genuine reconciliation.
After the Wedding is a modern creation with a classic theme involving haves and have-nots, bloodlines and family ties.
Every time you think you are going to hit a cliche, the film turns on it.
It's that paradoxical melodrama that point-blank refuses to acknowledge that it's being melodramatic, conveying its scenario with enough intensity, psychological acuity and forceful acting to ignore labels and flat-out overpower audiences.
Evidently, this bloated piece of Oscar-nominated nonsense was a big hit in Denmark, which makes me think there’s a glittering future in that otherwise discriminating country for several seasons of Days of Our Lives.
Crisply written and acted soap opera from Susanne Bier, but vague in its intentions.
What feels at first like a quiet, straightforward picture builds into one of the richest and most satisfying of the year so far, in any genre or any language.
Thanks to a tight script, sharp direction and excellent actors, new film by Danish helmer Susanne Bier manages to be both emotional and engaging.
Latest News for After The Wedding
April 26, 2007:
Trailer & Poster review ![]()
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March 29, 2007:
Critical Consensus: Here's To You, "Robinsons"; "Blades" Needs Sharpening; "Lookout" Worth A Look
This week at the movies, we've got trips to the future ("Meet the Robinsons," starring Angela Bassett), ice-capades ("Blades of Glory," starring Will Ferrell... More...
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