Ryan's Kallen is painfully two-dimensional.
Against the Ropes (2003)
Tomatometer
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Reviews Counted:128
Fresh:16
Rotten:112
Average Rating:4.2/10
Consensus: A bland, dumbed-down package of sports cliches.
Rated: PG-13 [See Full Rating] for crude language, violence, brief sensuality and some drug material
Runtime: 1 hr 50 mins
Genre: Dramas
Theatrical Release:Feb 20, 2004 Wide
Box Office: $5,696,752
Synopsis: Meg Ryan stars in this fictionalized account of real-life boxing manager Jackie Kallen, the first female to ever make a name for herself in the sport. As the film begins she's just an assistant to... Meg Ryan stars in this fictionalized account of real-life boxing manager Jackie Kallen, the first female to ever make a name for herself in the sport. As the film begins she's just an assistant to the owner of a sleazy sporting arena, but her antagonism toward a mafia-affiliated boxing bigwig (Tony Shalhoub) and her hunch about the innate boxing talent of a young street thug named Luther (Omar Epps) lead her to take up managing. She recruits a retired trainer (Charles S. Dutton, who also directed) to mold Luther into a champ, and starts pushing and climbing through the sport's rampant sexism. The script by Cheryl Edwards is packed with platitudes and great throwaway lines, and to its credit the film doesn't shy away from showing Kallen's less flattering angles. Ryan looks and sounds great, sporting a fun Midwestern accent and a series of sexy outfits as she sashays through the cigar smoke and testosterone, tough-talking her way to victory in argument after argument. Though set in the present, AGAINST THE ROPES has a grungy 1970s feel to it, recalling ROCKY, THE CHAMP, THE MAIN EVENT and other films of the era. The real-life Kallen served as an associate producer. [More]
Starring: Meg Ryan, Omar Epps, Tony Shalhoub, Tim Daly
Starring: Meg Ryan, Omar Epps, Tony Shalhoub, Tim Daly, Kerry Washington, Joe Cortese, Charles S. Dutton
Director: Charles S. Dutton
Director: Charles S. Dutton
Screenwriter: Cheryl Edwards
Producer: Robert W. Cort, David Madden
Composer: Michael Kamen
Studio: Paramount Pictures
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Reviews for Against the Ropes
Meg floats like a bee and stings like a butterfly in this misguided jumble of sports cliches.
Dutton is one of my favorite actors, but as a director he reveals an unwelcome penchant for soapy hysterics.
More business as usual, despite the feminist aspects of Kallen's story.
Omar Epps, sporting a great physique and aggressive acting chops, opens up the ring bringing heart and drama to an intro that hadn't much more to offer than big names.
Meg Ryan struts her stuff Erin Brockovich-style; chock-a-block with moxie and the mettle of a woman who wants more.
An awfully contrived and awkward "true-life" drama, film tries desperately to be a crowd-pleaser without delivering the necessary narrative punch or action.
One of those infamous 'based on a true story' movies in which just about everything is a lie.
Ryan seems to be having fun, at least: she speaks with a breathy working-class accent that's part Lauren Bacall, part Teamster.
There are cracks in the foundation, but it is nevertheless a surprisingly watchable production.
As a boxing movie, Against the Ropes is perfunctory... As a biopic, it's likewise uninspired stuff.
If Against the Ropes were a comedy, it would be called Pugilistally Blonde.
If Against the Ropes was a boxer, it ... would be a lightweight. The movie spends more time displaying Jackie as a publicity-hungry celebrity ... than as a boxing manager.
What [Ryan] appears to be doing is an impression of Johnny Depp doing an impression of Keith Richards doing an impression of Liz Taylor.
Against the Ropes ... is "inspired" by Kallen's life but ultimately has as much to do with her story as Schindler's List did with the War of 1812.
Against the Ropes is a rousing drama about a pioneering female boxing manager whose gift of enthusiasm is something special.
This awkward hybrid of two popular film genres is to the art of moviemaking what Ali’s famous “rope-a-dope” technique was to boxing.
all the spark and imagination of a mediocre Lifetime Television for Women movie
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| Tomatometer Percentage | Movie |
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| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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| 47% 47% | The Girl From Monaco |
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