Storyline is formulaic and it tries too hard to wring emotion out of the audience...you can feel the puppet strings.
Against the Ropes (2003)
Tomatometer
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Reviews Counted:128
Fresh:16
Rotten:112
Average Rating:4.2/10
Consensus: A bland, dumbed-down package of sports cliches.
Rated: PG-13 [See Full Rating] for crude language, violence, brief sensuality and some drug material
Runtime: 1 hr 50 mins
Genre: Dramas
Theatrical Release:Feb 20, 2004 Wide
Box Office: $5,696,752
Synopsis: Meg Ryan stars in this fictionalized account of real-life boxing manager Jackie Kallen, the first female to ever make a name for herself in the sport. As the film begins she's just an assistant to... Meg Ryan stars in this fictionalized account of real-life boxing manager Jackie Kallen, the first female to ever make a name for herself in the sport. As the film begins she's just an assistant to the owner of a sleazy sporting arena, but her antagonism toward a mafia-affiliated boxing bigwig (Tony Shalhoub) and her hunch about the innate boxing talent of a young street thug named Luther (Omar Epps) lead her to take up managing. She recruits a retired trainer (Charles S. Dutton, who also directed) to mold Luther into a champ, and starts pushing and climbing through the sport's rampant sexism. The script by Cheryl Edwards is packed with platitudes and great throwaway lines, and to its credit the film doesn't shy away from showing Kallen's less flattering angles. Ryan looks and sounds great, sporting a fun Midwestern accent and a series of sexy outfits as she sashays through the cigar smoke and testosterone, tough-talking her way to victory in argument after argument. Though set in the present, AGAINST THE ROPES has a grungy 1970s feel to it, recalling ROCKY, THE CHAMP, THE MAIN EVENT and other films of the era. The real-life Kallen served as an associate producer. [More]
Starring: Meg Ryan, Omar Epps, Tony Shalhoub, Tim Daly
Starring: Meg Ryan, Omar Epps, Tony Shalhoub, Tim Daly, Kerry Washington, Joe Cortese, Charles S. Dutton
Director: Charles S. Dutton
Director: Charles S. Dutton
Screenwriter: Cheryl Edwards
Producer: Robert W. Cort, David Madden
Composer: Michael Kamen
Studio: Paramount Pictures
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Reviews for Against the Ropes
A formula movie about Meg Ryan wearing skimpy clothes and uttering dialogue as painful as the heels in which she's strutting.
Against the Ropes is a rousing drama about a pioneering female boxing manager whose gift of enthusiasm is something special.
Easily the worst film about boxing I've ever seen, and I've been trying to think of a sport-related flick equally as unappealing for the last week. I'm still drawing blanks.
Bwooklyn Meg sounds a whole lot like Margot Kidder impersonating Phyllis Diller. The accent comes and goes, but it remains the most entertaining aspect of the entire movie.
The great thing about sports movies is it doesn’t really matter that they’re all the same.
I hate to keep harping on Meg Ryan, but seriously, Meg Ryan, when are you going to be in a good movie?
Even by the standards of pop-moral parables passing for entertainment, this is bland stuff.
Throws the towel in early, leaning on one feel-goody cliché after another.
While Ryan's performance has the proper blend of confidence and cleavage, the movie succeeds only in producing more fight flick cliches than a Rocky movie marathon.
A title card says the film was 'inspired by the life of Jackie Kallen.' Nothing's actually inspired here, from Dutton's haphazard direction to an inapt score by the late Michael Kamen.
Still Oscar-less, Ryan obviously sees Jackie as her blue-collar scrapper in the Brockovich-Norma Rae mold. What she delivers is very different -- an unwittingly patronizing Great Blond Hope.
When it comes to keeping the colored folk peripheral, this picture makes To Kill a Mockingbird look like Get on the Bus.
It's an interesting, character-driven film, the story of a woman who has a fight on her hands when it comes to her chosen career.
A workmanlike production that's simply too predictable and too preposterous to hold our interest.
Most of the characters are one-dimensional stereotypes ... and the climax is a championship bout that's both utterly predictable and out of key with the story as a whole.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
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| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
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