Agantuk (The Stranger) (2003)
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Satyajit Ray's final film is a deceptively simple modern fable about a mysterious and world-weary old man (Utpal Dutt), who comes to stay with a middle-class Calcutta family, claiming to be the wife's long-lost uncle, Manmohan Mitra. Anila (Mamata Shankar), the wife, wants to believe him, but her husband, Sudhindra (Deepankar De), has his doubts. The couple's young son, Satyaki (Bikram Bhattacharya), is enthralled by Manmohan's exotic tales of his magical adventures, which have taken him from New York to the jungles of the Amazon, and pretty much regards the whole thing as a game. As the family and their friends try to figure out who exactly he is, his very presence forces them to reflect on their own lives and identities. ~ Tom Vick, Rovi … More
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Critic Reviews for Agantuk (The Stranger)
A small, gentle, exquisitely realized comedy about, among other things, family loyalties and trust in a world in which traditions have been devalued.
a beautiful valediction by a great filmmaker anticipating his own departure, whose message is as profound as any in a majestic career
This 1991 film -- Ray's last -- is far from his best, but its delicate, loosely structured domestic satire rewards viewer patience.
The work can be taken strictly as a charming drama or as something much deeper -- and that's perhaps the key to any great work.
Audience Reviews for Agantuk (The Stranger)
Unfortunately, I found Satyajit Ray's final film Agantuk (The Stranger) pretty disappointing. It is the script that I found weakest, with the philosophical questions raised sounding pointless and nonsensical. The premise is basically is this man who he says he is but with only two outcomes of no particular interest or consequence, the conclusion falls a little flat. Also, why does everyone have to stand up when they talk, I don't think its a cultural thing and no one does it in his earlier films. It just feels like over acting.
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