It's a slick, ambitious movie that doesn't always nail all the many moods and themes it's after. But the actors give it force and depth.
Agnes and His Brothers (2006)
Tomatometer
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Reviews Counted:9
Fresh:3
Rotten:6
Average Rating:4.4/10
Theatrical Release:Jun 9, 2006 Limited
Synopsis: In AGNES AND HIS BROTHERS, German director Oskar Roehler fashions an unconventional family drama about three brothers--a sex-addicted librarian (Moritz Bleibtreu, RUN LOLA RUN), a seemingly... In AGNES AND HIS BROTHERS, German director Oskar Roehler fashions an unconventional family drama about three brothers--a sex-addicted librarian (Moritz Bleibtreu, RUN LOLA RUN), a seemingly successful politician (Herbert Knaup), and a male-to-female transsexual (Martin Weiss)--coming to terms with their overbearing father and his impact on their lives and relationships. [More]
Starring: Martin Weiss, Moritz Bleibtreu, Herbert Knaup, Katja Riemann
Starring: Martin Weiss, Moritz Bleibtreu, Herbert Knaup, Katja Riemann, Tom Schilling, Susan Anbeh
Director: Oskar Roehler
Director: Oskar Roehler
Producer: Stefan Arndt
Studio: First Run Features
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Reviews for Agnes and His Brothers
The film's outrageousness would be more palatable if leavened with more wit, or if the characterizations possessed more nuances.
Writer-director Oskar Roehler spends all his energy on cataloging ''outrageous' behavior, and none on giving the transgressions any meaning.
In shuttling between drama and farce, more than a few balls get dropped.
There's fierce energy and -- thanks to the performances -- affecting emotion in the movie that almost makes you forget that Rainer Werner Fassbinder told a similar story much better 28 years ago with In a Year with 13 Moons.
About halfway through, however, the story takes on more than it can handle, turning contrived and unbelievable in the process.
Whenever he takes the time to line up his toxic arrows, usually with the help of a compellingly squirmy Bleibtreu, he hits the bull's-eye.
The feverish libidos wreaking emotional havoc in Oskar Roehler's infantile sex comedy are a quintessentially Germanic mixture of kinky, obsessive and sentimental.
Painfully literal/ironic soundtrack choices add to the general unpleasantness, and the nods to Fassbinder's great In a Year of 13 Moons only emphasize what this scattershot satire most decidedly is not.
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