Ai Weiwei: The Fake Case (2014)
Average Rating: 7/10
Reviews Counted: 23
Fresh: 21 | Rotten: 2
No consensus yet.
Average Rating: 7.1/10
Critic Reviews: 13
Fresh: 12 | Rotten: 1
No consensus yet.
Average Rating: 3.4/5
User Ratings: 231
After 81 days of solitary detention world famous Chinese artist Ai Weiwei is put under house arrest. He suffers from sleeping disorder and memory loss, 18 cameras are monitoring his studio and home, police agents follow his every move, and heavy restrictions from the Kafkaesque Chinese authorities weigh him down. Picking up where Alison Klayman's Ai Weiwei: Never Sorry left off, AI WEIWEI THE FAKE CASE is more explicitly political, reflecting Ai's battle against the gigantic lawsuit thrust upon
May 16, 2014 Limited
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Ai granted Johnsen significant access to his personal and professional lives following his release, including his tender interactions with his young son, and the film's intimate nature recalls the verite style of Ai's own video work.
Although expertly edited, Johnsen's film, whose soundtrack ends with Nina Simone's "Feeling Good," presents a less effective portrait of Ai than Klayman's does.
The film quietly and slowly reveals a man struggling internally to find the right response to the restrictions imposed on him and determining that to stop speaking out would itself be a kind of death.
Johnsen intimately chronicles the fascinating push-pull of Ai's daily existence: the man he truly is now contrasted with the man he hopes to become once again.
Chinese dissident Ai Weiwei is a lot of things: Artist, activist, father, son. What he's not, is dull. But you'd never know it judging by Andreas Johnsen's somnambulant take on his subject's Sisyphean fight for human rights.
While little more than an update on an ongoing dispute, The Fake Case is a welcome chance to catch up with the quirky artist's heroic struggle for freedom.
Heartening chronicle of the further "crazy dreams" of an artist who doesn't intend to have freedom defined for him by the state.
Ai comes across as highly intelligent, weary, extremely wary of outsiders but with a puckish sense of humor.
In The Fake Case, Danish filmmaker Andreas Johnsen connects with Chinese artist Ai Weiwei after his 81-day solitary confinement for subversion of state power, and deftly portrays a man untrammeled by his opponents.
An enlightening Danish documentary about one of the world's most famous and creative human rights activists.
Intimate portrait of a stubborn artist. . .demonstrates the power of government control to inflict disruptive stress, the power of art to transform repression into optimism.
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