Certainly this is great dramatic fodder, and first-time feature film director Max Farberbock has given a terrific visual style, resonance, sense of hope and power to the material.
Aimee & Jaguar (2000)
Tomatometer
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Reviews Counted:45
Fresh:40
Rotten:5
Average Rating:7.1/10
Consensus: A gripping examination of sexual taboos, set against the backdrop of Nazi Germany, bolstered by a subtly shaded script and a strong cast.
Runtime: 2 hrs 5 mins
Genre: Foreign Films
Synopsis: In 1943, as World War II's Battle of Berlin rages, with air raids forcing families into their cellars for shelter and bombs exploding all over the city, Felice Schragenheim (Juliane Köhler) and... In 1943, as World War II's Battle of Berlin rages, with air raids forcing families into their cellars for shelter and bombs exploding all over the city, Felice Schragenheim (Juliane Köhler) and Lilly Wust (Maria Schrader), fall in love. Director Max Färberböck's AIMEE & JAGUAR tells the true story of this passionate, forbidden love affair, adapted from the 1998 book of the same title by Erica Fischer. Felice, a dark and beautiful Jewish woman who is constantly in danger of being apprehended by the Gestapo, works for a Nazi newspaper under a false name, feeding what she learns to underground resistance leaders. Lilly, a flowery blond housewife living in bourgeoise comfort, raises 4 little boys, passing the time until her Nazi husband, Gunther, returns from the war. When the two meet, and Felice makes advances, Lilly responds, falling into total submission under Felice's spell. They nickname each other Aimee (Lilly) and Jaguar (Felice), spending every night dancing to popular 40s jazz music with Felice's eccentric lesbian friends, and every day raising the four boys who treat Felice like a second mother. It is not until the end of their affair, when Lilly--and soon thereafter, the authorities--learns that Felice is a Jew, and tragedy befalls the couple. [More]
Starring: Maria Schrader, Juliane Köhler, Heike Makatsch, Johanna Wokalek
Starring: Maria Schrader, Juliane Köhler, Heike Makatsch, Johanna Wokalek, Michael Degen, Detlev Buck, Inge Keller, Kyra Mladeck, Margit Bendokat, Jochen Stern, Peter Weck, Hans-Christoph Blumenberg
Director: Max Färberböck
Director: Max Färberböck
Screenwriter: Max Färberböck, Rona Munro
Producer: Hanno Huth, Gunter Rohrbach
Composer: Jan A.P. Kaczmarek
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Reviews for Aimee & Jaguar
A vivid slice of life -- and love -- during the 1944 Allied bombardment of Berlin.
Based on a true story, though that doesn't really make it all that compelling.
Watching Aimee and Jaguar is like having your eyes anxiously affixed on a cracked mirror on the wall, delicately held together, yet on the brink of violently shattering to the ground.
The film ... isn't up to the complexities the story raises, but it's a consistently engrossing piece of work.
Rewarding viewing, evocatively re-creating a narrative milieu and war-time Berlin rarely seen on screen.
With a solid support cast, this is always an engaging and moving drama.
This is more than a same-sex success, it's a most affecting, most sensual on-screen love affair, period.
In the midst of all the chaos of war, how people chose to live and how they survived emotionally is conveyed well and without the usual cliches.
Director Max Färberböck showcases this wonderful eye-candy with noirish lighting but some overdone dramatic pauses.
... a fascinating, bold, and deeply personal story of a woman's empowerment.
A striking, poignant, and seductive saga of a Jewish lesbian in love with the dallying wife of a Nazi officer and mother of four.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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