Aimée & Jaguar Reviews

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Philip Martin
Arkansas Democrat-Gazette
September 7, 2004
| Original Score: 2/5
Christopher Null
Filmcritic.com
October 16, 2001
Based on a true story, though that doesn't really make it all that compelling.
Full Review | Original Score: 2.5/5
Rob Blackwelder
SPLICEDWire
January 1, 2000
I was so busy trying to figure out what the hell was going on that there was just no way I was going to enjoy it.
Full Review | Original Score: 7/10
Pablo Villaca
Cinema em Cena
July 25, 2003
A história (real) é interessante, mas o roteiro e a direção são enfadonhos. Grandes atuações em um filme que não causa impacto, apenas sono.
| Original Score: 2/5
Top Critic
Dave Kehr
New York Times
January 1, 2000
There is surprisingly little emotional amplitude.
Full Review | Original Score: 2/5
Top Critic
Roger Ebert
Chicago Sun-Times
January 1, 2000
Schrader plays Felice with a kind of doomed and reckless bravery.
Full Review | Original Score: 3/4
Top Critic
Ella Taylor
L.A. Weekly
October 2, 2002
A sophisticated and beautiful feature debut from German television director Max Färberböck.
Top Critic
Richard Roeper
Ebert & Roeper
January 1, 2000
Louise Keller
Urban Cinefile
April 10, 2010
Startlingly poignant, Aimée and Jaguar is a story about dreams. If you have ever dreamed, don't miss it.
Andrew L. Urban
Urban Cinefile
April 10, 2010
It's a breathtakingly beautiful film, never mawkish, never less than vibrantly real and never more affecting than when it explores the nature of a love that 'dare not speak its name', not in Nazi Germany
Cole Smithey
ColeSmithey.com
August 14, 2007
Powerful and touching. Good touching.
| Original Score: 4/5
Top Critic
Peter Brunette
Film.com
January 1, 2000
Its series of quiet but moving realizations of the utter ubiquity of the Nazi horror in every single aspect of life, even something as hidden as a sexual sub-culture, is powerful indeed.
Joe Baltake
Sacramento Bee
January 1, 2000
It reminds us that the Holocaust continues to be a vital source for singular, inspirational stories.
Jeremy Heilman
MovieMartyr.com
March 5, 2002
Full Review | Original Score: 3/4
Top Critic
Lisa Schwarzbaum
Entertainment Weekly
January 1, 2000
Färberböck's engrossing debut conveys the devotion between Aimée (Juliane Köhler) and Felice Schragenheim (Maria Schrader).
Full Review | Original Score: B+
Top Critic
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
January 1, 2000
A reminder that truth never ceases to be stranger than fiction.
Boyd van Hoeij
european-films.net
June 10, 2006
| Original Score: 4/5
Daniel M. Kimmel
Worcester Telegram & Gazette
March 12, 2004
| Original Score: 4/5
Elias Savada
Nitrate Online
January 1, 2000
A striking, poignant, and seductive saga of a Jewish lesbian in love with the dallying wife of a Nazi officer and mother of four.
Full Review | Original Score: 3/4
Harry Guerin
RTE Interactive (Dublin, Ireland)
January 23, 2003
Theatre director Max Färberböck could hardly have picked a more intense and heartbreaking story for his cinema debut.
Full Review | Original Score: 3/5
Sam Adams
Philadelphia City Paper
January 1, 2000
Jeffrey M. Anderson
Combustible Celluloid
May 26, 2006
Top Critic
Geoff Andrew
Time Out
June 24, 2006
Rich Cline
Shadows on the Wall
December 10, 2001
Top Critic
Robert Denerstein
Denver Rocky Mountain News
January 1, 2000
Jean Lowerison
San Diego Metropolitan
October 21, 2002
Jason Anderson
eye WEEKLY
February 14, 2001
Alexander Walker
This is London
December 15, 2003
Christopher Tookey
Daily Mail [UK]
December 15, 2003
Top Critic
Andrew Sarris
New York Observer
April 27, 2007

Guardian
August 15, 2001

Irish Times
October 30, 2001

Hollywood.com
October 18, 2002
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