slips from the mind so quickly it might as well be about the rental car agency, and not the famous Texas battle.
The Alamo (2004)
Tomatometer
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Reviews Counted:151
Fresh:46
Rotten:105
Average Rating:5/10
Consensus: Too conventional and uninvolving to be memorable.
Rated: PG-13 [See Full Rating] for sustained intense battle sequences
Runtime: 2 hrs 17 mins
Genre: Action/Adventure
Theatrical Release:Apr 9, 2004 Wide
Box Office: $22,367,675
Synopsis: An epic that evokes films such as HOW THE WEST WAS WON and DANCES WITH WOLVES, THE ALAMO details the key 1863 battle fought to win Texas from the Mexican government. Originally constructed as a... An epic that evokes films such as HOW THE WEST WAS WON and DANCES WITH WOLVES, THE ALAMO details the key 1863 battle fought to win Texas from the Mexican government. Originally constructed as a Spanish mission, the Alamo provided a secure post between Texas settlements and the troops of General Santa Anna (Emilio Echevarria), protecting the scores of people working to develop the budding territory, including Davy Crockett (Billy Bob Thornton), James Bowie (Jason Patric), and Sam Houston (Dennis Quaid). But when it was left in the care of an inexperienced leader, the men stationed at the Alamo found themselves in a deadly ambush by Santa Anna. With an insurmountable advantage in strategy and sheer numbers, Santa Anna led the complete slaughter of Alamo forces, an act that incited the ire of Houston who initiated the turnaround that brought Santa Anna's quick defeat. Thornton provides a standout performance as Davy Crockett, who had gained notoriety as an adventurer, rumored to have jumped the Mississippi River. As the Alamo troops prepare to fight, Thornton's nuanced Crockett tempers their adrenalin with horrific battle tales and helps them come to terms with their impending mortality. While graphically reminding viewers of the horrors of war, the film also pays homage to the bravery and patriotism of the men who fought to liberate Texas, live in a free democratic society, and build better lives. [More]
Starring: Billy Bob Thornton, Jason Patric, Patrick Wilson, Emilio Echevarria
Starring: Billy Bob Thornton, Jason Patric, Patrick Wilson, Emilio Echevarria, Jordi Molla, Marc Blucas, Dennis Quaid
Director: John Lee Hancock, John Sayles
Director: John Lee Hancock, John Sayles
Screenwriter: John Lee Hancock, Stephen Gaghan, Leslie Bohem
Producer: Mark Johnson, Ron Howard
Composer: Carter Burwell
Studio: Touchstone Pictures
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Release:
Sep 28, 2004
Reviews for The Alamo
The Alamo is a well made and nostalgic film with big sweeping scenes, red sunsets and grandiose battle shots.
So stiffly didactic it would have high-school kids who see it beg their social studies teachers to stop taking them to movies about history.
Remember The Alamo? It’s about as memorable as a sunny springtime Saturday wasted at the DMV.
A torturous cycle of standing, pouting, bickering and looking at the Mexican army, as irritatingly flat as the pages of the history books that taught us about the Alamo.
A respectable and at times an exciting film that should appeal to males of all ages, history buffs and -- yes, it's inevitable -- patriots.
Disney’s latest epic is a solid, entertaining film – even if it adds nothing all that interesting to the legend of the Alamo.
A big, sprawling movie with remarkably little grandeur; what's worse, it's emotionally hollow...with cardboard characterizations and wooden dialogue.
Never harmonizes into a cinematic experience any more resonant than the average, manly, why-we-fight pic, or coalesces into a stirring cry for freedom.
Hancock goes through great pains to impose important moments on us, but he fails to give them the poignancy needed to elicit emotion.
The Alamo is further, sobering proof that every dog(gerel) has its day and every generation gets the movie it deserves.
A few dollars lighter, a few hours closer to death, get a chance to glimpse your own mortality reflected in the dead, shark-eyed glare of another big-budget prestige picture.
It's a movie more concerned with details like Jim Bowie's terminal case of consumption than it is with the historical context of its story and its legendary characters.
In trying to give human dimension to one of the legendary events of American history, the creators of The Alamo succeed only in making it dull.
Emotionally inert and poorly paced, The Alamo transforms one of Texas' best-known events into an uninvolving bore.
The filmmakers have obviously decided to use as their model those educational films. . .that are inflicted on soon to be history-hating students at the middle school level
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