Stone and his team of screenwriters paint an incomplete picture of the man and those he led.
Alexander (2004)
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Reviews Counted:189
Fresh:30
Rotten:159
Average Rating:3.9/10
Consensus: Even at nearly three hours long, this ponderous, talky, and emotionally distant biopic fails to illuminate Alexander's life.
Rated: R [See Full Rating] For violence and some sexuality/nudity.
Runtime: 5 hrs 34 mins
Genre: Action/Adventure
Theatrical Release:Nov 24, 2004 Wide
Box Office: $34,264,081
Synopsis: Director Oliver Stone chalks up an ambitious entry on his biopic resume (past entries include films about Jim Morrison, Richard Nixon, and JFK among others) with this cinematic treatise on the life... Director Oliver Stone chalks up an ambitious entry on his biopic resume (past entries include films about Jim Morrison, Richard Nixon, and JFK among others) with this cinematic treatise on the life of the mighty Alexander the Great. Despite his young death at 32, Alexander packed some unimaginable conquests into his limited years by ruling over a huge chunk of the globe. Stone draws on a voice-over narration provided by Anthony Hopkins, whose character is named Ptolemy, to aurally depict some of the battles. Thus, Stone shifts the weight of the film to focus on the personality of Alexander (Colin Farrell), a man who is stricken by overwhelming personal insecurities that come in direct contrast to his bold achievements. Complex dealings with his mother (Angelina Jolie) and father (Val Kilmer) plague him, as does his turbulent relationship with his wife, Roxane (Rosario Dawson). His connection with his best friend, Hephaestion (Jared Leto), is ambiguous, with Stone touching on their vaunted homosexuality via some shared tender moments. As these personal battles are played out, Ptolemy fills the historic gaps in the narrative by charting the incredible conflicts that raged at Alexander's behest. Eventually, Stone lets loose with an epic on-screen battle, which sees Alexander's troops rumble across India in another country-conquering quest. But while his minions struggle, and Alexander demands success, it becomes clear that he is his own worst enemy. With the only real threat to Alexander coming from a tempestuous struggle with his own ego, Stone's summation of the great historical leader paints a picture of an embittered and solitary figure who was able to rule everyone apart from himself. [More]
Starring: Colin Farrell, Angelina Jolie, Val Kilmer, Rosario Dawson
Starring: Colin Farrell, Angelina Jolie, Val Kilmer, Rosario Dawson, Jared Leto, Anthony Hopkins
Director: Oliver Stone
Director: Oliver Stone
Screenwriter: Oliver Stone, Christopher Kyle, Laeta Kalogridis
Producer: Thomas Schuhly, Jon Kilik, Iain Smith, Moritz Borman
Composer: Vangelis
Studio: Warner Bros.
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Reviews for Alexander
In the case of Oliver Stone’s long re-telling of the short life of Alexander the Great, a few words will do: not so good.
As huge a travesty and a bore as 1956's Alexander the Great, in which Richard Burton looked equally uncomfortable as a blond.
Farrell plays all this as if he means it, but he seems slight in the role and without great physical presence.
Often skates dangerously close to camp (less forgiving viewers will find the movie hysterical), but the director's daringness to play things so boldly has a grand appeal of its own.
A thudding bore, when what it should have been is an operatic testament to unchecked ambition.
There's no joy here, no fun, no excitement. It's a 178-minute-long wall hanging.
A sweeping historical epic that confirms Oliver Stone's position as one of Hollywood's master storytellers and Colin Farrell as a major movie star.
The whole enterprise has its soul sliced out by Stone's overwrought stylization.
Everything we're told about Alexander remains an abstraction, an index-card idea for a character pasted onto Farrell's less-than-mythic presence.
The battle scenes are bloody wonderful, but the rest of it plays out like a badly edited three-hour History Channel bio featuring pretty people.
Filled with cringe-inducing, laughter-provoking moments, including more deliciously overripe performances than any single movie can possibly contain.
This is a movie almost totally devoid of feeling or any sense of connection.
Like its subject, Stone's Alexander travels on gut instinct and ego, but, unlike him, it seems to have little notion of exactly what it wants to conquer.
Disjointed and lacking in thematic clarity, Alexander offers too few of the satisfactions we've come to expect from historical epics.
Visually dramatic but persistently tepid, Alexander doesn't make a convincing argument for its extravagant resources.
An ambitious and sincere film that fails to find a focus for its elusive subject.
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August 09, 2006:
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July 13, 2006:
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February 24, 2006:
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