It's pithy without being saccharine; it's funny without ever not taking itself seriously; it's full of beautiful characters and great performances.
Alias Betty (2002)
Tomatometer
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Reviews Counted:51
Fresh:47
Rotten:4
Average Rating:7.2/10
Consensus: Alias Betty works both as a gripping thriller and as a precisely drawn character study.
Theatrical Release:Sep 13, 2002 Limited
Synopsis: Director Claude Miller was a protégé of Francois Truffaut, and the French master's influence is clear in this low-key thriller, based on the novel THE TREE OF HANDS by Ruth Rendell. Betty (Sandrine... Director Claude Miller was a protégé of Francois Truffaut, and the French master's influence is clear in this low-key thriller, based on the novel THE TREE OF HANDS by Ruth Rendell. Betty (Sandrine Kiberlain), a reclusive best-selling author and mother of a young son, is having a hard enough time dealing with a visit from her eccentric and self-involved mother, Margot (Nicole Garcia), who suffers from a blood disorder that occasionally makes her violent. Betty has the scars from her childhood to prove it. When Betty's son is suddenly and tragically killed, Margot doesn't seem very sympathetic. This story is intertwined with the story of Carole (Mathilde Seigner of WITH A FRIEND LIKE HARRY), the neglectful and abusive mother of Jose (Alexis Chatrian), who is about the same age as Betty's son. When Margot, in a deranged effort to help her daughter, kidnaps Jose, Carole's good-natured African boyfriend, Francois (Luck Mervil) is a prime suspect, and goes looking for the real kidnapper to clear his name. Miller deftly weaves an engaging and suspenseful tale in which characters of different classes and cultures pass through each other's lives. While some of them behave atrociously, Miller never forgets their essential humanity. [More]
Starring: Sandrine Kiberlain, Nicole Garcia, Mathilde Seigner, Edouard Baer
Starring: Sandrine Kiberlain, Nicole Garcia, Mathilde Seigner, Edouard Baer, Stephane Freiss, Yves Jacques, Roschdy Zem, Luck Mervil, Alexis Chatrian, Arthur Setbon
Director: Claude Miller
Director: Claude Miller
Screenwriter: Claude Miller
Story: Ruth Rendell
Producer: Yves Marmion, Annie Miller
Composer: Francois Dompierre
Studio: Wellspring
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Reviews for Alias Betty
Ms. Khiberlain, Ms. Garcia and Ms. Seigner brilliantly play the three mothers like a dissonant string trio on a single theme: the varied agonies of motherhood.
An engrossing story that combines psychological drama, sociological reflection, and high-octane thriller.
An intricate tale of guilt, grief and dark serendipity...so deft it's hard not to gasp with delight as the plot's pieces slide into place and its machinery begins humming.
Don't let the creepy dread fool you -- this quiet French thriller gets to the heart of motherhood, and then pays off with comfort and calm.
At heart the movie is a deftly wrought suspense yarn whose richer shadings work as coloring rather than substance.
Miller makes the film's sometimes mechanical and giddy narrative into something grander -- a meditation on maternity as a form of inspired madness.
Kiberlain gives an impressive performance that is harshly uncompromising in its presentation of a woman filled with anger, grief and a highly discernible writing talent.
Miller has crafted an intriguing story of maternal instincts and misguided acts of affection.
Often shocking but ultimately worthwhile exploration of motherhood and desperate mothers.
A fine film, but it would be a lot better if it stuck to Betty Fisher and left out the other stories.
While laterally propelled films like this are often exercises in structural cleverness, Miller's movie makes organic use of its incidental associations.
A small gem of a movie that defies classification and is as thought-provoking as it is funny, scary and sad.
A dashing and absorbing outing with one of France's most inventive directors.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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