It's a simple, even generic, but ultimately brilliant title. It works as both a noun and adjective, and really leaves things wide open in terms of what's going to happen.
The plot is rather simple: a group of workers aboard a commercial towing vessel headed back home have their journey interrupted by a mysterious transmission from a nearby planetoid. They stop to investigate, only to end up bringing an extraterrestrial threat back on board their craft.
The film is basically like a slasher movie in space, and essentially established the modern notions of the 'space horror' subgenre. It's a rehashing of old ideas and concepts, but it's done so well that it feels totally fresh and new.
What I really like about this is how it is firmly both sci-fi and horror. It blends the two quite well, and is a landmark entry in both realms. It's a slow burner, w emphasis mainly on mood, tone, atmosphere, and generating tension and suspense over a strong plot or actions and events. That might seem boring to some, but I rather enjoy its hypnotic qualities, as they draw you in, ramp things up to a high level, then finally release in bursts of scares.
I think it's worse it to sit through the first half because, even though not much really happens, it only makes the second half (especially the final act) that much more thrilling and rewarding.
From a technical perspective, this film is a real marvel, and its influence can be seen in a lot of avenues from films to video games like the Metroid series. There's expert use of matte paintings, practical effects, models, and real ingenuity versus reliance on CGI, and it's cool how this won an Oscar for visual effects.
The cinematography is dark, moody, and really adds a level of dread to the claustrophobic environs of the ship. I really dig the art direction and set design. The use of shadows, steam, and flashing lights also add to the creepy atmosphere, and make things quite intense and disorienting. I tend to overlook the importance of sound design in movies for some reason, but here, I can't help but get drawn in by all the hissing from steam, dripping corridors, and beeps and boops from the computers. Yeah, some of the technology seems a bit dated, but I think it has a nice, surreal charm to it. The ship also has a rugged, lived in look to it that makes things seem more authentic and believable. And then there's the alien: simply put: the creature designs by H.R. Giger are creative, intense, original, and some of the scariest and most unique ever conceived.
In a lot of films like this, the cast are made up of a bunch of unrealistic stereotypes that often seem out of place, but here the crew is just a group of working class blue collar folks, with the youngest being 29. I think this adds both to the realism, and makes things quite relatable. The cast have good chemistry with one another, and it all feels organic instead of forced.
The acting is also fine. It's nothing spectacular, but it does get the job done. I mean, since they're just regular folks, its fitting that they're performances are not all that remarkable. I do have to give special praise though, first to Ian Holm for being terrifically creepy, and to Sigourney Weaver who, as the youngest and least experienced of the cast, had a big hurdle to jump through, and succeeded, becoming a star as a result.
Jerry Goldsmith's score is compelling, and the heart beat like thumping during key scenes is a real nice touch. Ridley Scott provides some superb, subtle directing, showing a real flare for building tension and mood. I like how not a whole lot of exposition is given, leaving the viewer to fill in the gaps. I do think that at times things could be perhaps slightly tightened in the pacing department, and the damn cat that is a part of the crew is a tad annoying, though cute, but overall, I don't have any major issues with this one.
I recognize that this won't appeal to all audiences, as it is a deliberately paced and executed affair, but at the same time, due to how well a lot of this is done, and because of its legacy, I think it is one that everyone needs to see. It holds up remarkably well, and is a pretty memorable experience, so of course it is a must see. I prefer the theatrical cut, but the 'director's cut' has a few nice added moments, though the overall pacing is thrown off a tad.
This is more than worth a try for any Sci-Fi and/or horror fans.
Ridley Scott takes the helm of this sci-fi horror flick and does an incredible job with breathtaking cinematography and technically superb direction. Of course, much of these shots were inspired by "2001: A Space Odyssey" but who could blame him? But the real credit goes to Ridley for his masterful direction to convey the chilling horrific events that ensue. "Alien" encroaches on the viewers, slowly creeping it's eerie and mysterious horrors at them. It left me rocking back and forth across my couch, frequently reaching for the remote to lower the volume in hopes to lessen the scare factor. But once the alien strikes, it's not as horrifying. However, it comes to show the marvelous job Ridley has done to make the tension so unequivocally tangible. No cheap gags found here. All the while, the narrative throws new curve balls into the mix, making the alien's characteristics and its dangers much more mysterious which effectively leaves viewers in the dark and needing them to confront the alien again to learn more. It's great and scary as hell. The performances are impressive; the design of the alien and the gore are spectacularly raw and realistic, putting to shame the "Oh, that's CGI" mentality.
"Alien" is nothing more than a traditionally creepy thriller, but man, it's one damn good one. It takes its time; it isn't loud and obnoxiously in-your-face, but once it confronts the viewers, it leaves them in a nail-biting, frozen-stiff state.
Space may be the final frontier, but Scott seems weary about humanity's ability to conquer something so vast and recondite. Space isn't depicted as a place of beauty and wonder, but as rather dark, desolate, and possibly full of things that are best left undiscovered. Curiosity killed the cat, and this film suggests that it may soon do the rest of us in as well.
Aside from being an effective warning in this new age of exploration, it is at it's core a monster movie.
Rather than being a barrage of cheap gags, Scott & the editors effectively make this film a slow burn in which anything feels possible. I mean, i'm a 26 year old horror movie buff who has seen this film before, but could barley curb the desire to cover my eyes every time the face-hugging alien appeared on screen.
Scott exploits these moments of impending doom by filming some of these scenes at low angles. Making the audience wonder if we are seeing the alien's POV, or will it rear it's ugly, sometime's phallic head in some other corner of the room? Also, the camera slowly creeps from room to room at an agonizingly slow pace. This marvelously builds tension until it is almost unbearable.
The film is also well cast. Sigourney Weaver is great as the cunning Ripley. Ian Holm is also down-right creepy as an android hellbent on bringing back the alien life form and Harry Dean Stanton is...well...Harry Dean Stanton. That is always a good thing.
On top of this, for 1979 the creature effects are absolutely stunning. These creatures are more realistic than most of the schlock that passes for monsters in films nowadays. That one scene which features a close up of the alien's face as the water cascades down it's jowls is alone worth the price of admission.
Alien is a prime example of a monster movie done right. From it's excellent direction, to it's striking visuals and capable cast, Alien is a testament to the power of a good sci-fi film. It is equal parts imaginative, entertaining, and as frightening as hell. With a product this good, it should be no surprise that Scott would want to get some more miles out of the material.
Awesome hands on effects and probably the greatest creature ever created for the silver screen!!, just the ultimate monster film along with 'Predator'. Perfect cast that show gritty blue collar 'grunts' at their best, I just prefer the second because of the action, but this is still amazing, Ridley is the king.