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Movies / On DVD / Amarcord
Amarcord

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Amarcord (1974)

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Reviews Counted:37

Fresh:35

Rotten:2

Average Rating:8.3/10

Runtime: 2 hrs 7 mins

Genre: Foreign Films

Synopsis: Federico Fellini's AMARCORD, an acclaimed semiautobiographical episodic drama, examines life in a small Adriatic village just before Mussolini's reign in the 1930s. As the weather changes and... Federico Fellini's AMARCORD, an acclaimed semiautobiographical episodic drama, examines life in a small Adriatic village just before Mussolini's reign in the 1930s. As the weather changes and spring arrives, the village holds a festival in which it burns a symbolic bonfire and celebrates new life. This gathering in the central square is the first of many others throughout the film. Each time the community assembles, its colorful members show themselves in full force, boasting their bizarre, disjointed personalities--and pure mischief is the result. Several of the village ladies wear their eyebrows penciled on in high, provocative arches, a style that seethes sex and drama, coaxing the camera to follow them. The film takes on a circusy, chaotic tone, making it difficult to see a clear plot structure; AMARCORD instead breaks up into several memorably surreal sequences, a few of which follow a young man named Titta (Bruno Zanin) who wanders in and out of the animated provincial landscape, meeting assorted crazy characters and obsessing over sex. The beautiful clashes with the grotesque and politics and family matters blend together while sex is offset by violence in the inimitable style of Italy's late master of cinema, whose tour de force won an Oscar for Best Foreign Language Film. [More]

Starring: Pupella Maggio, Magali Noel, Bruno Zanin, Josianne Tanzilli

Starring: Pupella Maggio, Magali Noel, Bruno Zanin, Josianne Tanzilli

Director: Federico Fellini

Director: Federico Fellini
Screenwriter: Federico Fellini, Tonino Guerra
Composer: Nino Rota

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Release:

Sep 5, 2006

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Reviews for Amarcord

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1 - 20 (sorted by date)
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Reviews
Tomatometer Critic Review Category
splat

MaryAnn Johanson

[S]imply nonsensical to me. Fascists are idiots, Catholic priests are clowns -- I agree with this. So why don't I feel it?

Full Review Source: | comment Comment | Dec., 13 2009 01:17 PM

Flick Filosopher

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Jay Cocks

Fellini is so bountiful with incident and observation that he makes most other film makers seem stingy.

Full Review Source: | comment Comment | Apr., 27 2009 11:28 AM

TIME Magazine

splat

Jamie Russell

Bloated, overblown and essentially empty, Fellini's last hit movie skims over the surface of the lives it depicts, substituting manufactured sentiment for genuine feeling or understanding.

Full Review Source: | comment Comment | Apr., 27 2009 11:16 AM

Channel 4 Film

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4/4

Robert W. Butler

Amarcord will make you howl with laughter and then choke back a tear. And all the while you’ll be building your own memories of this landmark movie.

Full Review Source: | comment Comment | Apr., 23 2009 11:13 AM

Kansas City Star

tomato

Sean Burns

Watching the movie feels like flipping through a cartoon sketchbook of Fellini's vivid remembrances and formative experiences.

Full Review Source: | comment Comment | Apr., 14 2009 08:56 PM

Philadelphia Weekly

tomato
3.5/4

Chris Hewitt (St. Paul)

I'm not sure how Amarcord played in the '70s, but now it feels like an affectionate parody of Italian movie conventions.

Full Review Source: | comment Comment | Mar., 27 2009 11:40 AM

St. Paul Pioneer Press

tomato
4/4

Colin Covert

Federico Fellini's films beg to be seen on a movie screen. Their panoramic, overstuffed frames and larger-than-life characters overflow the boundaries of home theater; their exuberant, generous humor is best enjoyed in a packed auditorium.

Full Review Source: | comment Comment | Mar., 27 2009 11:31 AM

Minneapolis Star Tribune

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Beth Accomando

Amarcord is Fellini's scrapbook of memories culled from his own life and it is completely engaging and delightful.

Full Review Source: | comment Comment | Mar., 17 2009 08:28 PM

KPBS.org

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Philip Kennicott

Orthodox Fellini lovers will give primacy to La Strada or La Dolce Vita, but Amarcord has its fans, and it's easy to see why.

Full Review Source: | comment Comment | Mar., 13 2009 01:25 PM

Washington Post

tomato
B+

Dennis Schwartz

It's one of the noted Italian directors more vibrant films that captures him at his most playful and incisive.

Full Review Source: | comment Comment | Mar., 01 2009 05:33 AM

Ozus' World Movie Reviews

tomato
5/5

Kevin Thomas

He [Director Fellini] leaves us with the hope that the human comedy just may be able to survive everything.

Full Review Source: | comment Comment | Feb., 13 2009 02:26 PM

Los Angeles Times

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Jeffrey M. Anderson

What's so surprising about this film is just how loose and effortlessly enjoyable it is, despite all its ideas and images. It's one of the director's very best.

Full Review Source: | comment Comment | Jan., 16 2009 03:15 AM

Combustible Celluloid

tomato

Variety Staff

This Fellini opus is his most accessible to mass audiences since La Dolce Vita.

Full Review Source: | comment Comment | Dec., 03 2008 12:33 PM

Variety

tomato

Dave Kehr

Uneven, loosely structured, and at times pretty vulgar as well as sentimental, but with some touching and lovely episodes.

Full Review Source: | comment Comment | Dec., 03 2008 12:31 PM

Chicago Reader

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5/6

David Fear

This collection of vignettes loosely based on the director’s adolescence in Rimini feels as if its creator is vividly recalling every fleeting sensation of his early life.

Full Review Source: | comment Comment | Dec., 03 2008 12:25 PM

Time Out New York

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Lance Goldenberg

What positions the film among Fellini's greatest are its punctuation points of mysterious beauty.

Full Review Source: | comment Comment | Dec., 03 2008 10:14 AM

Village Voice

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5/5

Cole Smithey

Makes me feel like a boy everytime I see it.

comment Comment | Jul., 27 2007 11:56 PM

ColeSmithey.com

tomato
3/4

Thomas Delapa

A memorable last chapter to Fellini's nostalgic screen reminiscences that began in 1953 with I Vitelloni.

Full Review Source: | comment Comment | Sep., 13 2006 05:00 PM

Boulder Weekly

tomato
A

Emanuel Levy

Amarcord, easily one of Fellini's masterpieces, is at once a personal memory film and a more detached social scrutinization of Italian society, specifically the political isolation and cultural provincialism that helped Fascism rise to power.

Full Review Source: | comment Comment | Sep., 06 2006 12:45 PM

EmanuelLevy.Com

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4/4

Jay Antani

A vulgar, crassly funny, tender, always affectionate nostalgia trip, Fellini style.

Full Review Source: | comment Comment | Aug., 18 2006 05:05 PM

Cinema Writer

 
 
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