The movie threatens to devolve into chaos, but director Belvaux manages to keep his plates spinning and his own splintered version of romantic farce chugging along.
An Amazing Couple (2002)
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Reviews Counted:36
Fresh:22
Rotten:14
Average Rating:5.9/10
Theatrical Release:Feb 6, 2004 Limited
Synopsis: A cinematic gamble without precedent, this ambitious project comprises three films, in three disparate genres, that provide not so much the same action from different perspectives, but rather,... A cinematic gamble without precedent, this ambitious project comprises three films, in three disparate genres, that provide not so much the same action from different perspectives, but rather, different pieces, consequences, and results of the combined actions of all the films. Structurally reminiscent in certain ways to Krzystzof Kieslowski's Three Colors Trilogy and Akira Kurosawa's Rashomon, (its literary inspiration was Lawrence Durrell's Alexandria Quartet) it takes the idea of ever-expanding narrative webs to an exciting new level. The first film is a fast-paced thriller, the second a romantic comedy, and the third a melodrama; each of the feature length films can be seen alone, but each feature narrative gaps that can only be filled by viewing the other films. Seen together they're a remarkably cohesive and satisfying achievement that has the effect of creating a fourth film that exists only in the viewer's mind. Director Lucas Belvaux himself plays one of the lead roles, accompanied brilliantly by Dominique Blanc, Catherine Frot, Ornella Muti, Gilbert Melki, and François Morel AN AMAZING COUPLE (UN COUPLE ÉPATANT) - For the second installment, Belvaux switches from noir thriller to lighthearted romance. Cecile is a teacher still madly in love with her husband Alain (François Morel), a hypochondriac who is convinced that a routine operation will take his life. He doesn't want to alarm her, and she mistakes his secrecy for an affair. Enter Pascal, who is hired by Cecile to track Alain, but who falls in love with Cecile instead. -- © Magnolia Pictures [More]
Starring: Lucas Belvaux, Gilbert Melki, Ornella Muti, Francois Morel
Starring: Lucas Belvaux, Gilbert Melki, Ornella Muti, Francois Morel, Catherine Frot, Dominique Blanc
Director: Lucas Belvaux
Director: Lucas Belvaux
Screenwriter: Lucas Belvaux
Composer: Ricardo del Fra
Studio: Magnolia Pictures
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Reviews for An Amazing Couple
Our attitude towards the multiplying mishaps and recriminations is one of forgiving irony, and watching Alain and Cécile blindly caught up in the screwball logic of the finely calibrated plot is a deliciously sly pleasure.
The second installment in Lucas Belvaux's exhaustingly ambitious Trilogy unravels in a classically farcical domestic misunderstanding.
the lightness of its comedy turns out to have a deliciously dark edge
Each movie casts light on the others. And after watching all three, a profound blending of the stories percolates in your head.
On its own terms, this is an above average French farce... Taken as part of Belvaux's wider project, though, Trilogy 2 proves to be something far more resonant.
Elevating all of this above the level of a French operetta libretto is our deeper awareness of the emotional back story behind Belvaux's characters.
Boosted by Morel's subtly hilarious, hangdog performance, the film offers a cunning blend of door-slamming farce and whimsical marital love story.
While there are many laugh-out-loud moments, one rarely forgets the underlying seriousness of the piece - a modern world of miscommunication, mistrust and isolation -- particularly if it is being seen in the light of the other films.
It's all soufflé-light and very well-played, but the film might have been a little more interesting had Belvaux explored some of the shadows that fall across the bright surface.
...grounded in the terrific comedic performance of François Morel, who turns Alain's paranoias into an ever-escalating parade of misinterpreted missteps.
Each film stands satisfyingly on its own as a genre piece, but the triplex provides added understanding of character and consequence.
I can't think of a recent film that has made me laugh harder or pleased me more.
Movies, particularly post-Spielbergian Hollywood product, tend to steer your frame of reference with fascistic discipline. Here, delivered in a shiftable tripartite sequence, is a movie experience you can shape yourself.
Belvaux beautifully controls all three styles and stories -- even though he's least successful with the comedy Couple.
This drawing room style comedy, with all of its twists, turns and mistaken beliefs is laugh out load funny at times
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 83% 83% | The Princess and the Frog | 12/11 |
| 83% 83% | A Single Man | 12/11 |
| 60% 60% | The Lovely Bones | 12/11 |
| | Invictus | 12/11 |
| | Avatar | 12/18 |
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