Wwhy does such an exciting life make such a dull movie?
Amelia (2009)
Tomatometer
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Reviews Counted:28
Fresh:3
Rotten:25
Average Rating:4.2/10
Consensus: Amelia takes the compelling raw materials of its subject’s life and does little with them, conventionally ticking off Earhart's accomplishments without exploring the soul of the woman.
Rated: PG [See Full Rating] for some sensuality, language, thematic elements and smoking
Genre: Dramas
Theatrical Release:Oct 23, 2009 Wide
Box Office: $13,986,210
Synopsis:
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary...
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary aviation pioneer Amelia Earhart (two time Academy Award® winner Hilary Swank).
After becoming the first woman to fly across the Atlantic, Amelia was thrust into a new role as America's sweetheart - the legendary "goddess of light," known for her bold, larger-than-life charisma. Yet, even with her global fame solidified, her belief in flirting with danger and standing up as her own, outspoken woman never changed. She was an inspiration to people everywhere, from First Lady Eleanor Roosevelt (Cherry Jones) to the men closest to her heart: her husband, promoter and publishing magnate George P. Putnam (Golden Globe® winner Richard Gere), and her long time friend and lover, pilot Gene Vidal (Ewan McGregor). In the summer of 1937, Amelia set off on her most daunting mission yet: a solo flight around the world that she and George both anxiously foresaw as destined, whatever the outcome, to become one of the most talked-about journeys in history. --© Fox Searchlight
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Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston
Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston, Joe Anderson
Director: Mira Nair
Director: Mira Nair
Screenwriter: Ron Bass, Anna Hamilton Phelan
Producer: Ted Waitt, Kevin Hyman, Lydia Dean Pilcher
Composer: Gabriel Yared
Studio: Fox Searchlight Pictures
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Reviews for Amelia
Amelia is handsome yet predictable and high-minded -- not a dud, exactly, but too proper, too reserved for its swaggering subject.
It’s all so glancing and superficial that the movie doesn’t seem to have a present tense. It goes by like coming attractions. It is, however, a treasury of bad biopic dialogue.
The movie is as conventional a biopic as Earhart was an unconventional woman.
Amelia is not very good, and not very good in ways that collect and showcase all the familiar failings of the classic biopic.
Alas, excesses of any pleasurable kind are absent from this exasperatingly dull production.
Look, nobody's asking for a miniseries here, but at times the movie feels more like a History Channel documentary -- respectful to the point of reverential -- than a rip-snorting yarn.
The film discreetly tiptoes around rumors of Earhart's reputed bisexuality ("Maybe at one time," she says) and her relationship with aviation pioneer Gene Vidal (Ewan McGregor impersonating a department-store dummy).
"Who wants a life imprisoned in safety?" Amelia asks in a voice-over. And you want to shout, "This movie does, honey." There’s not a real or spontaneous minute in it.
Director Mira Nair dresses that up with visual grace, with shots of clouds and sky that are beautiful and elusive enough to escape the tinge of cliche. But the basic bones of the story are the problem here.
It leaves the odd impression of being merely a very long trailer for a film you'd actually love to see.
Courting Oscar with unseemly lust, while also promoting Earhart as an early feminist, the film strives too hard to be profound and not enough to be merely human.
his embalmed drama is a ghost from the '80s, a decade that regularly produced surprise-free, caramelized biopics. The airless Amelia is missing practically everything.
Amelia goes airborne but never fully soars. It's hampered by a too-reverential portrait of the record-breaking aviator.
Amelia leaves you wondering how its abundantly gifted director, Mira Nair, and its Oscar-winning star, Hilary Swank, could have been complicit in such clumsiness.
Amelia is a perfectly sound biopic, well directed and acted, about an admirable woman.
With any luck this biopic of Amelia Earhart will also vanish without a trace.
History can weigh heavily on a filmmaker, and that is what happens with Amelia, a disappointing rendering of the remarkable life of Amelia Earhart.
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