Last time Swankatron went a-courting awards, she did so with the amazing Million Dollar Baby. But this biopic of legendary pilot Amelia Earhart is a hundred times blander.
Amelia (2009)
Tomatometer
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Reviews Counted:140
Fresh:29
Rotten:111
Average Rating:4.4/10
Consensus: Amelia takes the compelling raw materials of its subject’s life and does little with them, conventionally ticking off Earhart's accomplishments without exploring the soul of the woman.
Rated: PG [See Full Rating] for some sensuality, language, thematic elements and smoking
Genre: Dramas
Theatrical Release:Oct 23, 2009 Wide
Box Office: $14,133,329
Synopsis:
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary...
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary aviation pioneer Amelia Earhart (two time Academy Award® winner Hilary Swank).
After becoming the first woman to fly across the Atlantic, Amelia was thrust into a new role as America's sweetheart - the legendary "goddess of light," known for her bold, larger-than-life charisma. Yet, even with her global fame solidified, her belief in flirting with danger and standing up as her own, outspoken woman never changed. She was an inspiration to people everywhere, from First Lady Eleanor Roosevelt (Cherry Jones) to the men closest to her heart: her husband, promoter and publishing magnate George P. Putnam (Golden Globe® winner Richard Gere), and her long time friend and lover, pilot Gene Vidal (Ewan McGregor). In the summer of 1937, Amelia set off on her most daunting mission yet: a solo flight around the world that she and George both anxiously foresaw as destined, whatever the outcome, to become one of the most talked-about journeys in history. --© Fox Searchlight
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Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston
Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston, Joe Anderson
Director: Mira Nair
Director: Mira Nair
Screenwriter: Ron Bass, Anna Hamilton Phelan
Producer: Ted Waitt, Kevin Hyman, Lydia Dean Pilcher
Composer: Gabriel Yared
Studio: Fox Searchlight Pictures
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Reviews for Amelia
What should have been a soaring, inspirational, complex epic has been grounded by bad storytell ADVERTISEMENT ing, chocolate-box visuals, rubbish star turns and another awful US accent from a Ewan McGregor.
Oscar-winning actress Hilary Swank gives Earhart a convincing Kansas twang but little else in a performance that is unaccountably stiff.
This terrific true story has been so overproduced that there's virtually no life left in it
Towards the end, as the story returns to that round-the-world flight, the suspense kicks in, and Swank’s performance comes into its own.
The period detail is brilliantly brought to life, but the film is superficial, lacking the passion of its heroine.
Swanks’ clear shot at a third statuette is blocked by hulkingly dull writing and direction that could point the way towards a definitive cure for insomnia.
... it is a film that fails to soar even a little bit despite being about one of the greatest flyers in the history of the planet.
Amelia is a film that could have been great, but instead is an average film about an extraordinary person.
Not so much a film as it is the world's dullest diorama brought to semi-life.
Amelia reminds us how little we really know about the lives of famous achievers who changed the world, and underlines the power of biography on screen. It's a creatively and technically accomplished film with thrills and emotional action in equal measure
Romance edges ahead of adventure or characterisations and as a result, despite a soaring lead performance by Hilary Swank, the film suffers from a fatal dose of melodrama
Although it has moments that soar, the movie as a whole never quite gets off the ground
Reduces the story of this feminine icon into a typical Hollywood romantic triangle, albeit one with some beautifully staged aerial set pieces.
In its effort to be one of the first Oscar-bait titles out of the gate, the stately but sterile Amelia ends up stumbling over its own feet.
The movie is like a plane you see off in the distance: You recognize it's a plane but its details are indistinct.
In one fell swoop, Mira Nair and company have set the genre back 64 years. That's probably some kind of accomplishment.
A fine tribute to an American pioneer, but I feel sure that Earhart's story merits, and would reward, a more searching and thoughtful exploration.
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