You leave the theatre buoyed by the image of two men who put conscience before personal safety.
Amen (2003)
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Reviews Counted:49
Fresh:33
Rotten:16
Average Rating:6.3/10
Theatrical Release:Jan 24, 2003 Limited
Synopsis: Filmmaker Costa-Gavras (Z, MISSING) has a reputation for controversial political cinema, and he does not fail to raise eyebrows with AMEN. Focusing on the Vatican's unwillingness to oppose the... Filmmaker Costa-Gavras (Z, MISSING) has a reputation for controversial political cinema, and he does not fail to raise eyebrows with AMEN. Focusing on the Vatican's unwillingness to oppose the Holocaust, and two men who tried to change the system from within, AMEN is adapted from the play THE REPRESENTATIVE by Rolf Hochhuth. It is based on a true story about officer Kurt Gerstein (Ulrich Tukur), a Nazi soldier who moved up the SS ranks by devising a chemical method to purify soldiers' drinking water. Gerstein is unaware of the horrors of the concentration camps until he is recruited by "The Doctor" (Ulrich Muhe) to adapt the same chemical for use in the gas chambers. Though Gerstein is overwhelmed by the reality of the impending massacre, he does not turn a blind eye. He informs the Swedes, the German Protestant Church, and even the Vatican. But he is sent away, dismissed, and otherwise silenced by all but the tenacious Father Riccardo Fontana (Mathieu Kassovitz), a fictitious character based on a number of priests who fought against the Holocaust. Father Riccardo takes life-threatening risks in a fruitless effort to convince the cardinal (Michel Duchaussoy) and the Pope (Marcel Iures) to rise above their fears of Nazi retribution. [More]
Starring: Mathieu Kassovitz, Ulrich Tukur, Ulrich Muhe, Michael Duchaussoy
Starring: Mathieu Kassovitz, Ulrich Tukur, Ulrich Muhe, Michael Duchaussoy, Marcel Iures, Ion Caramitru
Director: Costa Gavras
Director: Costa Gavras
Producer: Claude Berri
Screenwriter: Costa Gavras, Jean Claude-Grumberg
Studio: Kino International
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Reviews for Amen
It goes without saying that no one will disagree with the movie's politics, but the movie itself -- the artistry and storytelling -- are as flimsy and clumsy as you can get.
Although the unrelenting pursuit of making the Vatican listen becomes a bit tiresome, the portrayals of the two men by Tukur and Kassovitz are engaging.
Amen. is a morally provocative screen interpretation of Rolf Hochhuth's controversial drama The Deputy that excoriates the refusal of Pope Pius XII to speak out against the Nazi extermination of the Jews.
Costa-Gavras returns to full potency with this masterful film, an examination of culpability as well as the biography of a little known figure whose story deserves to be told.
One of the main draws for "Amen" is the outstanding performance, among others, by Ulrich Tukur.
What should have been agonizing in its impact comes off as wooden, perhaps because Costa-Gavras works in schematic fashion, spoon-feeding us issues while skimming the historical surface.
About as subtle as a hammer blow to the skull and marred by a heedless mixture of fact and fiction, Costa-Gavras's latest exercise in historical awareness-raising nevertheless dramatizes an important real-life story.
Though such elements might chip away somewhat at Amen’s seriousness of intent, they do add fire to the stimulating drama.
A movie that suggests the Holocaust may be an endless source of absorbing, heartbreaking dramas.
Costa-Gavras provides a post-war postscript to make clear that honesty is punished; cynicism survives.
Turns an infuriating and frustrating predicament into a thriller of the conscience.
Though more theatrical than cinematic, 'Amen' is a vigorous condemnation of the pope's refusal to speak against the Holocaust.
An expose of the Catholic hierarchy in a state of mind-boggling paralysis, presented in a fictional context that, inevitably, dulls its edge and makes us question its accuracy.
Costa-Gavras deserves credit for staying the course; in a time when most European film directors are wringing their hands, he's still pointing fingers.
It is the director's most ambitious film in years and one of his least compelling.
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| Tomatometer Percentage | Movie |
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