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Amen (2003)
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Reviews Counted:49
Fresh:33
Rotten:16
Average Rating:6.3/10
Theatrical Release:Jan 24, 2003 Limited
Synopsis: Filmmaker Costa-Gavras (Z, MISSING) has a reputation for controversial political cinema, and he does not fail to raise eyebrows with AMEN. Focusing on the Vatican's unwillingness to oppose the... Filmmaker Costa-Gavras (Z, MISSING) has a reputation for controversial political cinema, and he does not fail to raise eyebrows with AMEN. Focusing on the Vatican's unwillingness to oppose the Holocaust, and two men who tried to change the system from within, AMEN is adapted from the play THE REPRESENTATIVE by Rolf Hochhuth. It is based on a true story about officer Kurt Gerstein (Ulrich Tukur), a Nazi soldier who moved up the SS ranks by devising a chemical method to purify soldiers' drinking water. Gerstein is unaware of the horrors of the concentration camps until he is recruited by "The Doctor" (Ulrich Muhe) to adapt the same chemical for use in the gas chambers. Though Gerstein is overwhelmed by the reality of the impending massacre, he does not turn a blind eye. He informs the Swedes, the German Protestant Church, and even the Vatican. But he is sent away, dismissed, and otherwise silenced by all but the tenacious Father Riccardo Fontana (Mathieu Kassovitz), a fictitious character based on a number of priests who fought against the Holocaust. Father Riccardo takes life-threatening risks in a fruitless effort to convince the cardinal (Michel Duchaussoy) and the Pope (Marcel Iures) to rise above their fears of Nazi retribution. [More]
Starring: Mathieu Kassovitz, Ulrich Tukur, Ulrich Muhe, Michael Duchaussoy
Starring: Mathieu Kassovitz, Ulrich Tukur, Ulrich Muhe, Michael Duchaussoy, Marcel Iures, Ion Caramitru
Director: Costa Gavras
Director: Costa Gavras
Producer: Claude Berri
Screenwriter: Costa Gavras, Jean Claude-Grumberg
Studio: Kino International
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Reviews for Amen
This is not the place to debate the Vatican's role, but Costa-Gavras offers a most persuasive study of its shortcomings.
Even flawed Costa-Gavras is generally worth watching, if for nothing more substantial than the painstaking care he gives to every facet of the filmmaking process.
Amen., a docudrama rather than a documentary, is clearly guided by Shoah's example, asking us to reflect on the Holocaust and what made it possible rather than simply recoil from it.
It's regrettable that director Costa-Gavras puts more of his storytelling energy into simplistic psychology and suspense-movie action than historical depth and philosophical insight.
It goes without saying that no one will disagree with the movie's politics, but the movie itself -- the artistry and storytelling -- are as flimsy and clumsy as you can get.
Though more theatrical than cinematic, 'Amen' is a vigorous condemnation of the pope's refusal to speak against the Holocaust.
In a remarkably subtle turn, the German Tukur is convincing as [Gerstein].
What should have been agonizing in its impact comes off as wooden, perhaps because Costa-Gavras works in schematic fashion, spoon-feeding us issues while skimming the historical surface.
It's so inert, so slow-moving that it seems at least twice as long as it really is, and it manages to waste a potentially fascinating premise.
Costa-Gavras deserves credit for staying the course; in a time when most European film directors are wringing their hands, he's still pointing fingers.
You leave the theatre buoyed by the image of two men who put conscience before personal safety.
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