American Dream (1992)

American Dream




Critic Consensus: No consensus yet.

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Movie Info

Depicting the effects of a mid-1980s strike by the employees of a Hormel meat-packing plant in Austin, Minnesota, Barbara Kopple's Academy Award-winning documentary American Dream observes both the daily struggles of the striking workers and the behind-the-scenes conflicts amongst the union leaders. Upset at a proposed pay cut, the local union chapter begins the strike against the advice of their parent organization, hiring an outside consultant who encourages the workers. This consultant's … More

Rating: PG-13
Genre: Documentary, Special Interest
Directed By: , , ,
In Theaters:
On DVD: Mar 2, 2004
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Critic Reviews for American Dream

All Critics (10) | Top Critics (5)

Full Review… | January 1, 2000
Chicago Sun-Times
Top Critic

Full Review… | May 20, 2003
New York Times
Top Critic

May 12, 2001
Rolling Stone
Top Critic

Full Review… | January 1, 2000
Washington Post
Top Critic

Full Review… | January 1, 2000
Washington Post
Top Critic

Though a political film about labor unionism, American Dream is ultimately about the decimation of a social community, one that has suffered divorces, illnesses and broken friendships as a result of the conflict.

Full Review… | May 13, 2006

Audience Reviews for American Dream

Gives you a painful but honest on all sides look at what labor unions have to go through when they go into strike-mode, and how corporations, starting in the 80's, say the unions flaws in negotiating as a means to get in to change things for their benefit. It's that kind of movie though that doesn't discriminate in a key way - I think if you're pro-union or anti-union even, you can get something out of this take by how Kopple presents everything. The characters here all want what's best, but it's not so simple as'let's negotiate a contract'. Sides become fractured, tempers get flared, and a 'labor consultant' arguably muddies the waters early on in the negotiating. By the time it gets to be many weeks into the strike, some of the folks on the picket lines get desperate, cross and go back to work, and the sides become even more fractured.

It's about the Hormel meat-packing district, but the staying power of the film is this: it could be anywhere. Is it just about if wages decrease by two dollars, or four dollars, or about something more when it comes to bargaining, the rights of workers, and who is really in control? The interviews and perspective are in large part on Lewie Anderson, who probably has the most common sense as we can see it (or rather in comparison with the Consultant Ray Rogers, who is technically a corporate guy as well), and how he has to approach the union and the chief committee about where to go with Hormel - and of course the flaws are there, like rewriting the contract that has forty years of bargaining in it for the rights of the workers.

This is not to say that, for the warts-and-all approach Kopple takes, that she is on the side of the corporate masters at Hormel. We see one of their spokesman, who is a down-the-line party guy (maybe not as villainous as, say, a Roger Smith from Roger & Me, but what is). But it's mostly there, in those halls and on the picket lines and in those smokey, emotional offices that Kopple takes her sights and tells this story. It is a complicated tale to tell, that is without easy answers, but by the end you can't say you don't see how things did not turn out well, especially with the greater picture (albeit not shown really or at least on the level of the 'smaller-but-bigger' picture the director paints) that the country was in at the time, and still are. What happens to these Americans, all hard workers, when faced against corporate pressures, and then other workers are brought in across the picket lines. What happens to society?

A good doc about strikers at a Hormel meat packing plant. and the struggles between the company, the unions and the workers.

Phillip Renke

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