American Gangster Reviews
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Besides another great performance by Denzel Washington, not to mention the incredible supporting actors he has to work with like Russell Crowe, Chiwetel Ejiofor, Josh Brolin, Arman Assante, and Cuba Gooding Jr., the film is a wholly original gangster picture. Denzel's performance is not to be understated however. His fans will get everything they watch the actor for; the smooth talk, the mannerisms, the bad ass stare, the yelling, and the cool demeanour. But like his best roles, he turns Frank Lucas into a fully realized character, a flawed but wholly sympathetic one.
The story focuses on how Frank Lucas was able to make more money than the Mafia through good business decisions. This film could almost be taught in economics classes, except for the fact that Lucas' product is heroine. Image, and an honest living giving back to the community were what helped Lucas get ahead, stay ahead for as long as he did, and never get backstabbed.
The film smartly contrasts his life with Richie Roberts (Crowe), who may stand for what's right, but doesn't impact his community the way Lucas does. Lucas isn't Scarface, nor is he Michael Corleone. He went a diferent way, which makes his story just as important as the others.
Ridley's production team successfully and accurately re-creates a gritty, realistic view of Harlem in the 1970s. They also don't shy away from showing what Lucas' product is doing to addicts. There's no denying that Frank Lucas does bad things. But given the world he grew up in, he did what he could to survive, and survive he did.
Note: I prefer the theatrical version to the unrated cut. I believe that Ridley made the edits for the theatrical cut for a reason and the additions interrupt the pacing and don't add any more depth to the already perfect narrative.
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Director Ridley Scott has always been a man with a talent behind a camera when it comes to visuals. He knows what he want from his images and he knows how to capture them to the film. He is one of the great painters of filmworld. Many of his images are often so breathtaking, that they would make a wonderful paintings. Films like Blade Runner, Legend and Kindom of Heaven are perfect examples of his abilities.
With American Gangster Scott has a good script by Steven Zaillian where to work from and one of his best cast to date to work with. Russell Crowe and Josh Brolin are especially on a top form here. Especially Russell Crowe whose performance as a detective Richie Roberts is one of his best and works as a heart of the film. And when you add those elements in to Scott's typically brilliant technical values, you get an entertaining two and half hours.
This film is one of rare exceptions in Scott's filmography when the story is not overrun by film's visual style. American Gangster is clearly one of his more mature and relaxed films that trust it's screenplay and is brave enough to take it's time to get in to the every dark corner of the story. This is definetly no action-film, not even close. This is more of a tense cat and mouse - game between a dedicated cop and a famous gangster who used to be one of the most ruthless and dangerous of his time. It is also a dark and intimate look into the corruption overall with stylistical hints of film-noir in it.
American Gangster does still not come without it's flaws. It certainly suffers from being a overly familiar material at times. It seems that it fall for victim of being a story that we have seen quite too many times on celluloid. Still it is a well made entertainment with good cast.
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This is minor flaw in an otherwise strong film. I can't say that it does much, but the performances, especially by Washington, who is always good, are excellent, and Scott's direction is even and natural. The film doesn't seem to judge its characters, presenting Lucas as a cold-blooded, detached, and unrepentant criminal who loves his mother as a Southern man should and Roberts as a poor father and a cop whose honesty becomes both his badge of honor and his shield against all kinds of valid criticism. Additionally, almost all of the characters in the film use the term "dope" to refer to heroin; I suspect this term, which most often refers to pot, was deployed to detract from the incredible harm the drug causes, though balancing this is an effective montage of drug-addled customers. It is also a sprawling epic of a film, the director's cut lasting close to three hours, and it is a credit that the film held my attention for so long.
Overall, this is not Scarface or Get Shorty, glorifying its eponymous hero; rather it's along the lines of Donnie Brasco and Goodfellas presenting gangster life in all its seedy luxury.
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In 1968, the loyal driver, bouncer and collector Frank Lucas witnesses the death of his boss and mentor Bumpy Johnson and finds that Harlem lost its leadership. Frank decides to import heroin direct from the source in Bangkok, establishing a logistic of transportation using the US military airplanes from Vietnam to USA. The quality of his product associated to the trade mark "Blue Magic" and the lower prices bring Frank Lucas to the position of number one distributor of heroin in USA. Meanwhile, in the Essex County, the incorruptible detective Richie Roberts that is studying for the Bar Examination is invited to join and head a Federal Investigation Force of Narcotics, seeking the leaders of the dealers in North America.
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