If you're going to make a movie about hardcore punk, make a movie about hardcore punk.... [This] looks more like the same old PBS documentary.
American Hardcore (2006)
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Reviews Counted:61
Fresh:44
Rotten:17
Average Rating:6.4/10
Consensus: American Hardcore is an informative and highly entertaining look at the heyday of punk in the early 1980s.
Rated: R [See Full Rating] for pervasive language including sex and drug references.
Runtime: 1 hr 41 mins
Genre: Musical & Performing Arts
Theatrical Release:Sep 22, 2006 Limited
Synopsis: True hardcore fans may balk at the fact that this vibrant document of a scene that prided itself on some staunchly anti-corporate ethics is being distributed by business behemoth Sony, but they... True hardcore fans may balk at the fact that this vibrant document of a scene that prided itself on some staunchly anti-corporate ethics is being distributed by business behemoth Sony, but they needn't worry--AMERICAN HARDCORE was in the can long before the men in suits picked it up for distribution. Paul Rachman's film is bookended by two clips of Ronald Reagan being sworn in for each of his tenures as president, and the director is quick to draw parallels between Reagan's leadership and the explosion of angry young men who picked up guitars, drums, and microphones and exploded onto an unsuspecting ‘80s music scene. Rachman draws on amazing footage of scene leaders such as Bad Brains, Minor Threat, and Black Flag to tell the story, and splices them with interview clips from band members, scenesters, fanzine writers, label bosses, and plenty of the freaks and misfits who were drawn to the pummeling sounds of hardcore. Perhaps the most interesting aspect of Rachman's film is the fact that that many of the figures who populated it, such as Minor Threat's Ian Mackye and Black Flag's Henry Rollins, still staunchly stick to the stringent personal and work ethics their younger selves developed back in the day. And what a day it was! As the various talking heads tell of dust-ups with cops, violent scenes at shows, and the development of a supportive musical community across the country, it will be difficult for younger viewers not to feel pangs of jealousy. However, Rachman does briefly cover some of the downsides of hardcore, such as the lack of female performers and the jock-like mentality of those who just showed up at shows looking for a punch-up, but on the whole the film is an upbeat testimony to a movement that was so underground that it simply passed by a lot of the high-haired and colorfully clothed pop fans of the era. [More]
Starring: Ian MacKaye, Dez Cadena, Joe Carducci, Flea
Starring: Ian MacKaye, Dez Cadena, Joe Carducci, Flea, Dave Markey, Moby, Henry Rollins
Director: Paul Rachman
Director: Paul Rachman
Studio: Sony Pictures Classics
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Reviews for American Hardcore
If you're expecting a documentary about punk rock %u2014 like I was %u2013 think again. Paul Rachman's "American Hardcore" has nothing to do with the original '70s movement of the Sex Pistols, Sham 69, Ramones and the Clash.
The hit-and-run effect sometimes suggests a documentary equivalent to slam dancing, but without the bruises.
What's irritating about the movie is how much time it spends on empty nostalgia -- shouldn't real punks scorn reminiscing? -- and how little time it spends truly exploring the roots of America's punk prime in the early 1980s.
The film's a pretty good scrapbook ... and it evinces a healthy cranky-old-man disgust with the mega-platinum punk acts of today.
Though American Hardcore doesn't achieve a cogent and authoritative history, it succeeds in giving the general impression of the early-'80s hardcore punk scene.
Exhaustive and at turns exhausting, American Hardcore explores 1980s punk subculture with the frenetic energy of mile-a-minute mosh-pit music, sealed with a fist.
There's a lot of interesting material here, but Rachman doesn't offer any real analysis of his own, and the film suffers from a lack of narrative focus.
For the record, Rachman's punk-rockology has its cracks. While he worships at the altar of Henry Rollins and Black Flag, he excludes such key West Coast bands as X and the Dead Kennedys.
American Hardcore, Paul Rachman's impressively thorough documentary, tells of the second-generation punk rockers who learned from the Sex Pistols and Ramones and then did their DIY thing.
Every element of the movie, from the archival footage to the interviews, carries a raw, unpolished aesthetic that echoes the subject matter.
Every element of the movie, from the archival footage to the interviews, carries a raw, unpolished aesthetic that echoes the subject matter.
The film features virtually no commentary from anyone who wasn't part of the original scene and who might put hardcore into a larger cultural context, and ends up an intermittently interesting laundry list of same-sounding bands.
An energetic and grandly entertaining tribute to a short-lived period of early-'80s punk rock.
It's an expansive look at a genre and a tribe of musicians that found their collective voice. And there's one thing you could always say about hardcore -- it was never boring.
This is the 80's like you have never seen them, brilliantly brought back to life in this fascinating new film.
[This] sharp survey brings an insular, now largely forgotten scene back to vivid life.
The movie is hazy about dates and names but bracing in its depiction of young people who made music because they loved it, not because they thought it would make them rich or famous.
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